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                    <text>LOWELL HISTORICAL SOCIETY
ORAL HISTORY PROJECT
GAY COMMUNITY IN LOWELL

INTERVIEWER: MEHMED ALI
INFORMANT: LINDA DURANT
DOLORES FRIANT
DATE: SEPTEMBER 20, 2013

A=ALI
L=LINDA
D=DOLORES

A: And this is interview with Linda Durand and Dolores Friant?
D: Umhm.
L: It’s Durant.
A: Durant? Is it Durant with a “T”? Oh okay. Almost like Friant.
L: D U R A N T! That’s why I said Friant and Durant. [Laughs]
A: And it’s September 20th, 2013. So folks thanks again for (--) Oops! There goes
Manny.
L: He’s putting in his word too, you know! [All laugh]
A: We weren’t talking about him yet, he was getting jealous. So thanks again for
coming down.
L: Oh you’re welcome. Thank you. I mean sorry it took us so long to get to see you.
A: No, no, it’s all right. So everyone I talked to you know over the last several years that
have been doing Lowell history has talked about you know, one of the more famous kind
of night club entertainers is Manny Diaz. And I wonder if you can first just speak a little
bit about what you know about his, his early life, you know, where he, where he went to
school and early jobs, anything you know about that?
1

�[Lots of background noise]
D: Where he went to school was in Lowell.
A: Yup. And what neighborhood did he grow up in?
D: Okay, Back Central, Lincoln Street, Powell Street.
A: Okay. So he bounced around a little bit.
D: Umhm, as you see when you eat all of it. There’s a bunch of it. (A: Great) Ah, he
lived on Lincoln Street. He lived on Powell Street. He lived on Shirley Avenue.
A: Shirley Ave, okay.
D: He lived on Appleton Street right across the street, and he lived on Goward Place.
A: Goward Place, which is right yah, next door somewhere. And what, what did he do if
you know before he got into entertainment and (--)
D: He was a dancer. (A: Okay) He opened up his own dance studio in 1927. (A:
Okay) And he used to teach all kinds of dance, (A: Really?) everything, Spanish dancer,
everything.
A: Where did he learn that? Do you know? Was he self-taught?
D: Self-taught. He never went to school for it. (A: No.) But he could dance. God
could he dance. I know I was one of his pupils.
A: Yah, no kidding! What did you take from him?
D: Tap, (A: Okay) my sister and I. You didn’t want to! Hey you know, keep it in the
family.
A: And where was his studio at?
D: East Merrimack Street.
A: Okay, was it near the old Rex Center, or ?
D: That’s where it was, in the Rex Center.
A: It was in the Rex Center? (D: Umhm) Oh okay.
D: Oh yes I remember hanging out the windows.

2

�A: Yah. What was the Rex Center like?
D: It was nice and [unclear] offices. His studio was on the second floor. (A: Okay)
He, he did a lot, an awful lot of recitals. He put on an awful lot of shows.
A: No kidding.
D: As you’ll see. You got, you’re getting the scrapbooks and everything.
A: Okay, great!
L: That we need back!
A: Yes, well (--)
L: All of them!
A: Yup, we’ll get them back to you in (--) I’ll try to get them back to you by the end of
next week.
L: Okay.
A: Try to turn it around really quick and get it back.
L: Because those are all clippings out of the newspapers back from the 19 (D: 27), 1927.
And I seen something in there from 1915, or 1916, or something.
A: Wow.
D: He was a very, very good entertainer.
A: So how do you think he gravitated from the (--) Did he always keep the dance studio
around forever, or?
D: No, I think my sister and I helped him stop that. [Both laugh]
A: Why do you say that?
D: Because we didn’t, we didn’t want to do it. You know, we, my sister and I didn’t
want, [interrupted by waitress] (A: Great) didn’t want to be tap dancers. (A: Yah) And
we didn’t want (--) And I’ll never forget one day I mean we had the whole, filled the
whole floor full of you know, other kids. And they’re tap dancing. And I looked at my
sister, and I used to be a devil, and my sister just looks at me. I says, “Okay, here we
go.” So instead of doing the right steps we were doing wrong steps. “Oh my uncle used
to pull his hair out.

3

�A: [Laughs]
D: I says, “That’s it, I quit!” [Unclear], “you’re damn right you do!”
A: So at some point he gravitated over towards just doing like night club acts and things
like that?
D: Yah, when he was young in his 20s I think.
A: So he had the dance studio when he was in his 20s?
D: In the 50s, 20s [unclear-too much noise, hard to comprehend]. Maybe 55. I think
that was when he closed I think it was 55.
A: Okay. So he ran it for 30 years almost, or so? Okay.
D: He taught classical, tap, you name it he taught it. He was very good. He was a
beautiful dancer. Good singer. (A: Yah?) Good entertainer. Good MC.
A: Who did he use to MC for? Do you know?
D: He played at the [sounds like: Bella Donner], all the different places. Happy
Helen’s, they used to be on the boulevard. The White Eagle. The [Candle] Club. All the
bars in Tyngsboro because I used to drive him.
A: Oh he didn’t drive?
D: No he never drove.
A: And they, they said he was kind of a shnazie dresser as this illustrates.
D: A couple of the articles, he had over fifty suits (A: Yah) for every occasion. This is
proof he did, right here.
A: What were the different suits for?
D: Different acts he did. Like once he was a pirate. I think there’s a couple of pictures
somewhere and a scrapbook how he made the pirate. Spanish dancer. You know, like I
said, he did it, he put on a lot, a lot of acts, the recitals with the kids [unclear]. A lot of
big name people, you know, he taught them how to dance.
A: Yah. Do you remember some of his students, his more well-known ones?
D: Not off hand. They were in, they were in (--)
L: They’re in those.
4

�A: Yah, well we’ll take a look at those after.
L: There are so many clippings. I’m amazed at how many clippings are in there Auntie
D. I didn’t realize.
D: Plus I lost a lot. I lost a lot of them.
L: Yah.
A: Yah.
L: And everything is kind of loose in the books. So you got to be really careful, and it’s
real fragile on them.
A: Okay. Well we’ll make sure that they, they stay where they are.
D: He worked here maybe ten, fifteen years he worked for the Owl Diner.
L: Wow. I didn’t realize that. That many years huh?
[Noise and conversation in background between waitresses and customers]
L: Because he only lived right behind here. So right? When he worked here?
D: Yah, because I used to work here.
L: Wow.
A: You did really?
D: Yah, this was with the previous owners.
A: Who were the owners? They were Greekd?
D: They were Greeks, two Greek brothers.
A: Oh. And was he still doing entertainment as well as The Owl Diner?
D: Umhm, oh yah.
A: Now you were telling me on the phone that he had done some female impersonation?
D: Years and years and years ago. And he only did it for, as an act. (A: Yup)
Everybody loved it. Everybody wanted him to keep doing it. And he did it a couple of
times and that was it. You know, he took it out of his act! (A: Yah) And in 1950 they
5

�banned, [they wanted to ban men], he couldn’t get a job because he was referred to as a
female impersonator, which he wasn’t. That was years, well over fifteen years way
earlier. I think the Police Chief didn’t like him. (A: Yah) I gave you all the paperwork
on it, because he cut it all up, on it and that.
A: So did the Police Chief not like him because of his orientation, or something?
D: The clientele, [unclear] the clientele. Like I says, I’ve took, I used to take Manny to
mostly every place he worked. You know after I was sixteen and I got my license you
know, I’d take him. And if it wasn’t too late at night you know, I’d go pick him up. And
no, he had a very, very good clientele in all of them.
A: But there was some, you know, with people that might have gone to see Manny, I
mean there was overtones of homosexuality which were I think frowned on by the, by
those city fathers way back when.
D: Yes. Yes.
A: Did Manny feel like he was being like persecuted in any way?
D: He didn’t like it, but he wasn’t, he wasn’t going to dwell on it. (A: No) You know,
like he says, “They can call me what they want.” (A: Yah) I mean he was in love.
A: He was what?
D: He was in love.
A: He was in love, yah.
D: [Unclear].
L: [Talking to waitress} I’m all set. Do you want any more coffee Auntie DD?
A: Are any of his friends still around by chance?
D: Um mm.
L: Oh jeeze no, I would doubt there’s anyone.
A: I mean I know it was a long time ago, but.
L: It was thirty-two years ago. (A: Yah) Thirty-two years ago because I’ve been with
my husband since 1982 and that’s thirty-one, and the year before that. So thirty-two
years ago. Wow!
D: You want a story? I got one. I was younger.
6

�L: Thanks Ali [must have picked up the tab].
D: Thank you. He was, he was in love with my aunt. And I guess they had been from
what I hear through the grapevine, he was, they were going to get married, but then I
guess Manny was you know, entertaining or he was out of town. Anyway she met my
uncle, my other uncle [unclear] in New Jersey. And you know, he was a little hot shot.
So she ended up breaking my uncle’s hear and marrying Stuart. That used to be cute,
you know, every year we used to go to New Jersey and visit them, visit the relatives.
A: Really.
D: Oh yah.
L: Wow.
A: No ill will, no bad feelings.
D: None at all. No.
A: Can I have a glass of ice water?
D: But I think that’s when he decided he wasn’t getting married.
A: Yah. Somebody told me one of the funny songs he would sing though is, “I Wanna
Get Married.”
D: Umhm.
A: Do you remember that at all?
D: Oh yes!
A: Who? Did he write songs?
D: Yes, and you got a couple of the songs.
L: Oh yeah! (A: Really?) A lot of stuff in here.
A: Okay, great!
L: Real lot of stuff.
D: He was very religious. (A: Yah) Loved his bingo.
A: Loved his?
7

�D: Bingo.
A: Bingo! Okay [chuckles]. (D: Oh yah) Well that was the primary purpose of church
back then right? No, I’m just kidding.
L: [Laughs] I know, isn’t that funny how um, bingo is a sin but all the people that go to
church go to bingo. [Both laugh] I get a kick out of it!
A: I don’t know if they still do, but they used to do it at the church right?
L: Oh yah, that’s true too! That’s right.
D: And I know what you’re saying, [unclear] bingo.
L: Now was Manny part of St. Anthony’s?
D: Yes, when he was younger. Then he went to what, St. Peter’s?
A: Oh St. Peter’s because he lived around here maybe?
D: Yah.
A: Did he have any sense of being Portuguese and celebrating that heritage?
D: Oh yes! Oh yah! I had to go through that when I was a kid too.
A: Yah, and what did that (--)
D: The parades [unclear].
A: Did he know Portuguese music? Did he sing Portuguese songs?
D: I don’t think so.
A: Did he speak Portuguese?
D: Oh yes.
A: He did. Oh. (D: Oh yes) Were his parents immigrants, or his grandparents?
D: Parents.
A: Parents were. And were they from where, Medeira, Portugal?

8

�D: The Azores. [Loud noises] (A: Yah) Oh yah. The first thing I remember when I
was young [few words unclear] “do not talk in front of the kids.”
[All laugh]
L: [Unclear]
D: [Unclear] all they had to say was one word in English. I gotcha! But Manny was a
great guy
A: Yah.
D: I miss him.
Waitress: All done?
A: Yah, thanks very much.
L: Thank you.
D: This is crazy but (--)
A: Yah, how is that?
D: Oh that’s when he had his dance studio and everything. [Unclear] I used to have the
little devil in me. [Laughs] But if Manny ever needed anything I was the first one
always there, always there. Him and his sister.
A: Were there any recordings of him by chance?
D: I don’t know.
A: I know it was a little bit before the days of You Tube and everything. So, but
[unclear].
D: No, unless maybe years ago you know with all the recitals that he did. He was big on
the VFW.
A: Oh really?
D: On [laws].
A: Now he was too old to go off to World War II though, wasn’t he?
D: Yah.

9

�A: Well maybe we can look at some of these pictures and if it creates and story or
anything. Oh, that’s great! Where is this at now? Do you know?
D: Hm? It’s got to be in one of the, it’s got to be in one of the clubs.
A: Okay.
L: Mayfair Diaz.
A: Let’s just put these down so they don’t (--)
D: Yah, this is the Mayfair where he worked. “Presents Manny Diaz.”
A: Wow, cool. Oh yah, look at that! There he is! Wow!
D: Oh yah there’s a lot of pictures in there where he is young.
A: Wow, look at that! Now is this is brother or father there?
D: No, all he had was his sister.
A: Oh okay.
D: That was his friend I think. I don’t know if his friend, that was Paul Poitras? You
know I vaguely remember. This was him I think on Lincoln Street?
A: Where is this?
D: I think on Lincoln Street years ago.
A: Lincoln Street, okay, he’s holding the dog there. Oh yah, these are great. [Laughs]
Wow! Look at that!
L: Oh wow, this was a real good one of Manny. I think this one.
A: Do you know where this one is?
D: Some club.
A: Yah. Here he is. He’s kind of grooming himself with his beautiful blonde hair.
L: Yah.
D: Oh yah, he had beautiful blonde hair.

10

�A: Now did (--) Oh wow look at these. Oh this is great! “Manny Diaz Dancing
Studios.” Wow! Did anybody ever give him a hard time for you know, the way he
dressed, or looked, or acted?
D: Oh I imagine they probably did. I mean he was well dressed. He was right up there
in style.
A: Yah, but almost maybe too, too well-dressed for Lowell, Mass sometimes?
D: Yes. Yes. Yes.
A: Wow these are great! The Pinehurst Community Church. My folks grew up in
Pinehurst.
L: So I mean there’s some really, really old stuff in here.
A: Yah.
L: “Carolyn Acre to dance at a benefit.” Wow, that’s something.
D: He did a lot of dance, you know, with his dance studio.
A: Look at all these cards here. This is great.
L: May 31, 1935, UCI Hall. Wow.
D: I mean I think he played every nightclub that was in Lowell.
A: Yup.
D: In Billerica, in Pinehurst, in Dracut, in Tyngsboro.
A: And what do you think his (--)
L: You see how everything is just like loose here. So you really got to be careful,
because every little clipping on him, all these, all of these.
A: Yah, we’ll make sure that they don’t get out of order and things, you know. So what
do you think Manny’s attraction was as an entertainer? I mean he had a very, you know,
he had a very long career on the circuit around, around the area right?
D: Oh yes, up until he got sick.
A: Yah. What do you think his attraction was as a performer?
D: He loved to entertain! (A: Yah) He loved to entertain.
11

�L: Even these little things, “Today’s Star Theatre.” I mean that’s unbelievable! (A:
Yah) Ten to twenty-five cents.
A: Oh look at this. Charlie’s Chan. These are old boy.
L: That’s what I was saying. I mean these things are way back.
D: There’s a menu in here from one hotel.
L: Oh here’s what I want to see.
A: Yah.
D: In Canada where he did a show.
L: Who the hell is that?
D: I don’t know.
A: Is that him when he was young?
D: That could either be Manny or it was his father.
L: Here’s another old one. This must have been him. Manny didn’t put any names on.
A: So you think this guy here is Paul Poitras?
D: I think it’s Paul Poitras.
A: And is he gone?
D: Yes.
A: Was this his partner or buddy, or?
D: No, good friend. (A: Yah) Because he used to play the piano (A: Oh okay) in
Manny’s studio. (A: Okay)
L: Wow. I want to try to read these. Was that Manny?
A: I think that’s too new.
D: Too new.
L: Yah, see, there’s nothing on it.
12

�A: It’s probably from the 50s.
L: Yah. I want to save this page that it’s in. I want to see what this is without ruining
anything.
A: There you go. So you were talking about Manny got sick. What was his condition?
L: That could have been Manny huh?
D: He died of cancer.
A: He died of cancer. I see. Wow. Was he a smoker?
D: He was a smoker, but then he stopped for twenty-years and still died of cancer.
A: Oh really.
D: Same with my mother, sister. Him and my sister were very, very close all through
life. (A: Yah) I mean Manny lived with us on and off for years.
A: Yah, yah. How long has your mother been gone now?
L: Since 1983.
A: Oh, so just a couple of years after him then huh?
L: Um. January 2nd.
D: Because I still got [Lucy] at the house here. Manny’s last will and testament, he left
everything [unclear].
A: Yah. [chuckles] Do you know who that is by chance DD?
L: [Answers cell phone and has phone conversation].
A: That’s Paul there with the leather jacket?
D: No.
A: You’re not sure who that is?
D: No.

13

�A: Yah, these are great. Here is some kind of thing, Chinese Magician or something you
know. Oh here’s the Bella Donna, this one. You can see it in the background up on the
wall.
D: Yah.
A: Is this Manny here?
D: No. I thought it was, but it’s not.
A: Okay.
L: Here’s the Rex Auditorium. “Manny Diaz presents his dancing students.” This was
June 4th, 1937 at the Rex Auditorium, forty cents.
D: Yah.
A: That was actually a lot of money back then, forty cents.
L: You ain’t kidding.
D: [Unclear] some of the telegrams to him, you know, it’s a riot.
A: Yah! [Chuckles] Well these are great. Do you want to put these back in the same
spot. You had saved a picture there.
L: Yah, right in here.
D: Like on one of the articles that I read.
A: And this [unclear].
D: Where? On the female impersonator. (A: Yah) I don’t know if it was a costume
ball, or what it was, but anyway they had a big write-up about it, about this beautiful
bride, gorgeous, walking down the aisle. And it had to been in the show, one of the
shows that he was doing, because at the end of it everybody was ooing and awing over
this beautiful bride with a wedding gown and everything, and perfect makeup. And right
after when the act got over he took the clothes off, and he took the makeup off and
showed them who it was.
A: [Chuckles] And it was Manny?
D: And it was Manny. They went [unclear]. [Room gets very loud] And after that
everybody wanted him to do female impersonators. Like he used to dress up as a female
to do the Spanish dance.

14

�A: Okay. Oh that, oh so he was the Flamingo Dancer then. Oh wow! Look at that!
[Very loud and noisy—L’s phone ring and she has a conversation, all speaking at once]
A: This is great!
D: Oh he’s worked everywhere.
A: Quebec?
D: This is the one.
L: Yah you mentioned that.
D: Look at the prices for the food.
A: [Laughs] Yah, [D: A T-bone steak] a dollar for filet mignon.
D: A T-Bone steak .90 cents.
[T: Conducting business over the phone while interview is going on]
D: Unbelievable.
A: Pork 15 cents. Egg 20 cents. That’s amazing huh.
L: As I was saying we want to keep all of this stuff, you know. Is it going to be in safe
hands with you?
A: Trust me kiddo. Trust me.
L: This is really delicate as you know.
A: Nope, this is all good stuff. We’re going to scan a lot of this and then I can also get
you the digital copies. (L: Okay) So I want to get your email address Linda.
L: Well it stinks. I really don’t have it. I have an email address but I haven’t been on the
computer in like two years. So I don’t know if it’s still out there. Somebody else might
have it now.
D: Same here.
L: You know.
A: Yah. Well how about this. I can get, I’ll put all this stuff (--)

15

�L: I have an address.
A: I’ll put all of this stuff on a disk, a cd, and then I’ll give it to you and you can upload
it onto your computer whenever you decide you’re on there.
L: Okay. Like even this is his guest list (--)
D: 40th Birthday Party.
L: On his 40th Birthday. So I mean like all this stuff you want, you know, I want to keep
everything.
A: Okay. Yah, good.
L: So as you can see a lot of this stuff is very, very, very, very old. (D: Oh yes) 1930.
A: Oh this is great.
L: You know, so. There’s Daniel Brennan of Lowell.
D: That was his manager.
L: That was his manager.
A: Oh his manager. Tell me about him.
D: I never knew him.
A: No. Was he gone before you were kind of growing up?
D: I think so.
A: What was his story? Do you know anything about him?
D: No.
L: Diamond Taxi telephone number 66. [Laughs]
A: Two numbers, imagine?
L: I mean that’s why I want to keep all of it you know.
A: Yah, no you have to.
L: Wow.

16

�D: I mean we have (--) You know there’s a lot of memories there.
L: A lot of good memories.
D: Look at this. Of course Manny must be dancing up in the clouds now.
L: Oh yah!
A: What’s that?
D: Manny must be dancing up in the clouds now.
L: He’s here right with us right now.
D: Oh yes.
A: There he is!
L: He knows what’s going on. He is! So really you’ll take good care of this and
everything?
A: I will Linda, yup, and we’ll get it back to you by next week.
L: I mean because as you can see, I mean it’s really, really fragile. I mean (--)
D: Yah, one thing he had, him and my mother had such beautiful handwriting.
A: Yah?
D: Oh yah!
A: Well the kids, they don’t even learn how to do cursive anymore, you know. They’re
just doing computers. That’s about it. Oh wow, look at that.
D: But he loved my mother. That’s not the one with him?
A: Senorita Juanita.
D: Yah, that’s okay, that’s him.
A: That’s him? No kidding.
D: Yah, that’s him.
A: Wow. Fabulous!

17

�L: Popular dancer (--)
D: Mr. Manual Diaz, popular, was touring.
L: With the Office of Daniel Brennan. Wow!
[They’re reading headlines from newsclips]
A: Wow he collected everything. This is a really valuable archive I’m telling you.
D: Oh yes.
L: Now see, 1931.
D: Yah, Townsend Memorial Hall. KC Review, Knights of Columbus!
D: 1927. KC, Knights of Columbus.
A: It’s funny how all of these things that used to be so big are gone now. The Knights of
Columbus, and all these clubs that were famous. You know, the Commodore Ballroom
and did he ever perform there do you think?
D: Yes. I remember all the, but all the bars are gone now, but he used to own a barroom.
A: Oh he did? Which one did he own?
D: On Middlesex Street. I don’t remember if it was called the Old Homestead? He
didn’t have it long. (A: Okay) He didn’t have it long.
L: 75 Lincoln Street. (D: Yah) Wow. Here’s a real young picture of him right here.
A: Wizbang Review! All right.
L: Wizbang Review, April 27, 1930. 75 Lincoln Street, telephone number 1882.
[Laughs] Wow. Diaz Studio of Dancing. Children’s class starts at Saturday. Wow, 17.
A: Oh, there’s another photo there.
D: [Unclear].
A: Is that him? Oh what does it say? “Me and Raymond McDowell.”
D: [Unclear].
A: Look at the black face [chuckles].

18

�D: [Unclear], there’s another picture. [Background very noisy]
A: Oh that’s a great picture there.
D: Okay, so that’s Manny in a mustache.
A: Yah, or I think somebody drew it on him.
L: [Phone rings again and she has conversation]. This is just paper and stuff, and
everything, but yah. Are you sure this is going to be in good hands with you?
A: Yes! Yup! Even, even better when I get it back to you, (D: Okay) because we’ll get
it all in digital form.
L: I don’t want to take everything out of here because there’s so much stuff, you know.
A: No you don’t have too. Yah, I’ll go through it and I‘ll make sure everything (--)
D: This is the flood on, in Pawtucketville.
A: Oh is this the Flood of 1936?
L: Umm, no, the later one. It was like (--)
A: Oh this is 2006. Yah. I took pictures during that time. Or maybe this is before then?
D: It has to be before then, because it’s in his scrapbook.
A: Yah, that’s right. I don’t know when this was.
D: It had to have been before 83.
L: See like this.
A: “Three Fines, $200.00 on a moral show charge.” Wow!
L: “Exotic dancer and two men found guilty, Manny Diaz and manager not guilty.”
[Laughs] So that’s what I’m saying, I mean this stuff is really precious you know.
A: Yah.
L: I just don’t want to lose anything.
A: No. Yah they really (--)
D: You see there’s the picture right there.
19

�A: Oh yah, there’s, that’s the same one, yah.
D: The Bella Donna.
A: They really, I think they really persecuted gay people back in those days huh?
L: Oh they did.
D: Oh yah.
L: Yah, a lot of this is like just laid in here loosely. Like I don’t want to lose this. (A:
Okay) I don’t know where this came from, but (--)
A: Well why don’t you…yah.
L: As soon as, when I get this back me and my Aunt can put it all together.
D: Telegrams to him.
A: Yah, it’s a contract.
L: Contract, yup. Salary $27.50. Wow! Stewart Street in Boston! Wow!
A: Yah, it looks like he was performing everywhere.
D: He was performing everywhere all over New England.
L: “Court action, the theater by lawyer in Manny Diaz’s case.” So I mean you got,
there’s a lot of history in here. So you should have, you should come up with a really
good story.
D: Most of this is all of the write-ups on, that got postponed every week, every week.
L: That was young.
A: Yah, look at that. He was very young there.
D: “City councilors determining ah…”
L: But you’re sure Ali you’re going to be in good hands with this stuff, right?
A: Yes mame.
L: Okay. It’s many years of saving you know.

20

�A: No, I understand this is very personal stuff to the family. So I appreciate you guys
willingness to share it.
L: “License Board postpones Diaz case.” Every story, every little clipping has been
hand [unclear].
A: Yah.
D: Manny kept them all.
A: American Legion in Tewksbury. Yah. Great!
D: He was very big with the American Legion and the VFW, all of that.
A: That’s good. That’s good. So he cared about the troops.
D: Oh yes! He did reviews and everything else. Put on shows for them.
A: Really? Okay.
L: I won’t take that other paper out, but (--)
D: This is the “Suffolk’s Reviews.”
A: Oh wow!
L: Oh yah, this is all sheet music?
A: Wow! Fabulous, oh and there’s some great photos.
L: Loads of pictures in there. And also there’s a lot of (--) And there’s some papers are
just, everything is not you know.
A: Yah. Well we’ll, we’ll go through it.
D: You know the Cactus Room.
A: Some are missing huh? Wow, great!
L: So.
D: See Manny Diaz, 41 Shirley Avenue.
L: Wow.
D: So to Shirley Avenue, he moved over here.
21

�A: To Goward?
D: To Goward.
L: This was the only other two things in here.
D: Those are sheet music.
A: That’s sheet music too?
L: Oh yah.
A: This is like a letter or something?
D: I think that he wrote.
A: “I didn’t want to walk without you baby, walk without my arms around you baby.”
[Laughs]
L: That’s why I want to put everything in a nice little book. (A: Yah) You know, so it
will be all protected. So it won’t be damaged.
A: Yah, yup! Yah, well the other part of doing the scanning that it creates another, a
second version of the documents and the photos. And so that helps preserve it for the
long term, you know,
L: Yup.
A: Because heaven forbid you know, something happened, you know, some flood or part
of the house caught on fire or something and then you lose this forever.
L: Right, see.
A: If you’ve got it digitized then you got the cds, you can put them in a different location
you know, (L: Yup) and then it’s preserved for the long term.
D: See that’s what happened with a lot of this. I had it out in the garage over on Shirley
Avenue, over you know, the father’s house and a lot of the [unclear]. I lost a lot of
things.
L: Oh I hope it’s going to be in safe hands here Ali. I’m not going to be able to sleep
here.
A: Okay. Well I’ll get it back to you as soon as I can.

22

�L: Okay.
A: You want to put Manny in there?
L: Yup, Manny, oh what a nice picture.
D: Oh yah!
A: Well Dolores any final thoughts about your Uncle Manny?
D: He was a very great entertainer. I think a lot of people in the City of Lowell loved
him. (A: Yup) And like I says, he was very religious. He was always there to help
anybody who needed it, and he was also a great cook.
A: He was, okay?
D: Especially his Portuguese soup and his spaghetti sauce. I got his spaghetti sauce
down perfect!
A: Yah, you got the recipe.
D: Oh I used to help him make it! [Both laugh] And I used to help him make the
Portuguese soup. And the Portuguese soup, it’s I think twelve or fourteen different
vegetables in it.
A: Wow, neat. Yah.
D: And he gave me the recipe and I lost the recipe. I can’t perfect it the way Manny
made it.
A: You have most of it up here in your mind?
D: Oh yes! Like I says, I was a kid. I think my Uncle Manny was the one who actually
taught me how to cook. My mother couldn’t cook.
A: [Laughs]
D: She couldn’t boil water. But as far as his spaghetti sauce, nobody can beat my
spaghetti sauce.
L: I love (--)
A: Well I think (--) Do you think people considered Manny a unique personality?
D: Yes. Yes. More, I think more people liked him than disliked him.

23

�A: Yah, did that say something about the city of Lowell?
D: Yes. I think (--) Well when they were taking him, you know, which ah, like I says,
when he did the female impersonation it was only as an act. That was always supposed
to be a one-time thing. And way back then, years ago, they wanted him to keep doing it,
but he didn’t, he took it out of his act. (A: Umhm) And the License Commission bard
him from trying to entertain in Lowell. (A: Yah) So he was out of work for six months.
A: But he beat them?
D: Yah! He beat them, because after that like I says I used to drive him to the Banjo Pub
and that was in the 60s because I didn’t get my license till 61. (A: Okay) And after 61 I
used to take him all over. Any place he had, you know, was entertaining I used to take
him.
A: Well thanks very much for your time today.
L: You’re very welcome.
End of interview
jw

24

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                  <text>Education</text>
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                  <text>New Year</text>
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                <elementText elementTextId="64883">
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                  <text>Community organization</text>
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                <elementText elementTextId="64894">
                  <text>Music teachers</text>
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                  <text>Civil engineering</text>
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                  <text>Urban renewal</text>
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                </elementText>
                <elementText elementTextId="64898">
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                </elementText>
                <elementText elementTextId="64899">
                  <text>Portuguese language</text>
                </elementText>
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                  <text>Engineering</text>
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                  <text>Religious gatherings</text>
                </elementText>
                <elementText elementTextId="64903">
                  <text>Police</text>
                </elementText>
                <elementText elementTextId="64904">
                  <text>Portugal--Emigration and immigration</text>
                </elementText>
                <elementText elementTextId="64905">
                  <text>Immigrants--Cultural Assimilation--United States</text>
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                <elementText elementTextId="64906">
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                </elementText>
                <elementText elementTextId="64907">
                  <text>Female impersonators</text>
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                <elementText elementTextId="64908">
                  <text>Entertainers</text>
                </elementText>
                <elementText elementTextId="64909">
                  <text>Musicians</text>
                </elementText>
                <elementText elementTextId="64910">
                  <text>Suicide</text>
                </elementText>
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                  <text>Cleaning compounds</text>
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                <elementText elementTextId="64912">
                  <text>Tenement houses</text>
                </elementText>
                <elementText elementTextId="64913">
                  <text>Rug and carpet industry</text>
                </elementText>
                <elementText elementTextId="64914">
                  <text>Entrepreneurship</text>
                </elementText>
                <elementText elementTextId="64915">
                  <text>Irish Americans</text>
                </elementText>
                <elementText elementTextId="64916">
                  <text>Politics and government</text>
                </elementText>
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                </elementText>
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                </elementText>
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                </elementText>
                <elementText elementTextId="64932">
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                </elementText>
                <elementText elementTextId="64933">
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                </elementText>
                <elementText elementTextId="64934">
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                </elementText>
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                </elementText>
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                </elementText>
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                </elementText>
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                </elementText>
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                  <text>All items can be found at the Center for Lowell History in Lowell, MA.</text>
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            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="2592">
                  <text>In Copyright - Educational Use Permitted: This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).</text>
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                  <text>1976-2018</text>
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                  <text>Lowell (Mass.)</text>
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                  <text>Boston (Mass.)</text>
                </elementText>
                <elementText elementTextId="64956">
                  <text>Manchester (N.H.)</text>
                </elementText>
                <elementText elementTextId="64957">
                  <text>Graciosa (Azores)</text>
                </elementText>
                <elementText elementTextId="64958">
                  <text>Capelinhos Volcano (Azores)</text>
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                <elementText elementTextId="64959">
                  <text>Faial (Azores)</text>
                </elementText>
                <elementText elementTextId="64960">
                  <text>Lawrence (Mass.)</text>
                </elementText>
                <elementText elementTextId="64961">
                  <text>Terceira Island (Azores)</text>
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                <elementText elementTextId="64962">
                  <text>São Miguel (Azores)</text>
                </elementText>
                <elementText elementTextId="64963">
                  <text>Madeira (Madeira Islands)</text>
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                <elementText elementTextId="64964">
                  <text>Pico Island (Azores)</text>
                </elementText>
                <elementText elementTextId="64965">
                  <text>Lisbon (Portugal)</text>
                </elementText>
                <elementText elementTextId="64966">
                  <text>Azores</text>
                </elementText>
                <elementText elementTextId="64967">
                  <text>Hudson (Mass.)</text>
                </elementText>
                <elementText elementTextId="64968">
                  <text>Cambridge (Mass.)</text>
                </elementText>
                <elementText elementTextId="64969">
                  <text>Tyngsboro (Mass.)</text>
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              <description>An entity primarily responsible for making the resource</description>
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                  <text>Ali, Mehmed</text>
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                  <text>Denatale, Doug</text>
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                <elementText elementTextId="64972">
                  <text>Fertig, Barbara</text>
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                <elementText elementTextId="64973">
                  <text>Fitzsimons, Gray</text>
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                <elementText elementTextId="64974">
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                  <text>Miller, Marc</text>
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                <elementText elementTextId="64976">
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                <elementText elementTextId="64979">
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                  <text>Spandagos, Olga</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="19592">
                <text>Ali, Mehmed</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19595">
                <text>In Copyright - Educational Use Permitted: This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).</text>
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                <text>Lowell (Mass.)</text>
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                <text>Tyngsboro (Mass.)</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>In this interview, Linda Durant and Dolores Friant recount the life of Manny Dias, a performer in the Lowell area who was known for his dance school and female impersonator performances. He is also known by the public spelling of his last name as "Diaz."</text>
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                    <text>�CALENDARS FOR 1930-31-32-33

-

............... _

CALENDAR FOR

JKN UKRY.
8 MT WT P 8

FEBRUKRY.
8 ] T WT P 8

3 4 .... .... .... .... .... .... J
5 6 7 8 9 JO U 2 3 4 5 6 7 8
....

J

1980

MARCH.
S M T WT P

2

CALENDAR FOR

KPRIL,
8 SM T WT P
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J

2

JKNUK&amp;Y.

8

3 4 5

2 3 4 5 6 7 8 6 7 8 9 JO 11 12
12 13 14 15 16 17 18 9 1 n 12 13 14 15 9 10 n 12 13 14 15 13 14 15 16 17 18 19
19 .20 21 22 23 24 25 16 17 18 19 20 21 22 16 17 18 19 :JO 21 22 20 21 22 23 24 25 26

8

II T W

T

P

6

8

JUNE,
8 8 M T W T P 8 S M
- - - - 1 2 3 1 2 3 4 567-4 5 6 7 8 910 8 9101112~14 (j 7

JlllKY.
SM T WT P

KUGUST,
S 9 M T W T P

2 3 45·=---8 9101112 3 4 5 6 7
11 12 13 14 15 16 17 15 16 17 18 19 20 21 13 14 15 16 17 18 19 10 n 12 13 14
18 19 20 21 22 23 24 22 23 24 25 26 27 28 20 21 22 23 24 25 26 17 18 19 20 21

, ~~~28~pp~p-

·-· .......................... ·-· ........ ·-· .... .

....... ;

JULY,
T W T F
J

1
8
15
22

a
2

9
16
23

~28~PP--24~~Q28~~

.... .... .... .••. .... .... .... .... .... .... .... .... .... .... .... .... .... .... .... .... .... 31 ........................
SEPTEMBER.
OCTOBER.
8 M T W T P 8 8 M T W T P

g

.... 1 2 3 4 5 6 ....
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7 8 910111213 5 6 7 8 91011
14 15 16 17 18 19 20 12 13 14 15 16 17 18
Ill 22 23 24 25 26 27 19 20 lll 22 23 24 25
28 s9 30 ....
.... 26 27 28 29 30 31 ....
........ ................................................

NOllEMBER,
DECEMBER.
8 M T W T P 8 S M T W T P I

2
9
t6
23
30

1 .... 1 2 3 4 5 6
3 4 ~ 6 7 8 7 8 910111213
10 II 12 13 14 15 14 15 16 17 18 19 20
17 18 lg 20 21 22 21 22 23 24 25 26 27
24 25 26 27 28 29 28 29 30 31 ....
.................................... ................

a

a

JIIIJIRCH.
FEBRUKRY.
M T W T P S 8 M T W T P 8

S M T W T

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JUNE,

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JULY.

KUGUST.

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8 9 101112~q
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22 23 24 25 26 27 28
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S M T W T p S

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4 5 6 7
II 12 13 14
18 19 20 21

5
12
19
26
....

.... 1234....
6 7 8 91011 3
13 14 1$ 16 17 18 10
20 21 22 23 24 25 17
27 28 29 30 .... ·- 24
..•. .... .... .... .... .... 31

OCTOBER,
S M T W T P

S

~

12
123456
4 5 6 7 8 9 7 8 910111213
II 12 13 14 IS I~ 14 1$ 16 17 18 19 20
18 19 20 21 22 23 21 22 23 24 25 26 27
25 26 27 28 29 3g 28 29 30 31 ....
........................................ ............
DECE]ll[BER.
NOllEJVIBER,
M T W T P S S M T W T P S

123
J ........ 1 2 3 4 5
8 9ro 2 3 4 5 6 7 8 6 7 8 9101i12 4 5 6 7
15 16 17 9 10 I I 12 13 14 15 13 14 15 16 17 18 19 I I 12 13 14
22 23 24 16 17 18 19 20 21 22 20 21 22 23 24 25 26 18 19 20 21

Qd~28~p-q24~26~28~Q28•p

M T W T

123
8 910
15 16 17
22 23 24

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.... .... .... .... .... .... .... 30 31 ............................................................................

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P

8

a II T W T

p

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3 4 5 6 1 s 9 7
10 11 12 13 14 15 16 14
17 18 19 20 21 22 23 21

I
8
15
22

JULY.
P ·9 SM T WT P 8

2 3 4 5 6 .
.... J ::i 3 4 ....
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23 24 25 26 27 19 20 21 22 23 24 25 16 17 18 lg 20 21 H

24q~~28~~28~p
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8 MT WT pa

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. SBPTEMBER.
8 II T W T P S 8

OCTOBER.
K T W T P 8

NOllEJVIBER.
DECEMBER,
8 M T W T P 8 a II T W T p 8

3

- 1 2 3 4 5 .... - - ·- 1 2 3 1 2 3 4 5 6 7:::: = I 2
4 5
6 7 8 9 10 II 12 4 5 6 7 8 9 10 8 9 10 II 12 13 14 6 7 8 9 10 U Ill
13 14 15 16 17 18 19 II 12 13 14 15 16 17 15 16 17 18 19 20 21 13 14 15 16 17 d 19

-

~11122q24~~~~~2122q2422q24~~Q~~2122q24q~
27 28 29 30 ........ .... 25 26 27 28 29 30 31 29 30

.... 27 28 29 30 31

..... .......... ·-· ............ ............ ................................................. ............ ........

JKNUKRY.
S M T W T p S

1988

FE BRUK RY,
"JlllJIRCH.
S M T W T P S S M T W T P

S

KPRU..
M T W T p

a

■

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8 9ro111213~ 5 6 7 8 9ro11 5 6 7 8 91011 2 3 ◄ S 6 7 I
15 16 17 18 19 20 21 12 13 14 15 16 17 18 12 13 14 15 16 17 18 9 10 II 12 13 14 15
22 23 24 25 26 27 28 19 20 21 22 23 24 2S 19 20 21 22 23 24 25 ,6 17 18 19 20 21 H
29 30 31 .•.
.... 26 27 28
26 27 28 29 30 31 .... 23 24 25 26 27 28 29
. -· .,.. .... .... .... .... .... •........... ·-· .... .... .... .... .... .... .... .... .... .... 30 ........................

a M T W T

p

JUNB,
JULY.
8 S M T W T P S S M T W T P

.... 1 2 3 4 5 6 . . . . . . .
7 8 910111213 4 5 6 7
14 15 16 17 18 19 20 II 12 13 14
21 22 23 24 25 26 27 18 19 20 21

28~pp

KUGUST,
8 8 M T W T P I

123
1 ........ 1 2 3 4 5
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15 16 17 9 10 -U 12 13 14 15 13 14 15 16 17 18 19
22 23 24 16 17 18 19 20 21 22 llO 21 22 23 24 25 26

-Q~~28qp-~24~ 26~28~~28~pp

........................................................ 30 31 ................................................
8

OCTOBER,
NOllBJVIBER,
SEPTEl]ll[BER.
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MT WT ·P &amp;

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JO 11 12 13 14 IS 16 15 16 17 18 19 20 21 12 13 14 15 16 17 18 10 II 12 13 14 15 16
17 18 19 20 21 22 23 22 23 24 25 26 27 28 19 20 21 22 23 24 25 17 18 19 20 21 22 23

- - - - ....

I

24~d~28•P•PP
... .... .... ....

dQ28~p-

24~d~28•~

•....... ................................................ .... 31 ....................

Legal or Public Holidays in the United States
The chief Ieiral or pubUc hollda:,-s are:
Jan. 1-New Year's Day (all the states, territories and colonial
possessions.)
Feb. 1%--Lincoln's Birthday (Alaska, Cal., Colo., Conn., Del., Ill.,
Ind., Ia., Kan., Ky., Mich., Minn., Mo., Mont., Neb., Nev., N. J.,
N. Y., N . Dak., Ohio, Pa., S. Dak., Tenn., Utah, Wash., W. Va.,
Wyo., and observed by Governor's proclamation in Mass.).
Feb. 22-Washington's Birthday (all the states, territories and
possoosions.).
Good Frida:,--Friday l,efore Easter Sunday. (Conn., Del., Fla., La.,
Md., Minn., N. J., Pa., Philippines. Por to Rico,. Tenn.). In Conn.
Good Friday is usuall:,- proclaimed by the governor as a day of
fasting and prayer.
Ma:,- 3-Decoration or Memorial Day (all states and possessions,
except Ala.., Ark., Fla., Ga.,, La., Miss., N. Mex., N. Car., S . Car.,
and Tex.).
Jal:, 4-Independence Da:,- (all the states, territories and possessions.
Labor Da:,- (First Monday in Sept. Every state and territory except
Ala., Wyo., and the Philippines),

I

....................................................

CALENDAR F'OR

----_12-123456--1234~=----12
3 4 5 6 7 8 9 7 8 g 10 II 12 13 6 7 8 9 10 II 12 3 4 5 6 7 8 9
10 11 12 13 14 15 16 14 15 16 17 18 19 20 13 14 15 16 17 18 19 10 11 12 13 14 rs 16
17 18 19 20 21 22 23 21 22 23 24 25 26 27 20 21 22 23 24 25 26 17 18 19 20 21 22 23

24~dQ28~p28•·-

JUNE,
9 SM T WT

.... - ·

OALBNDAR FOR 1982
JKNUKRY.
M T W T ~ S

S

~~~2122q2422~24~~~2822q24~~~28~~2122q24~
•... 29 30 31
26 27 28 29 30 ....

25 26 27 28 29 30 31 •••

30 31

1981

Jl!KRCH.

1··~ 3 1 2 3 4 5 6 7 I 2 3 4 5 6 7
-::::1234
4 5 6 7 8 910 8 9101112131489ro1112~~ 5 6 7 8 91011
n 12 13 14 15 16 17 15 16 17 18 19!:ii: 21 15 16 17 18 19 20 21 12 13 14 15 16 17 1 3

~Q28~pp_q24~~~28-q24~~~28~~28~pJlll'.KY.
S M T W T P

FEBRUKRY.
M T W T 1_! S

Oct. !%-Columbus Day (Ark., Ariz., Cal., Colo., Conn., Del., Fla.,
Idaho, Ill.. Ind., Kan., Ky., La., Me., Md., Mass., Mich., Mo.,
Mont., Neb., Nev., N. H .. N. J ., N . M., N. Y., N. Dak., Ohio,
Ore., Pa., R. I .• Tex., Utah. , Vt., Wash., W. Va., also Porto
Rico.) In Arkansas and Kansas it does not affect notes or judicial
proceedings.
General Election Da:,- (First Tuesda:,- after first Monda:,- in Nov.).
Every state and territory except Alaska, Dist. of Col., Hawaii,
Ill., Mass., Miss., Ohio, Philippines and Vt. In Illinois it is a
legal holiday, in Chicago, Springfield, East St. Louis, Galesburg,
Danville, Cairo and Rockford. In Ohio it Is a half holida:,-. ~ In
Maine it is a legal holiday only as to the courts, which alsO'
close on the State Election Day (biennially, 2d Monday in Sept.).
Nov. 11-Armistice Day (Ala., Ariz., Ark., Cal., Colo., Fla., Ill.,
Iowa, La., Minn., Mo., Mont., Neb., N. J ., N. Car., Pa., R. I.,
S. Dak., Tenn., Tex., Vt., Va., and Hawaii. In other states by
Governor's proclamation only).
Thankaarivinir Da:,- (last Thursday in Nov. Every state, terrltoIT
and possession except Utah, where it la observed, thoDJrh not 011
the statute books).
Dec. 21;-Christmas Da:,- (every state, terrltor:,- and possession.)

Fillers for These Binders Obtainable at All Our Stores

~

�Written and· directed by

JOSEPH A. CROSSEN
WILLIAM A. MURRAY, Pianist
Abie, The Tailor ..... .... ..... ...... ... ..... ...... ............. ... .... ... ......... John O'Brien
S PI.k e, ffIS A SSIS
. t ant .. ..... ... ... ... ................. .. .. ..... .... ... .......... . John Laverty
The King ........ .... .... ............. ........ ..... .. .. .. .......... ......... ...... .. . John McArdle
The Prime Minister .. .. ........ .. .... .............. ........ ........ ... ..... Waiter Langley
The Devil ..... .... ....... .. .... ... ........ ... ........................ .... ... .......... . Jam es Cryan
Dancer to ,e_,M ajest-;:_ .. .-.... .. ......... .".'.... ... .......... ...... .. ..... ..... . ~
el Diaz

.~~~~~~~it:~~~~~~~~

:I

I

I

3rd. ANNUAL

Concert and Ball
- : BY M.Ei\lBERS OF : -

Billerica Police and Fire
Departments

III~

FRIDAY EVENING, FEBRUARY 28, 1930
TOWN 1 HALL
BRODERI C K 'S

m_ CONCERT 8 TO

l

9

_

O RCHESTRA
_

DANCING 9 TO 1

~~?'~~~~~~~?~~~~~~~~~~
5.

Thomas Sayer s

6.

Manuel Dias ......... .

Tenor Solo ......... .

......... One Alone

................... F emale Impersonator

�ENTERTAIN AT
VETERANS' HOME
A bus load of members of the B. F.
Butler, WRC, 75, with ten .additional
automobiles carying local talent went
to the Chelsea Soldiers' home, Thursday evening, Sept. 19, and put on an
entertainment under the direction of
Mrs. Mary Needham. Thl:l program
was as follows: Report of · _Spanish
War Veterans' convention at Cdlorado,
by Alexander Mitchell; monologues,
Fred Timmins; trumpet · solos, Mrs.
Howard Simonds, accompanied at the
piano by Miss Beatrice V, Deignan;
songs, Mr. Gannon; ventriloquist act,
Tony Hartney; songs, Mrs. Margaret
McDonough McGuire; monologues,
songs and dances, Jack McArdle;
dances, Miss Doris Mooney; tenor
solos, Dan Sullivan; readings, Miss
Chris Lowney; recitation, Dan Sullivan; ~ongs, Harold O'Hern; ~
Manue!!. Diaz; songs, Frank Delmore;
duet, Dan Sullivan and Frank Delmore; grand finale, Star Spangled
Banµer.
The veterans of the home were loud
in the_ir praises of t,h e fine program
and expressed the desire that the
Lowell talent come to the hospital
again.
-~-r..___,,.,....,..,..,~-

- ~-·-~ -- -·

Senorita· Juanita, the girl from sun-

..'l'he dancing end of the show '\Yill
also include numbers by Manuel piaz,
who does the Russian dance.; Mary
Perkins, toe dances, tap dances, clogs
and about evJc)rything in the line of
a dance.
Reservations will open in a few
days.

ny Spain, will dance several specialty

numbers, and promises a surpris~ at
the finish, and such well known local
stars as Eva Bettencourt and Doris
Mooney, Baby Rita Gauthier and the
team of Scanlon and McDowell will
also appear. The hadline act win be
futnished by Pauline Harer of Boston,
a well known stage artist, who has recently' completed a southern tour and
who has been appearing of late at the
Palace theatre in Manchester, N. H.
This attraction is ·scheduled for 10
o'clock.

In the "gang" are Frank Delmore,
Dan Sullivan and Harold O'Hearn who
will entertain with songs. • In ad.
. dition
r..._..,_. there is · M.il,uYel Ujjs, dancer;
if.
"T"&gt;.

___ ,,, _ _

I
f

ACT TWO
The Benefit Show Produced By Harry Archer
A-The Marshall Sisters-Fancy ,S teps-Rhythmic Clogs.

: ~,-Lillian Bass-Snappy Recitations-Humorous ll1onologues.
: C-Arthur Kotzen-"The Ukulele Kid. •
D--Manuel Dias-Russian Dancer-Charleston Expert.
-

l..-:,:

:..__

..

•

_:;

�r

Dias .Studio of Dancing

Dias Studio of Dancing

l\IR. ~[ANDEL DIAS, Instructor

l\IR. MANUEL DIAS, Instructor ,

Russlan-Acrobatlc-StageToe-Adaglo- Ballroom-

~

Soft Shoe
Private lessons by a ppointment.
Children'• Cl a 1111

Sa turday■

at 2

P•

Russian-Acrobatic-StageToe-Adaglo-Ba llroomSoft Shoe

,

m.

~
~
- /

- -

Private lessons by a p poin tme n t.
C h l} dren '" Cla11s Sa t u rday s at 2 P • m.

Stud io-Rooms 403-407

1

MONGEAU

MONGEAU
· BUILDING
--S-tu
...d-io_R_o_o_m_s_4
_03_-4_0_7_ _~
"

BUILDING

Res. Tel. 1882-R

Res. Tel. 1882-R

- - · 1111,,,111111111111,1 1 ,,,,,,,,,,,,,,,,1,,1,1 1 1,1111111111 1 , 111

,uu--

DIAZ SCHOOL OF
DANCING
Mr. Manuel Diaz, Instructor, "The Studio of Dance
Hits" Acrobat ic, Toe, Adagio.
§ Children's Saturday Class 1
~
at 2 :00 P. M..
f
~
Private Lessons
~ :
~
by Appointment
g
§
Studio:
§
I 403-407 Mongeau Bldg. 11

~...............~.~~:....:.~~....~~.~.~~~······••mn•j 1
Diaz, well known
IonMr.theManuel
stage as a toe dancer
extraordinary qualities has
Iof
opened a dancing school, lav1

ishly equipped

in

the Mon- 1

f geau building and his success

thus far points to his permanence as teacher of dancing in this city. Manual has
appeared on many occasions
locally in connection with
amateur and profressional enItertainments and never failed'
to receive a generous amount
of ear splitting hand clapping.
Mr. Diaz is an accomplished
toe dancer and is one of the
few male teachers who are
instructing in this branch of
the art.

~

I __J~

'CJ--/~~
z-. ~

//,3/

�Grand Opening, Saturday, September 12, 1931
AT

2

P.

JM:.

THE DIAS SCHOOL OF DANCING
MR. MANUEL DIAS, INSTRUCTOR

Beautiful modern equipped Studio. Instructions given personally by Mr. Dias,
who has had extensive experience in the theatrical line. Special attention
will be given to beginners. Arrangements for private or class lessons may
be had by appointment. New classes formi~g every day.
SPANISH
SOFT SHOE
ACROBATIC

RUSSIAN
TOE
ADAGIO

Rooms 4-QBdtM) ,Lf-o '3 - '-I o
MONGEAU BLDG.
(Opp. City Hall)
LOWELL, MASS.

7

STAGE
CLASSIC
BALLROOM
Tel. Lowell 1882-R
Reasonable Rates
Special Saturday Class
for Children

�-- ®-~:--:-:---::--------_..
I Social and Personal I

&lt;!)

,

Manuel Dias, of 75 Lincoln streef
well known dan cer, is spending th~
holidays in New York and New ,Jersey,
Mr. Dias will return to hi.;;
home the latter part of this week.

lov::;he Coffee

l

W W W ~

i

I

Manuel Dias ot 75 Lincoln street /
is spending the holidays In New York
an&lt;;l. New Jersey and expects to return home the latter part of this
week.

FIVE YOUNG PEOPLE TO
APPEAR AT KEITH 'S
Five talented Lowell young people
aspiring to the vaudeYille stage met
with the approval of Joe Daly, guiding star of the RKO Discoveries, at
an audition held yesterday · afternoon
on the stage of the RKO Keith Theatre. They will be featured in' the
· last e,·ening vaudeville show at the
RKO Keith Theatre tonight.
Mr.
Daly felt that since the holiday and
Sunday came together, many talented youngsters in the city had not
had adequate notice of this morn•
ing's audition, so that he is holding
another at 10.30 a. m. today. The
outstanding contestants in this audi tion will also have a part in tonight's
pe l'formance.
'l'he winner's In the audition yes •
terday morning were William Georgu,
336
Suffolk street; Robert Bell,
Mitchell school, Billerica; Joseph
Berube, 71 Cabot street; Jacquelyll
Ryant, 1388 Middlesex street, ant
Ma:quel Dias, 75 Lincoln street.

l LOCAL MAN'S COSTUME
WINS FIRST PRIZE
At a recent masquerade ball. held
in Boston recently, Manuel Dias of
Lowell, popular dance~ and entertainer, received its first prize oe ten
dollars in gold. Mr. Dias was attired
as a bride and his makeup won the
applause of the audience. - He was attended by eight people, who formed
the bridal party. These ~,;ere all of
r the theatrical profession.

-

-----~-

Manuel Diaz, of i this city, well
kn~1 n exl1161tlon daijcer who has become prominent thdughout England , ·
and Miss Peggy McDowell, talented
acrobatic dancer, with Frank L.
Santos at the piano' were the entertainers at the reunion of St. Mary' •
pa1•i5l1 Ayer, last F r iday ~vening.

�BENEFIT CONCERT FOR
ST. THERESA'S CHURCH
There is mu ch local interest in the
cotcert to be presented on Sunday
evening for the benefit of St.
Therese's church, in Lakeview aven ue, Dracut, in the parish hall. Under the supervision of the new pas-

CONCERT TONIGHT AT
ST. THERESA'S ·cHURCH
An Excellent Musical Program
To Be Presented by Locai
Talent in Aid of New Church.
Ern est G. Gauthi e r wll1 condu ct
a sp ec ial muRical program In St.
Th e r esa c hurch hall, Lakeview ave-

I

I nue,

this evening at 8 o' cll oc k. M r.
G.i,uthier has conducted affairs at
other churches and he always
brings with llim many or the b e st
ente rtain ers of the city. Rev. F. X.
Gauthi e r, the new pastor, Is In
charge of the arrangemen ts an d t he
pro ceP dlS w1J.l 'be fo r t h e benefit of
th e c hurch.
'!'h e p1'0gram will emlbrace the
followlmg numlbPrs:
O·verture, Al
Dion and his orchestra; Jack McArdl e In songs a n d monologu s;
Danit&gt;! Sulll,·an In tt&gt;nor sol o s; D o minic k Dirnoclana i n vlolln numlbe rs;
h a rl e s DonohtH" and Edd i e Do nohu e In song:,; ~anual Dias as "'£.he
Girl ,fr-o mSpai1{ •; John Brophy In
t e nor solos; 'K71',·s. Jos&lt;"•Ph Gree n in
soprano so los; HPl en H o dge · In
acro,b a tlc dances; Baby Rita G au thi er, "The P ,rlncess of Pev"; Jam es
E. I:\,9nnelly In Scotoh impersonat1ons; Dion siRters In sketches a nd
songs; Pro'!. Lawrence Crane, the
Irish wizard. Mrs. Alice Mc.Laughl in will 1b,e ac c ompanist an d B a.by
Rita Gauthier 'Yill be mistr ess o f
c e r e monies.

I

REV. FRANCIS X. GAUTHIER
Pastor
tor, Rev. Francis- X. Gauthier, the
program will be presented, the talent
having been secured by Ernest G.
Gauthier.
The complete presentation is as
follows: Overture, Art Dion and his
orchestra; songs and monologues,
Jack McArdle; tenor solos, Dan Sullivan; violin selections, Dominick
Dimodana; songs, Charles Donohue
and Eddie Donohue; "The Girl FJ:Qll'.l
Spain," Manuel Dias; songs, Mrs. Josf:pli W~ Green; acrobatic dances,
Miss Helen Hodge; "The Princess of
P ep," Baby Rita Gauthier; Scotch
songs, James E. Donnelly; sketches
of songs and dances, the four Dion
sisters, and Lawrence Crane, "the
Irish wizard." The accompanists will
be Mrs. Alice MacLaughlin and
Charles Donohue. Baby Rita Gauthier
will be the mistress of ceremonies.

�I
GI VZH ]Y

our.:.

OF iOWH i ALEN'l' UFJ.,ER lHRSC'.I' I u ir

PROFE::S~OR ERUEoT G. li..lf.UTHIER
of I,ovre 11 , Mass •

st .

November 23 , 1 930

Fr o.no is Church Hnl l.

7. 30 pm.
overture , ••••••••••••••••••••••A l Dion and h is Hove 1 ty orc he.&lt;Jtra.
S ong s o.nd Monolo:; t1es •••••••••••••••••••• • ••••••• Jo.ck Mc.A.rd l e

Vi o l in and ...?i rui o ••••••••••• Jos e :)h Cur r y and Ernest Go. ut h i er
Ivlono l og ue •• ••• •• ••••• • • •••••••••••••••••• • •• . ••• Andre v, Ro 1rke
The Si n g ing Vla i t e r •••••• ·•••• .......... . ...... Ee b.:; r t n nd J 11.lien
S i:&gt;e c i al ty ..• .......•.••..•...••.•....•....••....... . Al Dion

s te]:;i i n g s t e ppers ........................... S ullivan c:.n c1 Coit
_T.e n or. -So lo . ........ .. ........................ 'I'h omas s ayers

The Et h-na - cor-ds •• -•••••••• Virg i n ia an d i,Icgc. .J.linc. LLU:;_Jo l d
Harmoni.z in3 Boys • • • •••• ••• ............ S u.llivan and Roch e
~('he Gi r l ] 1r om i:SJ.J. in ............. . .... .. ... Senor ita Di a s
~

The L i tt l e Ua gn e t •• •• , • • ••••••••••••••••••• Rita Ga uthier

The I r is h \liz ard ••• ••• , •• ......... . . ·•• ••• Laurence Crane '
Gr and F inale

Al Dio n and orchestra,

Baby R it a Gau.t hie rt LU}??Old s i ste rs, and Ma.n u.e l Dias
'---

Cutting Sights.
Manuel doin his ta dance.
ac
elly cut mg samp es.
Frank McNulty eating the hole in
a doughnut.

,,
I

w

..

--

Manuel has in~e; t~d a new dance
step. He calls 1t Corner Cutting
Capers."
_

,/ 11',~ ~ ~ a / 4 ; . --

I

�WALKER-ROGERS POST, NO. 662

VETERANS OF FOREIGN WARS
~e.l'1cas ''Old Gu""h.Jf,

~

~ {.(

ORGANIZED 1899

.

.

~

WHIZZ ~BANG_S
MUSICAL RE VUE

Written and directed by
JOSEPH A. CROSSEN
WILLIAM A. MURRAY, Pianist

MEMORIAL AUDITORIUM

Thursday Evening, April 24, 1930
Scene 6
THE RENDEZ VO US OF TH E PIRATES
Captain Kidd
" Let's Be D omestic"
"Some Taps"
" Good Bye "

J. Gord on Qu igley
.
.
.
Evelyn Sous a
Helen Powers, H anniford, Ern est Potvin
•
.
.
.
Captai n Kidd
And Manuel D iaz, th e Whirl wind D ancer

�Top O'
The World
AUS P ICES OF

SCENE IX. THE SPANISH BULLFIGHT
Villains .. ......... ....................................... .. .... Edwarcl Cook, Edward Blinkhorn
Senorita ...... ................................ .. ........ .. .. ............ .......... .. ......Florence Tong berg
Alphonso (The Toreador) ...................................................... ...... Manuel Dias

SPECIALTY DANCERS
Dorothy Goward, Manuel Dias, Je a n Hanahan
Anna Cherise
Helena Fish

Chorus
Aliee Fielding
Ethel Ashton

Hazel nromley
Nancy T urnbull

�I

DIAZ OPENS
IMANUEL DANCING
OLASSES
, Manuel Diaz, local dancing teacher,
' has announced that he will start his
fall course at 2 o'clock this afternoon
with a boys' and girls' class which
will meet at his home studio, 75 Lincoln street. He also has classes for
adults. ll!r. Diaz has had extensive
experience as a dancer and dancing
instructor. !\or the past several
months he has been filling odd engagements on different circuits.

I

Diaz Studio of Dancing
MANUEL DIAZ, Instructor
All Brances Taught
TOE
TAP
ACROBATIC
Claaa Lessons ........... .... . 25c
Private Lessons · .......... , ... 50c
Studio: 75 Lincoln St. Tel. 1882- R

DIAZ STUDIO OF
DANCING
MANUEL DIAZ, lnetructor

CHILDREN 'S CLASS
STARTS SATURDAY,
SEPT. 17- 2 P. M.
.
All Br anches Taught
Private Lesson• by Appointment

TOE

TAP

ACROBATIC

CHILDREN 'S CLASS 25c
PRIVATE 50c
ADULTS 50c
Home Studio : 75 Lincoln St.
Tel. 1882-R
I

�"Whizz Bang" Revue.

\L\!\UBL O[Az,
The dancing hits o:CXfiinuef Dias
will be one of the outstanding factot·s
i n the "Whizz Bans- Revue" to be
B,iven in the ;\femol"ial _\udilorlum
t his
evening,
under
the
auspices of Wall,er-Rogers post, Y. P.
W. Thi$ accomplished dancer; besides being on Keith's circuit, has
had a wide e&gt;..perience on the boards
and has gathered together a number
of offerings which are cxcPllen l as
well as unique. Among his offerings will be a Russian dance.

�C tTY OF LOWELL, MASSACHUSETTS
HEALTH DEPARTMENT
LOWELL, MASS.

November 19 , 1929 .

Mr . l,fu.nu.el Dias ,
75 Lincoln Street ,

Lowel l, Massachusetts .
My

dea r Mr . Dias:
The Board of Health wishes to express its sincere appreciation

and thanks for your valuable assistance in tne recent entertainment
for the patients at the Lowell Isolation T{ospi tal.
Sincerely yours ,

J . O' HARE , Agent .

�.......,........,,...,,,..~_,/' .~-.,,....,_,,.._,~.,,. .

MANUEL DIASi
Da ncer.
The danc in g hits of' l\ l a n uel Dia~
11·ill be one of tl·e -::,utsta n d in g fa('tOr!"
· in the "'\Yhi7.z Bang R ev u e" t o h..,

on

hivcn in the l\TPmorial Au d it o rium
'rt,t1rRllay €\•,,.n;ng-. tlTi &lt;l er t h e au iice,; or '\ValkP " - Rogm·s J)C·S t, V . fi'.
\"i'.
hls ::icr'omplished danc~r, b E,
-.ide~ heinc: o n Keith's c irctdt, has

ha,l a w1dl, ,:-xpcrience on t h e hoard.,
und h:is gath,~rPd together a num ber
of offerings which ,ue e.·celle n t a~
\Y&lt;'ll as unique.
.i-1 mong hi s ofte~inc:A ',\·ill hi?' a nuisRha cl a n rc.
'l'o balance the rest of t h e danc lnc:
pro&lt;.;"rurn t',crr wi ll 1 (' c-o ntrlbu Hon ~
b~ I\.Iary Pt'1·l~!,,H, Evelyn ~ousn , l tenP
n nd Lnnd:·y, John Lav t&gt;rty, ErnPisr
1•ntvin and a host of othir l n di..;i&lt;i uals and the &lt;'hv, ,;1,; numhers.
Tl1 1

f=;11lging'

:t. C'tS

, ..

iH

be

a1Fo

1,1,,,,,;in::r th&lt;?' r•·ogrnm being attrnct h:c,f"..r ~rr~tnp,:if{ 'Yith ~:all t 'ln&lt;l ("Offii

l':tl numbe r s. l\Tany or t he so n gs nrc
ac&lt;:ompani&lt;'&lt;l h.r som&lt;' flrie tnp or soft
,hOP danC'ing. .\,; for the solol Rh•,
UlPl'C 'W ill lw .1,.e1c l\1cArd'"• G clo n
Quigley, llarl)ld 1\ hParn, n ann~·
livan. Ev~lyn ~Ousn. Pn .. ni'- Del mol'n,
Hitn C:authh.:1, ·.rhun1as J. Sa:yt:'rs anti
t•ther~

I

~111- 1

�Musical Numbers
Sunrise and You ........................... Miss Grace Finnegan
Russian Dance .................................... Manuel Dias
On Ze Boulev~d ......... . ......... . ................. Suzanne

�Townsend Memorial Hall
WED'DAY
EVENING

Aug.11

THE COLLEGIANS
4th. ANNUAL TOUR
in a Burlesque of the Harem Scene of
"Haroun Al Raschid" ent it led

~~A

Night in Cairo"

GOOD SINGERS, DANCERS and SOLOISTS
-CASTHaroun (Himself) ............................................................................. Paul Billington
ENNUCHS Knapp ······•····································-·•·••·········-······················· Ham Mool'e
Marty ........................................................................ :...... Lloyd Burton
-·······································•·············-··•·········· H. F. Frederic}rn
DANCING GIRLS .......................:.................. ········•········-··········· B. M. Anderson
................................................................................. B. E . Bellew
-··········································•·······•······•······················· F. E . Wilson
Southern Melodies ·······················-·······································•····•·············· Marty Veiga
The, Charleston as it should be ........'. ................................... Harvey Willett
Songs of Sentiment ................................................................... Kenneth Knapp

t:rsta~~n!:e.~~·················.·.·.·.·.·.:·.·.·.:·.·.·.·.·.:·.·.·.·.·:·.···.·.:·.·.·.·.·.:·.·.·.·.·.::·.·.·.·.:·.:·.·.::·.·.::·.:·.·.·.:.::·.·.·.·.·.:·.·.· .·.· ..sr;;: ~~e~;~J

SPANISH DANCES ·······················-··~··············•······························r;=~~uu~r~W
Song Repertoire ............................................................................................. Cliff F riend
EDWARD LEFEBVRE ........................... Accompanist.

ADMISSION- ADULTS ..................................................... 50c
CHILDREN (Under Twelve) ................................. 25c

Doors open at 7 :30.

Perf orn1ance starts at S.

�,

PIANO RECITAL
For the benefit of McKeown Post
American Legion

given by the Pupils of Miss Elsie McGinn
AMERICAN LEGION HOME
Lonsdale, R. I.

Friday Evening, April 17, 1931

... PROGRAM . ..
" WELCOME" .......................... ............ .............. ... .. .. .. ... Ursu la Kirwin
T arantelle (McLaughlin) ...... .......... ..... .. ... .. .. ......... .Margaret Crowther
Ivy Leaf Schottische (Miller) .... .. Ruth Thornley, Pauline McMullen
At the Races (An thony ) .... ....... .... .. .... .......................... .... .V erna Rice
Sweet Briar (Crawfor d) ............ ...... ........................ Dorothy McGarvey
So nny and the Bees (Milton) ......... ... .. .. .... .... .......... .. ...... Mary Healey
Echo Waltz (Streabo gg ) ....... ..... .. .... ... .... .... ..... .......... Helen Nickerson
Indian Love Call (Vocal) .... .... .......... .... ....... ................. Miss Manning
Wood N ymph' Froli c (Aaron) .. .. .... .... .. .. .......... .. ............ T. J . Quinn
"MUSICAL POEM" -Ru th Thorn le y, Pauline McMullen, Grace
Partridge, Ruth Barl ow, Norma Gilleece, Florence Gaskell,
Mary Healey, Edith Lonsdale, Doris Thornley, Ruth Creelman, Jennie Gilkinso n, Martha Peterson, Rita Kirwin, Dorothy Seaton
The Swallow (Klicl{man) ................ .....1 ..... .... .................. .. . John Evans
Accordion Selections ..... ... .......... ....... .. ......................... Tulio G asperino
Dance Specialty ..... ... ........ ............ ........ .. ........ ......... .. .. .. ... .H arriet Ball
Dance Ecosais (Bal{er) .. ..... .... .... ...... .. ...... ..... .... .... Geral dine O'Connor
March of the Boy Scouts (Martin) .........•..... .. .......... .... William Benoit
Wanderer's Rest (Heinsl .... .. ............................... .. ....... Linear Re~lund
Address to Pupils ........... .. .. .. .. ...... .. .. .. .. .. .. ....... Judge F. E . Fitzsimmons
Adonis Galop ................. .. .......... .... .Ruth Barlow and Margaret Pierce
Golden Star ................................ Edith Lonsdale and Florence Gaskell
V ocal Selection ... .. .............. .. ..... ........... ......................... .. Miss Manning
Silver Ny111pi1 (!-l: eins ) ... .. ..................... .. .. .. ... .. .......... ..... Lillian Kirwin
Wood N ymph's Harp (Rea) ..... .. ........... ... .. ...... .. ....... .. U •urice T obin
Spinnin g Song (Emmerich) .. .. ........ ...... .... .... ...... ... ......... Ma ry Crawley
Menuett (Paderewsl{i) ....... .. .......... .. ....... .. ...... .................... Helen Saul
Polonaise, A major (Chopin)}
G
A · M W
S h
Rondo, A major. .... (Mozart ) ....... UeSt rtt st'
r.
m. mit son
Selections ......................................... ......... .., .. ..... ............ Everett Pierce
SW
onaltina (C(Glemdentdi)) } ....................... .. ........... .. .......... Francis Manning
a tz .. .. ....
o ar
Shower of Stars (Wachs ) ........ .. .... .. ... .. .... ........ .... .. ......... H arriet Ball
Rondo Cap riccioso (M endelsso hn ))
M
p·
Fairy Fingers ...... .. .............. (Mills) J ........................... argaret ierce
Singing and D anci ng Specialty... .. ... M anuel Diaz and Everett Pierce

�The entertainers who have been secured by the veterans for their gettogether tonight include several of the
city's most popular performers. Raymond Kelley, Fred Cummings, Ned
Saunders and Ted Murphy will be
among the soloists. Daniel P . Brennan · as master -of ceremonies will
present several members of his tal•
ented troupe including Frank Delmore, Dan Sullivan and Harold
0'Hearn.
Jack McArdle will put
over some of his songs and dances
along with Manuel Diaz, dancer,, and
Andy Roarlie, mono'Tog1sf. Out of
town talent will include, Jimmie Gallagher and Billy Connors of WEEJ.
The committee in charge of the
smoker is as follows: Henry J. Sullivan, chairman; Irving' J. Loucraft,
George Walsh, Stephen C. Garrity,
Robert L. Holmes and F. A. Lawler.

Harnlc1 .\.hearn, T,htl,i-el Sullivan,
Fran!{ Delmol'e, "Bill" Connors an,d
John Laverty, members of Danny s
gang, sang many popular tunes, but
perr,aps the biggest hit oC all ~vas
scored by "Jack" • i\IcArd\e's ~·.e;'.t&lt;1;l'.-·n o[ "The Batlle o[ Cognac. Ih1s
clil t~•. which cnsries the boys tlu;?ugh
an of the expel'ience:; tlw.Y met over
there," was superbly put ovel' by Mc•
A:·(]1c. ,

1a:t, an. c u1·•G£' 1c evening
, "V':"'il."\""
, 1_ 1.,.5,.._""'llicCarthy's Old Timers
1,•u'"'
p~r,yEd spirited tunes and gave ac-

The program follows,: Comedy song
by Edward Morse, assisted by Threse
Chouinard, pianist; ,llussian dance by
11,anuel Di~ assisted by Miss Ethel
lrBnen, pianist;
comedy in two
parts, "Not Quite Such a Goose," with
Ida Shanks, Charles Hancock, Holly
Chapman, Charies Wallace and Mary
M. Harl ; school song, Julia Urevitch
With Helen Jarek at the piano, follow~d by community singing.

( C'.)11'\tianiment to t11e singers.
.And•·c,w Roarlrn's monolog, particularly
110Jitieal speech, got 0.~ q t 1(1•1,:,-h

hi~

I

lng School, A not her fine solo waa
tha t of .I. Cordon Quigley, "Goodbye
ForeYer," as thf' pira\e d1if'f in "Tl:e
1 nendez.-ons of the Pirates. " In th1s
number, Ma11nel Diaz appear&lt;.'d before a Lowe ll !il!dience for the first
time in some years afl an elasticum lied R11~Ria11 dancer.

I
!

Under t;h~ t i o n of Mrs. Theresa
0ldfie~, a most enjoyable program
was given, the numbers being as follows : Song and dance, little Margaret
Burns,_ _ac~&lt;?mpanied by Miss Alice
Burns, rnadmg, Mrs. Elizabeth Blinkhorn; . songs, Mrs. Anna McDonough
McGmre; monologues, Andy Rourke·
songs, Danny Sullivan; song and
da1;ce, Jack McArdle; songs, Thomas
Re1lle?' of Keith's; fanc~ da,Man);!._el Diaz; songs. Jerry'Gara; floii'n
J1gs ana reels, _Joe Perry; songs and
dancJs, Ba~ }'.l1ta 'Gauthier,

�1--·-·--·
·-·---r
j Christmas Party I
c,1--- ■-an-■ a-■

---u-11a-t1t1-nO

All hands seem thoroughly agreed
that the Christmas party was a grand
success and the gang joins in thanking I
the various contributors.
" Clark" made a peach of a master
of ceremonies, even if he did not have
his frock coat on.
T e exhibition
given by Manuel w s a r e lation to
inanyo us an 1t is hope_d__tba.f we
WI
a Ve many Ur lieropwrtunffies
to see him in action. "-Mary eneficK's
smgmg was m eed a treat---particularly her rendition of the Lilac song. \
Mary, who has long been a valued employee, is leaving us. It. is with reg~et
we see her go, but we all join heartily
in wishing her happiness in her new
work. Mary Landry's popular songs
were decidedly effective and a special I
vote of thanks is due her. The gang
is looking forward to hearing her
again when she can have an accompanimen t of some kind. As it w_as,
her plaintive voice, with the touchmg
little "break" in it, gave us all a thrill
that will last.
Rena Hollis and her ''kid'' cousin
both deserve a great deal .of credit.
The same goes for Marcus and Harry. \
The dancing was thoroughly enjoyed
and the funny attempts at the Virginia
Reel gave more laughs to the onlookers
than to the dancers.
\
Rumor has it that had Mr. Randleman allowed the music to continue we
would still be dancing. Let's have
artother party soon.

I

LADIES AND GENTLEMEN OF THE ENSEMBLE
Jane Adams, Ruth Adams, Ethel Brodeur, Mary Brennan, Helen Burns, Mary
Bowden, Estelle Berry, Dorothy Burkell, Audrey Coon, Josephine Cox, Jeannette Cayer
Mary Courser, Mildred Chesla, Lillian Cassidy, James Cryan, Loretta Chamberlain, Esther
Denley, Olie Desrosiers, Mary Dorsey, Tillie Dickson, Edward Deslanders, William
Desmond, frlanuel Diaz, Rita McDonough, Charles Dick, James Dolan, Margaret El[an,
Margaret Foley, Celia Cummings, Stella Faber, Anna Fitzpatrick, Kay Gannon, Adrew
Gauvrefl u, Fred Graham, Molly Donahue, Ray Griffin, Ralph Greene, Dorothy Hannifin,
Mabel Guerin, Olive Hamel, Peggy Joyce, James Joyce, Ethel Kealy, Peggy Kearns,
Lucienre Lanoue, Adeline Lessard, Dorothy Lannan, Anna Lyons, Kay Lyons, Florence
Lannan, Patricia Lyons, Bertha Levy,John Lyons,John Lawless, Ethel Marshall, Babe Mar,hall
Mary Mahoney, Alice Marren, Mitzi Melancon, Gladys Moore, Dennis Mulamphrey, Jesse
Marshall, Rita Maguire, Mary Manning, Ray M·ason, Helen McGrade, Anna McAleer,
Lillian McDonough, Helen Minihan, Marie Murphy, George McMennimen, Helen
McNiel, Cliff McNiel, Beatrice McLaughlin, William McCarthy, Rita McDonough,
Elizabeth Nebes, Loretta Nadeau, Bertha Nadeau, Leo Nadeau, Helen Powers, Rol[er
Panton, Dorothy Riley, Estelle Russell, Mary Roscoe, Christina Riley, Mary Robitaille,
Irene St. Jean, Mary Sheehan, Evelyn Sousa, Mary Sullivan, Eugene Sawyer, Gertrude
Williams, Alice McNabb, Andrew Vandette, Thomas Vickers, Claire Wilson, Thomas
W itts, Claire Vallerand.

l/

�Annual Charity Show of
Ellis Is Complete Succes
Lat e Audience Enjoys 'Chinese Cabaret'\

IWill OffE~OCAl ACTS

A pair of well-known vocalists,
Charles J. Keyes and John O'Brien
will he heard in several song num~
?ers and also b.ave a line of lively
Jokes. John Laverty, bllled as Lowell's original cabaret boy, will offer
some of his inimitable dancing acts
and will sing as w.ill. The reorganized Honey Boy quartet
will also
il,PPear, in several
numbers,
.and,,
Lo,\ ell s only female impersonator
Manuel Diaz will pres'ent a
umqu~

Well-Known
Entertainers
From This City in Elks'
1 ••

Charity Show

•
~
..Q!_tJ.1e_.most amusi_n g acts of
I the evening was Juanita, the little
Spanish senorita, who later turned
1 out to be none other than Manuel
Diaz, one of the most famous ·of local impersonators. He had the audience guessing, especially since his
dancing Jiad none of the awkwardness
/ of the usual impersonator. He appeared later in an exhibition' dance,
and at its close he removed tpe
beret which concealed his hair and

act,

For in~ivfdual specfulties~ therewlis
~the Russian dancing of ~anuel Diaz
W.ho proved a talented ewcfafiir Tc;
local theatricals and the Scotch inter~retation of Molly Hastings. McGrail and Kenney and Miss Helen
vVagner and Miss Bertha Choquette
als? appeared in dancing specialties
which were well ·recejved.
The prod1ion clo,1&gt;ed with the i~-

r

11.1.1.~o- ~!s~t!_:?'.:._ _

-•

in~

"Night Chi~~70°wn Cabar.et"'1
by Night Club Artists Is
1
Featured
Local stars in 1he lin e-up are John
l,averly, whose talents as a song-anddance man a re known; Chas. J. Keyes
an!.l John o·Bricn in voeal duels; the
reorganized IIoneyboy quart.ct and
Lowell's only female irupersotfator,
Manuel Dias.
The. Breen sisters in songs anCl
chatter were anothelj fine duo, as were
Tom and Bud, ~_J10 ha1 ii line of lively
kes w le deli hted · the au ·
"
of the features of t e evening was
mystery woman named Waneta,
hose sk!Jl as a dancer proved surprising when Oil her second appearan ce sh~ 42_ffe_g her wig and turned
out to be Manuel Diaz, Lowell's own 1
female impersonator.
I

t~

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~.-

�------------------------------------~------~----

I l!l·}+M-IDl
AL DROUIN, Eccentrlc
JOE CARRIGAN, Frisco
MILTON WESSON, Charleston
AL BALLEN, Soft Shoe
GEO. H. SULLIVAN, Clog
CHESTER LORD, Russian Ballet
MA AL DIAZ, Stage Jazz
P
, Coney Island
Jazz

Miss Helen Lafortune, who is soon
to receive a diploma which gives her
highest honors in mus ii:: at the pianoforte school of Professor Napoleon
Guilbault, was tendered a party at her
home last Friday evening. Miss Lafor tune. who was nteasantly_ su~prised, was presented many gifts_ m
which were Included a beauti!ul
bouquet and purse of gold. Miss
Simone Lafortune, her sister: m:.p.e
the presentation speech. ..D.JJnng. the
evening an informal program of piano
select10ns was given under the direction ot Manuel Diaz an d H arle!
Mirault. o t h er ent erfuiners who p~i ticipated were Leo F. Scully, Miss
Simone Lafortune, Miss Pegg~ ~cDowell Edward Coutu, Ethel O Brnm
and others. Refreshments were the~
served and a general program _of me1riment followed. General dar.cmg was
enjoyed with music rurnished by ~
prominent local orchestra.
.Aftei
friends had tendered Miss Lafortune
their congratulations, the party came
to a cldse.~-----,,,--

l

The nt..iscellaneous portion of the
program was again in the hands of
."Danny and His Gang."
"Danny"
Brennan, who was given a rousing
welcome, certamly hit the mark with
h is crowd of entert~lners, all of whom
were warmly app lauded for their respective numbers. These included a
violin and piano duet by Joe Curry
·and Joe Moriarty; songs by Haro)µ
O'Hearn , Dan Sullivan and Fred Turner; specialty dance by Harry Lawrenceson ; songs and dance by Billy
McGrail and Joe Kenney.
Andy
Roark was again o n han d an d amused
his hearers with his Canadian dialect
readings . f nother popu lar number
the nove y
ancmg y
e.
- ta Das
ho. was 111p
11Y
anuel Dias. Th e dancer
who was 1l. ·eel - n an appropria t~
costume, took the house bJ· storm a nd
had to reappear on several oceasions

(Con tin ued fr o m page 1)

~ e were pleased to see Manuel
P_iaz do hi s st uff as an exhibi tion
dancei:, He s ure had smoot h foot
w?rk m letting loose with t he inti:1 cate s~eps, and we hope to see
him again.

�DAN BRENNAN
Master of Ceremonies

~ - 2 - ~7?~
~-a-o ""·J

~

~ ~ a _ _ L - -C &lt; . / ~ .,

�_.. SUNDAY ONLY ..._
BIG EASTER SHOW'

4-BIG ACTS-4

CT!•l •) i~ 1!!~
With
Rialto Theatre Orchestra

11

ARTHUR, BILL
&amp; BERT
'
.__
"G_I_ob_e_ Tr
_ o...:_
tte=r::...s'_'_

21
31"
41

HARRY LA l\IARR
" The Old Maid''

,I

LEE &amp; ALLEN
Sense and Nonsense"

11
_

SPECIAL EASTER FOLLIES
SHOW!
All~Local Cabaret Nites
STURTEVAN'J' TWDIS
Direct from Broadway, N. Y.
in "Latest Songs and Steps"

•

SULLIVAN &amp; corr
"Lowell's Best Song and Dance
Tea1n"

12

41

A

EV~LYN PARR &amp; CO.
Cycle of Songs"

14

BLANCHE SWEET
--In--

A musl cal program was carried out,
wlth :Manuel Dlas acting a s master
o( ceremonies. The program was as
follows: Qyerlure, orchestra, under
lhe dlrect!on of Harley Mlrault; baritone solo, Leo F. Scully; specialty
&lt;}.il.D ce, Manuel Dias, accompanied by
piano and dl'ums: soprano eolo, Ml~s
Simone La(orlune; acrobatic dance,
Peggy McDowell ; duet. Simone Lafortune and Edward Coutu ; baritone
solo. Ed\\"ard Coutu.
R efreshments we?e served by Miss
Simone L a fortune. who was assisted
by a coi;ps o[ the young people pre!&lt;•
ent. General dancing was then en•
joyed. The accompani~t was Miss
Ethel ).I. O'Brien.
,
\

JACK McARDLE
A \'.\,11.ole Sho,v Hint.self"

DANNY SULLIVAN
"Ballad Singer"

13

- - - ON THE SCREEN - - -

I

W' Mon. &amp; Tues. Nites ..._

MANUEL DIAZ
"'Vonian Impcrsonato1·"

l'ETER KANE
"'Yatch Hun Step"
IT'S SOME SHOW!

- - - On 'l'hc Scr een _ __

B!r" ~Ionday-Tue~y

-a

rection of Daniel Bre nan lent much
to the merriment.
'l'he entire evening, save for an in•
termission period for the presentation
of the program, was given over to
the general dancing, music being furnished by Carl and his Pennsylvanians.
Specialty dancing, songs and instrumental bits of enter tainment were
put over in intimate style by a group
of young men under direction ot Mr.
Brennan.
U»ncing numbers were
iven bv
ua
, Jack McArdle
and Billy c ra 1, vocal duets by Harold O'Hearn and Daniel Su1Uvan and
Fred T_urner and Jarnes Roache, solos
by Frank Delmore and readings by
.A.ndrew Roarke. They were acoompanied by the orchestra.

~ t r d ~ rJ3

�G~:u~.

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PR!~~!~JJ.~~AN
I
The Sto_rm Daughter

i,~NTHEATRE]

J.

'

· TONITE ONLY

B. WARNER
"DANGER''

in

Rou,d "Fightinn Blood" and
Comedy

"Tommie" Martelle~ Rival
Female Impersonator
t

Thursday

Nite

ISA

F~male Impersonator

"TOMMIE" MARTELLE'S
RIVAL "
c;.tdics. he's a heu1'l-breakcr!
:\frn. "::-iile'' "ill Yam,'" you!
l ,SO

THF

TITG PJC'ITl

'-Iio,v

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~

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CROWN THEATRE.
MONDAY

anl TUESt'AY

I POLA $GRI
-

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'

~ JLY -◊F TH

§ BUCK JONES m
::

"C L'PID 'S
TUESDAY

FIREMAN" ::-;

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- COHEN'S AM

=--------~
THURSDAY Nl~HT

1§- Tommie Martelle's Rival
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�KICKED OUT Of COLLEG
Three-Act Comedy Feature of
Alumni Night at Abraham
Lincoln School
The cast will e:
"Shorty·• college b oy, chum or Bootles
-A. Kaufma.n
"Sli,·ers," college boy, chum or Bootles-T. Webster
" Scotty," a "grlnd"-N Lipschitz
"!Ila" Baggsby, friend or the boysSylvia LeshlnskY'.
Leviticus Pinfeathers, tired porterH. Harris
Tad Cheseldlne, president or senior
class-111. Dias y
Bootles
~ 1ioo v, college hero-Ralph
Snyder
Jonquil Gray. a modern girl-Helen
Cunningham
Betty Benbow, Booties' slsler-l\Iary
Crowley
"Sheik"
llfcCann,
college
dramatic
coach-\V. Good
llfrs. Benbow, a sul'l:ragette leaderHozel L&lt;&gt;bnvitz
111r. Benbow, rich c rac-ker deal!•r-1\f.
Cohen
Salamanca Spivins, colored laundressSadie Malklel
!\Ille. Fleurette, a c hic French modiste
-Sadie Mehlman
Ofl'icer Riley, a "reel" cnp-S. Levine
Selina llfcCann, aged 10-Ruth Blum
!&lt;.Ir. Ge ars, wealthy auto dealer-\V
Trull
Juliet Snobbs, a c ollPge girl-Esther
Thorne
Mrs . lllcCann, wise to the "Sheik"
A lice 'IIellAn

... ... . . .

~

- .-

-

-

=:-ises on b'\!nlor day In :\lay. l\lfem
t bers of the ..facultya
.ded as pat1·on,,
and patrone~ses. The program yestordd.y was devoted to modern dances
A
vtas n-iven
by
es udim •.

-

I

- ---

I

Plano

select:,:mManuel Dias
Polka-Junior Girls
Egyptian danceOlga Enger
Mandolin soloFlorence ·stanley
Shoemaker·s dance~
Junior Girls
Violin soloMary Hurley
Acrobat!" dance~ a
las
Yocal selectionRose Reidy
Step danceIrma Lanctot
Vocal numberRegina Trudel
Clog danceElga Enger

Durln;;:; ,he inlumlssl ; . ; , - ~ ~
ctanc-es wHe given by Manuel ~
who entertained with
Y
t cots and waltzes. Attired as a girl,
the dancer was
most· prepossessing
1 nnd It was not until he divested him•
self of his wig that the large gnth&lt;&gt;rln·g 11 resen l ,•cc◊gnl?e&lt;l. h Im.
Seve1·al
E'ncores were willingly given by .\1.r.
Diaz, who \s well lrnown locally as an
accomplished fancy dancer_. _ _ __

•

�JRecital Friday on
I for Benefit of
! . Local Legioners1
I

Tbe pupils of :\Us,; Elsie :.\[cGinn ,.
instn1 cto1· in th e Lin&lt;.;oil,n :.V!eI
'maria! and Prospect 1-lill ;ochodls, will
: c;i,·e a re&lt;.:ilal in the Le., ;ion Hall on
Front stre et, Pl'o,;peet Hill, on 1Priday
I ev~nmg ot this weel,. the entire pro. eeeus of 1vl1ic:h
be added ~ the I
\\·elfare tl'&lt;, asuries of i.ho John J\IcKeown Post antl Auxiliary, American
i Legion.
i Thirty-five perrnns will take part in
' the programme of the evelling. The
I guest artist
he "'illiam Smithson
\ of Pawtucket, organist of the Park
·• i Plac:e Con;-regational Church. An adt dress will be giYen by J udge !&lt;~rank E.
Pitzsimmons. Tulio Gaspcrino will
t ·ender accordion selections.
Sin ging an!.! clancinp s pecialties wi
)A
gi,HD \2Y Manuel Diaz of Low~l,
:\rass. ancl Everett Pierc:ll o l' P aw
1cket, a.11d t ,e vocalist o
1e evem
, ·u be :.'\Tiss Helen Manning of Va y
J1'alls. J t is expected tlrn.t a large
nvmb&lt;&gt;r uC people will artend.

I n1L1::::ic

I

,,·ill

I

l

,,·ill

I

-1

Other entertaiirnrs on the long proI gram incluclcd Daniel Sullivan ancl
1 J'ames Roach, Harmony Boys ; El"•
nest Gauthier and Joseph Curry, vocal and violin duets: John Brophy,
songs; Su11ivan and Coit, dances;
anu I Dias ancl Edward Piere
!
Providence, . I., songs ancl dances;

Other highlights in the s-how will
be "Dancing .Jack" McArdle , Rita
Gauthie1·, Rene a nd Landry. :Miss
Mary Perkins, '.rhomas J. Sayers,
Thomas Delmore, Miss Mary Lanell'?,
M a nuel Diaz, "Houde, ·Lessard &amp; anc'l
Kiel,'' ancl a number of other i.ncli•:if1u~l ac1s
that
will grace the
l boards.

�ST. ANTHONY'S CHURCH
HOLDS PENNY SALE

c

PENNY SALE TONIGttl 10 PAGITY CRO\YD AT
AID ST. ANTHCNY'S
ST. ANTHONY'S PARTY

A very successful penny sale in aid
of St. Anthony's Christmas basket
fund was conducted at the Abraham
I
Lincoln school hall last evening:
I
Mr. Joseph Wilkes acted as the master of ceremonies. In his welcome
A penny sale and entertainment in Young Ladies Rodality Sponsors 1
address he explained the purpose ot aid
of St. Anthony's church !und
Dance and Entertainment
the penny sale and thanked all those will be held this evening in the Abrawho had helped in this charitable ham Lincoln school hall. Preliminary
in Eagles Hall.
work. He then introduced Rev. Fr. interest in the event has led the corr&gt;
Grillo, pastor
of
St.
Anthony's miltee in charge to believe that the
Eagles hall was filled last evening
church, who also made a few remarks. crowd in attendance will be an un, by members and frien&lt;ls of St. AnAn enjoyable program was ar- J usually large one.
ranged by Mr. Manuel Diaz, local l
At an interval during the sale of t thony's church who gathered for a
dance instructor. The program fol- ihe many attractive articles that have 1 dance and en tertai nmen t, sponscrcct
lows: "My Man," Frances McDowell, been procured, an entertainment pro- by the Young Ladies sodality, with
Mary ·wesson, Dorothy Hall, Mar:v gram will be presented under the di- the proceeds go~ng to the benefit fund
Souza and Anna Gleeson; "All of Me," rection of 1\1r. M:w""' Diaz. Pupils of of the church. The affair toolc the
form of a Washington night, and a
Raymond McDowell; Russian dance, Mr. Diaz's school of dancing will I
Anna Gleeson; eccentric novelty, vide ihe entertain..,iem, and all will feature of the decorative scheme
Florence Devanna; tap dance, Dor- be introduced by Joe Wilkes, master was a large bust of Washington
othy Hall; waltz clog, Mary Lariche; of ceremonies. Mrs. Jean Havalian ,vhich was suspended above and besong and dance, Frances McDowell; will be the accompanist of the eve- hind the orchestra.
General dancing was In order until
blindfold piano novelty, Mrs. Jean ning.
'£he committee in charge, headed by about 10.30 o'clock when a program ,
[ Hanahan; dance number, Manuel
1 of entertainment was put on under ,
Diaz; acrobatic solo, Baby Dorothy Mrs. Charlotte Souza announces that
the direction of AI Lemons as master
O'Connor; song. "Shanty in Shanty there will be no admission charge.
of ceremonies. The entertainment
To,vn," Joseph Wilkes.
program was in the charge of Ernest
Mrs. Jean Hanahan was the acG. Gauthier and was as follows:
companist for the evening.
Son~s, and monolog, John McArdle;
The committee · in charge was
violin and piano, Joe Curry and
, headed by Mrs. Charlotte Souza.
Brne&amp;'t Gauthier; songs, Daniel SulHvan; l1armonizers,
Pauline and
Another feature was the award of a
Jackie Brunnelle; accordian selectrophy to Mrs. Evelina Diaz In appre-- 1 tions, Napoleon Valentine; acrobatic
dance, Helen Hod~e; Impressionistic
ciat!on of the work she devoted to
dances, Manuel Diaz; songs, Harold
the dance.
Ahearn; ukulele selections, Babe
The committee in charge included
Cunha; songs and dances, Baby Rita
the following: General chairman, Miss
Gauthier; wooden shoe dancing, Al
Dee Machado; assistant, Miss Anna
Lemons.
An enjoyable post-Lenten dance was Picanso; floor director, Miss Mary
The committee in charge included
conducted by the L:;incoln Rangerenes Machado; assistant floor director, Miss
Rev. John T. Grillo, church pastor,
at the YMCI hall, Wednesday evening. Louise Picanso; aids, Henry Perry,
as honorary chairman; Miss Rose
the affair was a Babe Cunha, Oscar Wahlgren, William
1 The feature ot
Espinola, general chairman, who was
splendid entertainment given at in- McCarthy, William Picanso, Barney
assisted by the following:
The
termission which included dance num- Costa; refreshments, Mary Costa,
Misses Evelyn Correira, Margaret
bers by Manuel Diaz, and also popular chairman; ,Josephine Enis, Mary Enis
Santos, Laura Roche, Mary Avila, Alsongs by Mr. Diaz, accompanied at the and Eileen Shore; checking, Mary
va Corriera, Gertrude Bragga and
piano by Miss Babe Cunha. Henry Santas, chairman; Margaret Spillane,
_E_m_ll_y_La_w_r_e_n_c_e_. _ ________ J
j Perry acted as master of ceremonies. Frances Carroll and Evelina Diaz.

I

RANGERENES CONDUCT
POST lENTEN DANCE

I

j

VAUDEVILLE PROGRAM Ii PARISH PROGRAM TO
AT ST. JOHN'S CHURCH _
BE GIVEN TONIGHT
A benefit dance and entertainment
Under tile auspices of ' the church ·
school of St. John's Episcopal church, will be conducted by members of St.
an interesting vaudeville program Anthony's parish in Eagles' hall this
was presented in the parish house evening. Rev. Joseph T. Grillo, paslast night. Among the artists partic- tor, will have general charge of the
ipating were Danny Sullivan, master program, with the assistance ot many
of ceremonies;
William Gilmore, members and friends of the parish.
the entertainment,
general
Jackie and Polly Brunelle, Helen After
Hodge, Francis
Ryan,
Dominick dancing will last until 1 o'clock tomorrow morning.
Dimodana, Harold O'Hearn, ManErnest G. Gauthier will have charge
uel
Dias,
the
Logan
sisters,
and
Baby
Rita
Gauthier.
A - of the entertainment, which will include numbers by Baby Rita Gautalk was given by Rev. Henry
thier,
Helen Hodge, Pauline
and
Quimby, rector. After the entertainJackie Brunelle, Al Lemons, Daniel
ment dancmg was enjoyed. ArrangeSullivan, Jack McArdle, William J.
ments were in charge of Ernest Gauthier and William Gilmore, under the McArdle, William J. McNally, Manuel
Dias, Harold O'Hearn, Napoleon Valdirection of Jolill Gilmore, chai11man,
entine, John Graham, Joseph Curry
and Fred Gilmore.
and Babe Cunha. Al Lemons will be
master of ceremonies, and the accompanist will be William Gilmore.

BIRTHDAY PART Y .

An enjoyable surprise parly was
held Sunday evening at the home of
Mr. and Mrs. Albert Roscoe o! 102
Perry street, in honor of their. daugh ter, Mary, the o_ccasion bemg her
birthday anniversary.
The house
was prettily decorated in pink and
blue streamers.
About 50 of _her
friends gathered for the occasion.
'£he entertainment was given by
Manual Dias in songs and dances;
songs by Leo Moore, Joe Pende:·gast, Dave Murph~ and A~stm
Lyddy; piano selections by Misses
Frances Glennon and Peggy Kenefic!,; tap dances by Gladys Dezel,
Rita Roscoe, Harold Foley and ~red
Greenwood. Although much surprised
Miss Roscoe thanked her friends ,
graciously. The arrangen:tent of the \
affair was in the char}!'e of Miss Mildred Melancon and Mrs. Jane McNulty.

�"The Court Martial"
Presented By
THE 0. M. I. CADETS
FEBRUARY 9, 1932

Y. M. C. I. HALL

DANCING 9-12

SHOW 8-9

Scene: Military Courtroom with Judge and Jury assembled
for trial by Court Martial of six prisoners.
Prologue: Opening Chorus .. .......... ................ Judge and' Jury
Charge of Jury .......... Judge Major Edward Gordon
GRAND INGLORIOUS ENTRANCE OF PRISONERS:
The Trial:
Prisoner No. 1-"An Evening in Caroline" ........ Walter P. Ellis
Prisoner No. 2-"If You Knew Susie" .. .. ... .William Mccartin
P risoner No. 3-"N ow's the Time to Fall in Love"
John J. Flynn
Recess Numbers:
1. "Concentrating" ........ ............ ...... .... .. .... ..... Walter Kivlan
2. "When the Rest of the Crowd Goes Home,"
Francis Duggan
3. "Lies" ..................... ... ............................ Robert Armstrong
4. "Save the Last Dance for Me" ............ Ernest LaBranche
5. "Home" ...... ...... ..... .. ... .. .. ... ................... ... .. . Thomas Turner
6. "All of Me" .... .. ... ... ... ................... ... ........... Lester Conway
7. Minnie the Moocher Skit,
Russell Howes, Ray Desmond, James Mc Cartin
8. Solo (selected) ............... .. ...... ... .............. Vincent Lantaig ne
9. Selections by Harmony Trio,
William and Ray Desmond, David Nicholson
The Trial (continued) :
Prisoner No. 4- "When It's Sleepy Time Down South,''
John Kenney
Prisoner No. 5-"Foolish Facts'' ................... ....... Paul Rogers
Prisoner No. 6-"Freddy the Freshman" ... .William Desmond
Finale : Closing Chorus. JUSTICE TRIUMPHS!
Dancing: Music for show and dancing by Art Cantara's Oxford Collegians.
Directors: Mr. John Crowe, Miss Beatrice Deignan, Mr. Ma11-uel Diaz.
Sponsors: Retr. D. A. Sullivan, 0- M. I., Pastor and Founder.
Rev. J . F. Boyd, 0. M. I., Chaplain.
Props, etc.: Members of Cadets and Y. l\L C. I.
Costumes: Courtesy of Strand Publix Theatre.
Sulliva n Bros., Printers

· ·· 238 Central St.

~

�llt{IR'RI '
Extra-TONIGHT-Stage Show

SURPRISE NIGHT
New and Novel STAGE SHOW!
Also "THE HOMICIDE SQUAD"
Leo Carillo-Mary Brian
WALTER HUSTON in
"ABRAHAM LINCOLN"

'l'IIE: ( 'ROW~

'rHE CRO"WN

Another big bnttle or music will be
staged at th&lt;' Crown tonight, in addition to thP douhl&lt;' f&lt;'alurP
program,
featuring l&gt;orothy ~!&lt;'Kaili
in "The
l'art)' Hu~band ."' willr .lamPR Rennie
and ··Jeanny l&lt;'olc)' llrr~elf" with the
C-PIPbrated Rtar of "(.'i mmaron." E:dna
May Oli\"er. Only 10c. 15&lt;'. 20c.

Another big battle of music will be
staged at the Crown tonight, in addition to the double feature program,
featuring Dorothy McKaill
in "The
Party Husband," with James Rennie
and "Fanny Foley Herself" with the
celebrated star of "Cimmaron," Edna.
lllay Oliver. Only 10c, 15c. 20c.
Manuel Dill~. f1swell'~ tc~ale impere

el

stage
Wednesday,
amongst other acts.

Surprise

)ia~

... o\'-ell's fcn1Ale im P.r•

,v1 1
c ,ra1
fl n
Arre ,
sfiir7l'an c ing team. will appear on the
stage
\Vednesday.
Surprise
nite,
amongst other ac-ts.
.s.o..n.a..1..Q,

Ronat~r, "\v1{fi
cGi'aif anBarret
~tar %ncing team, will appear on the

nlte,

THE CROWN THEATRE

f'ir,
o

~anuel
McGrail and Barrett
an it nos
other good artists wili
appear on the Crown stage tonight, in
addition to the usual double-feature
program.

j

�"JUANITA"
THE GI RL FROE. SUNNY SPA IN
NEY! :JNGLl.ND 1 S FOREMOST
C0]!1'CD I ENNE

MID
I-

INCOJvPAR,\BLE SPANISH n;,NC"ER

HOLY ROSARYPARTY.
BRINGS 700 TO Y.M,Ct
Mrs. John Rougha.n, as G. A. R.
Veteran, Wins Oostume PrizeMrs. Mary t aurin Second.
More than 700 persons, includ ing
spectators and dancers, last n ight
cr owded Y. M. C. I. hall for an annual costume party, sponsored by the
Holy Rosary Society of the Immaculate Conception church. A grand
march, t he awarding of costume
prizes a nd a miscellaneous entertain ment by local talent wer e f eatures o! the evening's varied pro-

s:ra!IJ._____ __ _ ···-----

Rev. Joseph F. Boyd, spiritual directors of the society, acted as master of ceremonies during the evening.
He Introduced the followlng pro•
gram: Songs and dances, John Flynn
and
Ernest
Labranche;
d,ances,
Jlli!,nuel Dias; accordian solos, Victor
Bernadini; readings, Miss Anna:belle
Henry; vocal solos, Miss Lucy A l fan o and tap dances, Misses Margaret and Agnes Sullivan. A prelimin ary concert and music for dancing
was furnished by a local orchestra.
Mrs. William Kennedy, society
president, was in general charge of
the party. She was assisted by Mrs.
John Crowe, Mrs. Katherine Laffer- /
ty, Mrs. Harriet McDevitt and Mrs.
I Agnes Jump.

�LYOON ASSOCIATES
ENJOY BANQUET
Catering Co. Employees Hear
Mayor Slowey and Other
Speakers a.t Annual Affair.
Members of the Lydon Associates,
an organization of employees of the
Lydon Catering Co., held their second
annual banquet Saturday evenin g in
Odd Fellows building, Middlesex
street. They were joined by a large

MART IN A . LYDON.

number of friends and ;;uests of the
organization, and in all more than
~50 enjoyed an excellent roast pig
dinner.
For once the busy corps of waiters
and c:hefs connected with the Lydon
Co. settled down comfortably to enjoy a dinner instead of giving service
to others. A small skeleton crew of
the organization volunteered to handle the details of the dinner, but the
great majority of the employees sat
back contentedly, unworried by the
details of service.
Following the dinner there was a
long program of speaking and entertainment which conti nued well into
the hours of 8unday 1t1orning, hut so
general was the spirit of fellowsllip
which prevailed that fer-, lC'ft the hall
until the last speaker had been heard
and the program ho.cl come to o.n appropriate close with the singing of
the rn1tional anthem.

Int;rspersed with the speaking program was an excellent and varied
program of entertainment provided
by members of the associates, thei1•
guests o.ncl other talent. Those who
thus helped to make the evening
most enjoyable included Jimmy Deignan and Johnny Ball, as Inevitable
a par t and parcel of the Lydon organization as Mr. Lydon himself;
Daniel Sullivan, Daniel P. Brenno.n,
Jaclc Glee.son, Andrew Rourke, Martin Maguire, John Devlin, James
Roche, John F. Roane sr.,
o.nue
Djaz, who scored heavily with a series
of clever female impersono.tions;
Raymond J. Kelley, Charles A. Co.rey,
Timothy Finnegan, Thomas Knight,
magician, and several others.
Among the guestu at the heo.d io.ble
who were presented brie fl y by the
toastmaster were Hale Power, assista nt corporation cou nsel for the City
of Boston; James J . Bruin, Cou ncillor
Robert R. Thomas, Councillor Thomas B. Delaney, John L. McDonough,
faithful navigator of Bishop Delany
Assembly, fourth degree, Knights of
Columbus ; Leo D. Calnan, exalted
ruler of Lowell Lodge 87, B. P. O.
Elks; Fran cis J. Haggerty, president
of the Young Men's Catholic Institute. Also presented to the audience
were Edward D. Cawley, Daniel J.
O'Connor an&lt;l. Dr. Thomas P. Donnelly, president of St.' Michael's Holy
Name Society.

I
I

�LH. s. OFFICER~
II1927
FETED BY SUCCESSORS •
I

Seventy-Five Young People Attend Farewell Entertainment
in Music Room.
About 75 members of both classes
attended the farewell entertainment
and receiJtion by the officers of thll
class of 11l28 to the officers of th6 , /
of 1927, held in the music room
the high school last night. Under
capable direction of Miss Ethel
O'Brien, secretary of the gradu-

MISS GLADYS W. MEVIS
·who Assisted in Progra1n.

ating class, assisted by Miss G1adys
'\V. !l'[eYis, an entertainn1ent wa~
given.
Exceptionally good was the daiic7
, Ing of Manuel Diaz and his partner,
Miss Ida Shanks. 'I'his couple featured the Valenlino tango, and did
it with .all the grace of . experienced
profess·
erformers.
During
their act, Miss
illian Ward sang
several selections, and her voice
blended wonderfully with the movements of the dancers.

-

-

'I'he prog1·am was as follows:
Piano _ solo, Mis_s Helen Kestoi·;
reading, Abra,llarn Be!ii1Ski; 'song
du-0, J{aye Lavery and Lillian Ward;
banjo duet, Mildred Donohue a11d
Alice Farrell; · solo, Emily Emond ,
accompanied by Miss Ethel 111.
O'Brien; sailor's hornpipe, Miss Mollie Hastings, accompanied by Miss
Helen Nest01·; miISical saw, Tillie
Hienderich, accompanied by Sophie
Hicnderich; songs and dances, )3aby
Mary Burns, accompanied by Ethel
l\f. O'Brien; dance revue, .:-1:anuet
Diaz antl Jda . Shanl,s, accom~
by Ethel O'Brien; piano solo,j

�MUSICAL"TRIAL"
BY O.M, I. CADETS

HOlO ~INAL REHEARSALS

Young Soldiers Present "The
Oourt Martia.1" in Y. M.
C. I. Ha.11.

O.M.I. Cadets Will Present
Annual Musical Show Next
Tuesday Evening

The 0. :M:. I. Cadets offered something just a bit out or the ordinary
last night In the Y. M. C. I. h a'll In
the presentation or their play, "The
Court Martial," and In tbe doing entertained a large number or relatives
and friends of this semi-military organization.
The theme of the play took in a
military trial but the prisoners, being
possessed of fine voices, had a chance
to otrer thei rtestlmony and pleading
through song and did it to the satisfaction of the judge and jury.
The production was sponsored by
Rev. Denis A, Sullivan, O. M. I.,
founder of the cadets, and by Rev.
Joseph F. Boyd, O. M. I., spiritual
director and advisor. The directors
were John Crowe, Miss Beatrice
Deignan and Manuel Dia,z. The costumes were furnished through the
courtesy or the Public Strand Theatre. Following the show there was
general dancing.
The program was as follows :
Prolog: Opening chorus,
Judge and Jury.
Charge to Jury,
Judge Maj. Edward Gordon.
Grand Inglorious entrance of prisoners.
The trial:
Prisoner No. 1, An Evening in Caroline,
•
Walter P. Ellis.
Prisoner No. 2, If You Knew Susie,
William Mccartin.
Prisoner No. 3, Now's the Time to
Fall in Love,
John J'. Flynn.
Recess numbers:
Concentrating,
Walter Kivlan.
When the Rest of the Crowd Goes
Home,
Francis Duggan.

Final rehearsals are being held by
the OMI Cadets in -preparation for
their annual musical show,
"The

Robert Armstrong.
Save the Last Dance for Me
Ernest LaBranche. '
Home,
Thomas Turner.
All for Me,
Lester Conway.
Minnie the Moocher Skit,
Russell Howes, Ray Desmond, James
Mccartin.
Solo
Selected
•.. -~.-i~~~~-t- i~~~~~~:
Selection by Harmony Trio,
Wl!llam and Ray Desmond, David
Nicholson.
The trial (continued.)
Prisoner No. 4, When its Sleepy Time
Down South,
John Kenney.
Prisoner No. 6, Foolish Facts,
Paul Rogers.
Prisoner No. 6, Freddy the Freshman
William Desmond.
•
Finale: Closing Chorus,
Justice Triumphs.

~ dv&lt;/ ~

MAJOR EDWARD GORDON
Court-Martial" which is to be presented in the YMCI ball on Tuesday
evening, February 9 at 8 o'clock.
A chorus of 80 voices will be beard i
in the all-boy musical sketch which I
has for its scene a military court- 1
room with a judge and jury assembled for the trial by jury of six prisoners.
Both the members of tho
chorus and the various soloists who
will be beard during the evening
. have been directed by John Crowe
' and Miss Beatrice Deignan, while
: special danc111g acts are under the
leadership of Manuel Dias.
'ilaJor Edwarcl tfordon, recently appointed commanding officer of the
Cadets will act as interlocutor and
introduce the following soloists in
bis role of the judge in charge of
the trial: Vincent Lantagne, Walter
P. Ellis, Walter Kivlan, William Mccartin, Francis Duggan , John Flynn,
Robert
Armstrong,
Ernest
La
Branche, John Kenney, Thomas Turner, Paul Rogers, Lester Conway an•l
William Desmond.
After
the nerformance,
general
dancing will be held, with the mush:
being furnished by a local o, :• 11- , t ,·a.
Rev. Denis A. Sullivan, OMI, pa.a,
tor of the ImmaculatG Co:,,,... _,; ; ull
church and founder of the Cadets, together with Rev. Joseph F. Boyd, OMI,
chaplain has made all arrangements
for sponso rin g the show both on next
Tuegd~,y n ight and for th e children
on Tuesday afternoon.

I

�IB.L~ ~!..Q

I
TONIGHT!
1:
Our Finest
1
Community Talent .
Revue!
'I
MANUEL DIAS 11
Wed.
Lowell's Own
and
Th ura.
SmithStar!
Brothers
Not Cough Drops ,I
BARBEAU &amp;
LEMl,RE
On the Screen
Dancing
I
"UNION
Wizards
DEPOT''
CHAS.
D. Fairbanks
PELEKASIS ·
. Jr,
Bobby Dunn
Joan Blondell ,
and othera,
-Plusd
Richard
,,
Barthelmes• 1
"Get the
"ALIAS THE i'i
Square Habit"
DOCTOR"

STARTS
TODAY
~"'11,·N NKl:IARDDIX

I'

I'

ff~rl

1----·-

&lt;·J: c-11

--Also-

"AfRAJD TO TALK"

Sidney Fox, Eric Linden
-Comedy"Just a Pain in the Parlor"
WEDNESDAY NITE
ELIMINATION CONTEST
with

I

LOCAL TALENT

IMANUEL DIAS HEADS

Including
Manuel Diaz
W, Norton
.Aiken St.
Frank Byera
Dancing Kid
Dot. Steal
Marion Eagan
Florance Ga•
Lucille Roy
Betty Paquett
Dot, Fruen
J. Hanahan
Danny Sullivan, M, C.

I

INEW YEAR'S PARTY
OF THEY. M. C. II.
.

To Open With a Turkey Dinner

I

at 11 P. M.-Entertainment

And Dancing To Follow.
The fourth annual ca:baret and
dance •of the Y. M. C. I. will be heM
tonight at Y. ::\L C. I. hall, stm·ting
with a turkey dinner at eleven
o'clock.
Joe Craven who w'lll 'be remembered as Lowell's most popular ent&lt;&gt;rta.inPr of a few; years ago, ,~ill b€
master of ceremonies and the genial
"Ru1:Cs" ha· gathered an array of
some of the finest entc&gt;rtainers in
New Englan&lt;i including the Luppold
SlstPrs in a snappy offering of
songs and dancPs, Jacl, Brophy, th&lt;'
singing iceman; ::\1anuel Diaz, one
of Lowell's best; E:1·elyn Souza, th••
personality girl, and a
host
of
others. As a novelty offering, Eu•gene Payton and Joe ,\'edge will
pre~ent a comedy wreslling bout of
th• ir own design.
Thc&gt;re are still a few choice reservations left and these may be had
•by calling thC' club before two p. m.
Arrangements are in charge of Joe
Finnerty, a~sisted by Joe Dawson,
Gc-orge ·w~lsh,
Duncan
McLean,
Gc•ne Payton, Joseph O'Neil, Austin
Kelleher, James Cusian, Henry Luppold, Fred Chappel, John Payne,
John Scanlon and Joe ,Yedge.

I'

MERRIMACK BILL I

Anothel' of the entertaining community talent revues will be prj!sented
tonight at the Merrimack Square
Theatre at 8.15. The manag·ement
1 has arranged an unusually interesti Ing array of talent drawn from local
, young men and women who are preparing for stage careers.
Tonight's bill Is headed by Manuel Dias, well known Lowell impersonator, who has achieved unu,rnal
success In various part o! t h e country. Mr. Dias has spent the last sev' era! weeks In Lowell preparing an
entirely new presentation and has
chosen the Merrimack Square for the
flrl!t public performance of the new
unit.
Barbeau and Lemire, a hitherto unknown dance team will ltlso make
1 their first bow to Lowell audienc~s
at the Square tonight, after several
weeks of prepara,tion of their delightful novelty. '.rhe bill tonight a1s0 ln1 eludes the Smith Brothers, novelty
acrobats, and Charles Pelekasis, baritone, who will be presented in a re, turn engagement.
Bobby Dunn, master of ceremonies,
' will again preside over the festiv ities,
accompanied by his usual coterie of
wlld men.
The film fare for today and tomorrow consists of the First National
hit, "Union Depot," featuring Douglas Fairbanks jr., and Joan Blondell,
and Richard Barthelmess' starring
vehicle, "Alias the Doctor," with MarIan Marsh. An interesting Paramount
Pictorial and other featurettes wlll
be shown.

I
I,

I

--- ~-

l

�</text>
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              <name>Title</name>
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                  <text>Manny Dias Collection [1919-1950]</text>
                </elementText>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                <elementText elementTextId="32920">
                  <text>Dance teachers</text>
                </elementText>
                <elementText elementTextId="33753">
                  <text>Dogs</text>
                </elementText>
                <elementText elementTextId="33759">
                  <text>Entertainers</text>
                </elementText>
                <elementText elementTextId="34067">
                  <text>Female impersonators</text>
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              <name>Description</name>
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                <elementText elementTextId="32921">
                  <text>Manny Dias, also known as the “Blonde Bombshell,” was a dancer and entertainer in Lowell. He was born in Lowell on November 19, 1909 to Domingos (born in Graciosa in 1876) and Avelina Dias (born in Spain around 1890). Manny later took advantage of this mixed Portuguese-Spanish background in his entertainment career. &#13;
&#13;
Manny was an entertainer from a young age, with the first mention of one of his performances in the Lowell Sun in 1919. At 10 years old, he performed in a Christmas show at the International Institute. He continued to perform at local events in the following years and relied on cultural dance standards in his acts (the Lowell Sun regularly references his Spanish, “Russian,” and “Chinese” dance styles). In 1924, at 15 years old, Manny changed his act and performed as a female impersonator for the first time at the Alumni Night at the Lincoln School. His performance, where he performed as a woman and then revealed his true gender at the end, landed him a gig performing this act at the Crown Theater. &#13;
&#13;
After graduating from the Lowell Evening High School, he spent the summer of 1928 performing around the country with his manager, Lowell Police Officer Daniel Brennan. After his return, he began to develop plans to establish his own dancing school, which he opened in 1931. At 22 years old, Manny opened his school in the Montgeau building in Lowell, called the “Dias School of Dancing.” His first few years of business were so successful that he was able to move to a larger space in Kearny Square in 1934. He also officially changed the name to “Diaz School of Dancing,” reflecting a spelling change of his last name that he used throughout his career. He may have switched to the Spanish spelling (ending in –z instead of –s) because of his Spanish-based acts. In 1936, the Diaz School of Dancing switched venues for the final time to the Rex Center. Manny kept teaching local students until 1941, when he decided to focus on performing. &#13;
&#13;
Over the many decades of his career, Manny performed at dozens of local venues. The list includes Crown Theatre, Brick Bar, 17 Room, Moulin Rouge, Bella Donna, Haufbrau, Shirley Club, Del’s, Mirror Lounge, Chuck’s, 4 Leaf Clover, White Rock Club, Happy Helen’s, Hidden Palace, Brookside Café, Idle Hour, Derby, White Eagle Café, Banjo Pub, and Jan’s By The Lake. He also performed in towns around Massachusetts and traveled to Boston to study under Stanley Brown in 1936. He was known for sharing his talents through volunteer performances at local hospitals, churches, and veterans' groups. &#13;
&#13;
In 1950, however, chaos hit Manny’s career. On February 13, he was at his regular gig as the MC at the Bella Donna club, when he was arrested alongside the bar manager and other performers by undercover police officers in the audience. They were arrested over an alleged "presentation of an immoral show”. One of the other performers arrested that night was Ann Fisher, an exotic dancer also known as “Ann Arbor.” The trial started on February 28 and was mostly focused on Fisher’s performance. Eventually, Manny was found innocent since he did not play a role in the “immoral” section of the show. All the other defendants (except the club manager) were fined. &#13;
&#13;
Unfortunately, trouble found him again in May when he was suddenly banned from performing by the Lowell License Commission. The LCC had instated a rule that they would not issue licenses to any club where a female impersonator performs. This included performers who “are, or who have ever been, female impersonators.” This effectively banned Manny from getting hired at any local club. Although he performed as a female impersonator at the start of his career, he claimed that he had not performed that act for over 14 years. Many suggested that he should solely perform in other towns, but he responded to this by saying he was "born and raised in Lowell, owns property and lives here, and declared ‘I’m not going out of town until this thing is cleared up – until I’m cleared’”. &#13;
&#13;
Although it is impossible to know all the details of his shows, the last mention of his female impersonation act in the Lowell Sun appeared in February of 1932. This supports his claim of taking the controversial act out of his show early in his career. (The item in this collection titled "Grand Opening of The New Rathskeller Cafe" suggests he may have been female impersonating as late as 1938, but this is not confirmed.) However, the LCC would still not budge. Manny took it to court, where he lost his fight to overturn the ban. Thankfully, the local community banded together in support of Manny and made many calls to the commission until, in December of 1950, the LCC changed the wording of the rule to only include current female impersonation acts. &#13;
&#13;
Manny continued to perform locally into his 60s until he retired in 1977. He lived on and off with his supportive older sister, Dolores Dias, and her husband and children. Dolores was a performer herself, winning the 1931 Miss Lowell pageant and even making it to the Hollywood auditions in a national “Make Me A Movie Star” contest put on by Paramount Pictures in 1932.  &#13;
&#13;
Manny died at Lowell General Hospital in 1981 from cancer. He left behind a legacy that included both his successful entertainment career, as well as his passion for his community. &#13;
</text>
                </elementText>
                <elementText elementTextId="34066">
                  <text>&lt;br /&gt;References:&lt;br /&gt;&lt;em&gt;-Lowell Sun&lt;/em&gt;, 1919-1981.&lt;br /&gt;&lt;em&gt;-Naturalization Records&lt;/em&gt;&lt;span&gt;. National Archives at Boston, Waltham, Massachusetts.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;-State of Massachusetts. &lt;/span&gt;&lt;em&gt;Massachusetts Death Index, 1970-2003&lt;/em&gt;&lt;span&gt;. Boston, MA, USA: Commonwealth of Massachusetts Department of Health Services, 2005.&lt;br /&gt;-United States of America, Bureau of the Census. &lt;em&gt;Fifteenth Census of the United States, 1930&lt;/em&gt;. Washington, D.C.: National Archives and Records Administration, 1930. T626, 2,667 rolls.&lt;/span&gt;</text>
                </elementText>
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            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="32922">
                  <text>Collection donated to the Center for Lowell History by Dolores Friant.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="32923">
                  <text>UMass Lowell, Center for Lowell History</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="32924">
                  <text>In Copyright - Educational Use Permitted: This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="32925">
                  <text>JPEG</text>
                </elementText>
                <elementText elementTextId="32926">
                  <text>PDF</text>
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              </elementTextContainer>
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            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
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                <elementText elementTextId="32927">
                  <text>English</text>
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                  <text>DiasManny_</text>
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                  <text>Lowell (Mass.)</text>
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                <elementText elementTextId="33756">
                  <text>Billerica (Mass.)</text>
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                <elementText elementTextId="33757">
                  <text>Dunstable (Mass.)</text>
                </elementText>
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              <name>Creator</name>
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                <elementText elementTextId="33754">
                  <text>Dias, Manny</text>
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              <name>Date</name>
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              <elementTextContainer>
                <elementText elementTextId="33755">
                  <text>1919-1950</text>
                </elementText>
              </elementTextContainer>
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              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="33758">
                  <text>The Portuguese American Oral Histories collection includes an interview with Dolores Friant, Manny's niece, about his life and impact on the Lowell community. You can read it here: &lt;a href="https://umlportuguesearchives.omeka.net/items/show/1419"&gt;https://umlportuguesearchives.omeka.net/items/show/1419&lt;/a&gt;</text>
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              <elementText elementTextId="33606">
                <text>Manuel Dias publicity book</text>
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            <description>The topic of the resource</description>
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                <text>Entertainers</text>
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                <text>Female impersonators</text>
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                <text>Dance teachers</text>
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            <elementTextContainer>
              <elementText elementTextId="33610">
                <text>Collection donated to the Center for Lowell History by Dolores Friant.</text>
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            <elementTextContainer>
              <elementText elementTextId="33611">
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              <elementText elementTextId="33612">
                <text>1924-1933</text>
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            </elementTextContainer>
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              <elementText elementTextId="33613">
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                <text>Text</text>
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                <text>DiasManny_091</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="33618">
                <text>Billerica (Mass.)</text>
              </elementText>
              <elementText elementTextId="33619">
                <text>Lowell (Mass.)</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="125">
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  </item>
  <item itemId="2707" public="1" featured="0">
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                    <text>OF

The New ·. Rathskeller (afe
66 MAIN STRUT, AMfSBURY, MASS.

$anc;uef anc/ 0nferfainmenf

THURSDAY tVtNIN6

JUNt 30, 1938

ARTHUR J. MALENFANT, PROPRIETOR

�~ta Gauthier and GJ-eer ~roupe
V")V")V")

GRAPEFRUIT COCKTAIL
Ma raschino Cherry
Queen Stuffed Olives

♦

Radish Roses

Iced Celery

P IANO SELECTION

ROAST YOUNG WRKEY
Hot Giblet Gravy
Mashed Potatoes

OVERTURE

Sage Dressing
Diced Carrots

P rofessor William Gilmore, formerly director of B. F. Keith's
Orchestra
♦

Fancy Green Peas

Pineapple and Banana Fritters

ER1 EST GAUTHIER
Old Time Minstrel Man, formerly with H i Henry Minstrel
in Bone Solo

Wine Sauce

♦

Cranberry J elly

Parker H ouse Rolls

Butter

Salad Rolls

RITA GAUT HIER
T he Princess of Pep

DESSERT
♦

Assorted Ices in Fancy Melon Moulds
Strawberry

Vanilla

Chocolate

MAMMY DIZE
New England Female Impersonator

Froze n Fruit I'udding
♦

Hydrox

Afternoon Teas

Matinee

Matinee Sandwich

!Ylusical Director
Master of Ceremonies

WILLIAM G I LMORE,

Horne Made Frosted Cakes
Co!Tcc

RITA GAUTHIER,

Entertainment under the full direction of Rita Gauthier

�.

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                  <text>Manny Dias Collection [1919-1950]</text>
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                  <text>Dance teachers</text>
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                  <text>Dogs</text>
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                  <text>Entertainers</text>
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                  <text>Manny Dias, also known as the “Blonde Bombshell,” was a dancer and entertainer in Lowell. He was born in Lowell on November 19, 1909 to Domingos (born in Graciosa in 1876) and Avelina Dias (born in Spain around 1890). Manny later took advantage of this mixed Portuguese-Spanish background in his entertainment career. &#13;
&#13;
Manny was an entertainer from a young age, with the first mention of one of his performances in the Lowell Sun in 1919. At 10 years old, he performed in a Christmas show at the International Institute. He continued to perform at local events in the following years and relied on cultural dance standards in his acts (the Lowell Sun regularly references his Spanish, “Russian,” and “Chinese” dance styles). In 1924, at 15 years old, Manny changed his act and performed as a female impersonator for the first time at the Alumni Night at the Lincoln School. His performance, where he performed as a woman and then revealed his true gender at the end, landed him a gig performing this act at the Crown Theater. &#13;
&#13;
After graduating from the Lowell Evening High School, he spent the summer of 1928 performing around the country with his manager, Lowell Police Officer Daniel Brennan. After his return, he began to develop plans to establish his own dancing school, which he opened in 1931. At 22 years old, Manny opened his school in the Montgeau building in Lowell, called the “Dias School of Dancing.” His first few years of business were so successful that he was able to move to a larger space in Kearny Square in 1934. He also officially changed the name to “Diaz School of Dancing,” reflecting a spelling change of his last name that he used throughout his career. He may have switched to the Spanish spelling (ending in –z instead of –s) because of his Spanish-based acts. In 1936, the Diaz School of Dancing switched venues for the final time to the Rex Center. Manny kept teaching local students until 1941, when he decided to focus on performing. &#13;
&#13;
Over the many decades of his career, Manny performed at dozens of local venues. The list includes Crown Theatre, Brick Bar, 17 Room, Moulin Rouge, Bella Donna, Haufbrau, Shirley Club, Del’s, Mirror Lounge, Chuck’s, 4 Leaf Clover, White Rock Club, Happy Helen’s, Hidden Palace, Brookside Café, Idle Hour, Derby, White Eagle Café, Banjo Pub, and Jan’s By The Lake. He also performed in towns around Massachusetts and traveled to Boston to study under Stanley Brown in 1936. He was known for sharing his talents through volunteer performances at local hospitals, churches, and veterans' groups. &#13;
&#13;
In 1950, however, chaos hit Manny’s career. On February 13, he was at his regular gig as the MC at the Bella Donna club, when he was arrested alongside the bar manager and other performers by undercover police officers in the audience. They were arrested over an alleged "presentation of an immoral show”. One of the other performers arrested that night was Ann Fisher, an exotic dancer also known as “Ann Arbor.” The trial started on February 28 and was mostly focused on Fisher’s performance. Eventually, Manny was found innocent since he did not play a role in the “immoral” section of the show. All the other defendants (except the club manager) were fined. &#13;
&#13;
Unfortunately, trouble found him again in May when he was suddenly banned from performing by the Lowell License Commission. The LCC had instated a rule that they would not issue licenses to any club where a female impersonator performs. This included performers who “are, or who have ever been, female impersonators.” This effectively banned Manny from getting hired at any local club. Although he performed as a female impersonator at the start of his career, he claimed that he had not performed that act for over 14 years. Many suggested that he should solely perform in other towns, but he responded to this by saying he was "born and raised in Lowell, owns property and lives here, and declared ‘I’m not going out of town until this thing is cleared up – until I’m cleared’”. &#13;
&#13;
Although it is impossible to know all the details of his shows, the last mention of his female impersonation act in the Lowell Sun appeared in February of 1932. This supports his claim of taking the controversial act out of his show early in his career. (The item in this collection titled "Grand Opening of The New Rathskeller Cafe" suggests he may have been female impersonating as late as 1938, but this is not confirmed.) However, the LCC would still not budge. Manny took it to court, where he lost his fight to overturn the ban. Thankfully, the local community banded together in support of Manny and made many calls to the commission until, in December of 1950, the LCC changed the wording of the rule to only include current female impersonation acts. &#13;
&#13;
Manny continued to perform locally into his 60s until he retired in 1977. He lived on and off with his supportive older sister, Dolores Dias, and her husband and children. Dolores was a performer herself, winning the 1931 Miss Lowell pageant and even making it to the Hollywood auditions in a national “Make Me A Movie Star” contest put on by Paramount Pictures in 1932.  &#13;
&#13;
Manny died at Lowell General Hospital in 1981 from cancer. He left behind a legacy that included both his successful entertainment career, as well as his passion for his community. &#13;
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                  <text>&lt;br /&gt;References:&lt;br /&gt;&lt;em&gt;-Lowell Sun&lt;/em&gt;, 1919-1981.&lt;br /&gt;&lt;em&gt;-Naturalization Records&lt;/em&gt;&lt;span&gt;. National Archives at Boston, Waltham, Massachusetts.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;-State of Massachusetts. &lt;/span&gt;&lt;em&gt;Massachusetts Death Index, 1970-2003&lt;/em&gt;&lt;span&gt;. Boston, MA, USA: Commonwealth of Massachusetts Department of Health Services, 2005.&lt;br /&gt;-United States of America, Bureau of the Census. &lt;em&gt;Fifteenth Census of the United States, 1930&lt;/em&gt;. Washington, D.C.: National Archives and Records Administration, 1930. T626, 2,667 rolls.&lt;/span&gt;</text>
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                  <text>Collection donated to the Center for Lowell History by Dolores Friant.</text>
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                  <text>Lowell (Mass.)</text>
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                  <text>The Portuguese American Oral Histories collection includes an interview with Dolores Friant, Manny's niece, about his life and impact on the Lowell community. You can read it here: &lt;a href="https://umlportuguesearchives.omeka.net/items/show/1419"&gt;https://umlportuguesearchives.omeka.net/items/show/1419&lt;/a&gt;</text>
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                  <text>Dance teachers</text>
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                  <text>Dogs</text>
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                  <text>Entertainers</text>
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                  <text>Manny Dias, also known as the “Blonde Bombshell,” was a dancer and entertainer in Lowell. He was born in Lowell on November 19, 1909 to Domingos (born in Graciosa in 1876) and Avelina Dias (born in Spain around 1890). Manny later took advantage of this mixed Portuguese-Spanish background in his entertainment career. &#13;
&#13;
Manny was an entertainer from a young age, with the first mention of one of his performances in the Lowell Sun in 1919. At 10 years old, he performed in a Christmas show at the International Institute. He continued to perform at local events in the following years and relied on cultural dance standards in his acts (the Lowell Sun regularly references his Spanish, “Russian,” and “Chinese” dance styles). In 1924, at 15 years old, Manny changed his act and performed as a female impersonator for the first time at the Alumni Night at the Lincoln School. His performance, where he performed as a woman and then revealed his true gender at the end, landed him a gig performing this act at the Crown Theater. &#13;
&#13;
After graduating from the Lowell Evening High School, he spent the summer of 1928 performing around the country with his manager, Lowell Police Officer Daniel Brennan. After his return, he began to develop plans to establish his own dancing school, which he opened in 1931. At 22 years old, Manny opened his school in the Montgeau building in Lowell, called the “Dias School of Dancing.” His first few years of business were so successful that he was able to move to a larger space in Kearny Square in 1934. He also officially changed the name to “Diaz School of Dancing,” reflecting a spelling change of his last name that he used throughout his career. He may have switched to the Spanish spelling (ending in –z instead of –s) because of his Spanish-based acts. In 1936, the Diaz School of Dancing switched venues for the final time to the Rex Center. Manny kept teaching local students until 1941, when he decided to focus on performing. &#13;
&#13;
Over the many decades of his career, Manny performed at dozens of local venues. The list includes Crown Theatre, Brick Bar, 17 Room, Moulin Rouge, Bella Donna, Haufbrau, Shirley Club, Del’s, Mirror Lounge, Chuck’s, 4 Leaf Clover, White Rock Club, Happy Helen’s, Hidden Palace, Brookside Café, Idle Hour, Derby, White Eagle Café, Banjo Pub, and Jan’s By The Lake. He also performed in towns around Massachusetts and traveled to Boston to study under Stanley Brown in 1936. He was known for sharing his talents through volunteer performances at local hospitals, churches, and veterans' groups. &#13;
&#13;
In 1950, however, chaos hit Manny’s career. On February 13, he was at his regular gig as the MC at the Bella Donna club, when he was arrested alongside the bar manager and other performers by undercover police officers in the audience. They were arrested over an alleged "presentation of an immoral show”. One of the other performers arrested that night was Ann Fisher, an exotic dancer also known as “Ann Arbor.” The trial started on February 28 and was mostly focused on Fisher’s performance. Eventually, Manny was found innocent since he did not play a role in the “immoral” section of the show. All the other defendants (except the club manager) were fined. &#13;
&#13;
Unfortunately, trouble found him again in May when he was suddenly banned from performing by the Lowell License Commission. The LCC had instated a rule that they would not issue licenses to any club where a female impersonator performs. This included performers who “are, or who have ever been, female impersonators.” This effectively banned Manny from getting hired at any local club. Although he performed as a female impersonator at the start of his career, he claimed that he had not performed that act for over 14 years. Many suggested that he should solely perform in other towns, but he responded to this by saying he was "born and raised in Lowell, owns property and lives here, and declared ‘I’m not going out of town until this thing is cleared up – until I’m cleared’”. &#13;
&#13;
Although it is impossible to know all the details of his shows, the last mention of his female impersonation act in the Lowell Sun appeared in February of 1932. This supports his claim of taking the controversial act out of his show early in his career. (The item in this collection titled "Grand Opening of The New Rathskeller Cafe" suggests he may have been female impersonating as late as 1938, but this is not confirmed.) However, the LCC would still not budge. Manny took it to court, where he lost his fight to overturn the ban. Thankfully, the local community banded together in support of Manny and made many calls to the commission until, in December of 1950, the LCC changed the wording of the rule to only include current female impersonation acts. &#13;
&#13;
Manny continued to perform locally into his 60s until he retired in 1977. He lived on and off with his supportive older sister, Dolores Dias, and her husband and children. Dolores was a performer herself, winning the 1931 Miss Lowell pageant and even making it to the Hollywood auditions in a national “Make Me A Movie Star” contest put on by Paramount Pictures in 1932.  &#13;
&#13;
Manny died at Lowell General Hospital in 1981 from cancer. He left behind a legacy that included both his successful entertainment career, as well as his passion for his community. &#13;
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                  <text>&lt;br /&gt;References:&lt;br /&gt;&lt;em&gt;-Lowell Sun&lt;/em&gt;, 1919-1981.&lt;br /&gt;&lt;em&gt;-Naturalization Records&lt;/em&gt;&lt;span&gt;. National Archives at Boston, Waltham, Massachusetts.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;-State of Massachusetts. &lt;/span&gt;&lt;em&gt;Massachusetts Death Index, 1970-2003&lt;/em&gt;&lt;span&gt;. Boston, MA, USA: Commonwealth of Massachusetts Department of Health Services, 2005.&lt;br /&gt;-United States of America, Bureau of the Census. &lt;em&gt;Fifteenth Census of the United States, 1930&lt;/em&gt;. Washington, D.C.: National Archives and Records Administration, 1930. T626, 2,667 rolls.&lt;/span&gt;</text>
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                  <text>Collection donated to the Center for Lowell History by Dolores Friant.</text>
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                  <text>The Portuguese American Oral Histories collection includes an interview with Dolores Friant, Manny's niece, about his life and impact on the Lowell community. You can read it here: &lt;a href="https://umlportuguesearchives.omeka.net/items/show/1419"&gt;https://umlportuguesearchives.omeka.net/items/show/1419&lt;/a&gt;</text>
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                <text>"Masquerade and Dance was Big Success" - Lowell Sun article</text>
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                <text>First mention of Manny Dias' female impersonation in the Lowell Sun.</text>
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                <text>"During the intermission, exhibition dances were given by Manuel Dias, who entertained with novelty fox trots and waltzes. Attired as a girl, the dancer was most prepossessing  and it was not until he divested himself of his wig that the large gathering present recognized him. Several encores were willingly given by Mr. Diaz, who is well known locally as an accomplished dancer.</text>
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                <text>Scanned from microfilm at the Center for Lowell History.</text>
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                <text>No Copyright - United States: The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries.</text>
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                <text>19241101_MannyDias</text>
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                <text>Lowell (Mass.)</text>
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                  <text>Manny Dias Collection [1919-1950]</text>
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                  <text>Dance teachers</text>
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                  <text>Dogs</text>
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                  <text>Manny Dias, also known as the “Blonde Bombshell,” was a dancer and entertainer in Lowell. He was born in Lowell on November 19, 1909 to Domingos (born in Graciosa in 1876) and Avelina Dias (born in Spain around 1890). Manny later took advantage of this mixed Portuguese-Spanish background in his entertainment career. &#13;
&#13;
Manny was an entertainer from a young age, with the first mention of one of his performances in the Lowell Sun in 1919. At 10 years old, he performed in a Christmas show at the International Institute. He continued to perform at local events in the following years and relied on cultural dance standards in his acts (the Lowell Sun regularly references his Spanish, “Russian,” and “Chinese” dance styles). In 1924, at 15 years old, Manny changed his act and performed as a female impersonator for the first time at the Alumni Night at the Lincoln School. His performance, where he performed as a woman and then revealed his true gender at the end, landed him a gig performing this act at the Crown Theater. &#13;
&#13;
After graduating from the Lowell Evening High School, he spent the summer of 1928 performing around the country with his manager, Lowell Police Officer Daniel Brennan. After his return, he began to develop plans to establish his own dancing school, which he opened in 1931. At 22 years old, Manny opened his school in the Montgeau building in Lowell, called the “Dias School of Dancing.” His first few years of business were so successful that he was able to move to a larger space in Kearny Square in 1934. He also officially changed the name to “Diaz School of Dancing,” reflecting a spelling change of his last name that he used throughout his career. He may have switched to the Spanish spelling (ending in –z instead of –s) because of his Spanish-based acts. In 1936, the Diaz School of Dancing switched venues for the final time to the Rex Center. Manny kept teaching local students until 1941, when he decided to focus on performing. &#13;
&#13;
Over the many decades of his career, Manny performed at dozens of local venues. The list includes Crown Theatre, Brick Bar, 17 Room, Moulin Rouge, Bella Donna, Haufbrau, Shirley Club, Del’s, Mirror Lounge, Chuck’s, 4 Leaf Clover, White Rock Club, Happy Helen’s, Hidden Palace, Brookside Café, Idle Hour, Derby, White Eagle Café, Banjo Pub, and Jan’s By The Lake. He also performed in towns around Massachusetts and traveled to Boston to study under Stanley Brown in 1936. He was known for sharing his talents through volunteer performances at local hospitals, churches, and veterans' groups. &#13;
&#13;
In 1950, however, chaos hit Manny’s career. On February 13, he was at his regular gig as the MC at the Bella Donna club, when he was arrested alongside the bar manager and other performers by undercover police officers in the audience. They were arrested over an alleged "presentation of an immoral show”. One of the other performers arrested that night was Ann Fisher, an exotic dancer also known as “Ann Arbor.” The trial started on February 28 and was mostly focused on Fisher’s performance. Eventually, Manny was found innocent since he did not play a role in the “immoral” section of the show. All the other defendants (except the club manager) were fined. &#13;
&#13;
Unfortunately, trouble found him again in May when he was suddenly banned from performing by the Lowell License Commission. The LCC had instated a rule that they would not issue licenses to any club where a female impersonator performs. This included performers who “are, or who have ever been, female impersonators.” This effectively banned Manny from getting hired at any local club. Although he performed as a female impersonator at the start of his career, he claimed that he had not performed that act for over 14 years. Many suggested that he should solely perform in other towns, but he responded to this by saying he was "born and raised in Lowell, owns property and lives here, and declared ‘I’m not going out of town until this thing is cleared up – until I’m cleared’”. &#13;
&#13;
Although it is impossible to know all the details of his shows, the last mention of his female impersonation act in the Lowell Sun appeared in February of 1932. This supports his claim of taking the controversial act out of his show early in his career. (The item in this collection titled "Grand Opening of The New Rathskeller Cafe" suggests he may have been female impersonating as late as 1938, but this is not confirmed.) However, the LCC would still not budge. Manny took it to court, where he lost his fight to overturn the ban. Thankfully, the local community banded together in support of Manny and made many calls to the commission until, in December of 1950, the LCC changed the wording of the rule to only include current female impersonation acts. &#13;
&#13;
Manny continued to perform locally into his 60s until he retired in 1977. He lived on and off with his supportive older sister, Dolores Dias, and her husband and children. Dolores was a performer herself, winning the 1931 Miss Lowell pageant and even making it to the Hollywood auditions in a national “Make Me A Movie Star” contest put on by Paramount Pictures in 1932.  &#13;
&#13;
Manny died at Lowell General Hospital in 1981 from cancer. He left behind a legacy that included both his successful entertainment career, as well as his passion for his community. &#13;
</text>
                </elementText>
                <elementText elementTextId="34066">
                  <text>&lt;br /&gt;References:&lt;br /&gt;&lt;em&gt;-Lowell Sun&lt;/em&gt;, 1919-1981.&lt;br /&gt;&lt;em&gt;-Naturalization Records&lt;/em&gt;&lt;span&gt;. National Archives at Boston, Waltham, Massachusetts.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;-State of Massachusetts. &lt;/span&gt;&lt;em&gt;Massachusetts Death Index, 1970-2003&lt;/em&gt;&lt;span&gt;. Boston, MA, USA: Commonwealth of Massachusetts Department of Health Services, 2005.&lt;br /&gt;-United States of America, Bureau of the Census. &lt;em&gt;Fifteenth Census of the United States, 1930&lt;/em&gt;. Washington, D.C.: National Archives and Records Administration, 1930. T626, 2,667 rolls.&lt;/span&gt;</text>
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                  <text>Collection donated to the Center for Lowell History by Dolores Friant.</text>
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                  <text>UMass Lowell, Center for Lowell History</text>
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                  <text>The Portuguese American Oral Histories collection includes an interview with Dolores Friant, Manny's niece, about his life and impact on the Lowell community. You can read it here: &lt;a href="https://umlportuguesearchives.omeka.net/items/show/1419"&gt;https://umlportuguesearchives.omeka.net/items/show/1419&lt;/a&gt;</text>
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                <text>Ad reads:&#13;
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Tonite Only&#13;
'Tommie' Martelle's Rival Female Impersonator&#13;
MANUEL DIAS&#13;
Ladies, he's a heart-breaker.&#13;
Men, 'She' will vamp you!&#13;
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                    <text>.1

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�</text>
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                  <text>Manny Dias Collection [1919-1950]</text>
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                  <text>Dance teachers</text>
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                <elementText elementTextId="33753">
                  <text>Dogs</text>
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                  <text>Entertainers</text>
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                  <text>Female impersonators</text>
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                  <text>Manny Dias, also known as the “Blonde Bombshell,” was a dancer and entertainer in Lowell. He was born in Lowell on November 19, 1909 to Domingos (born in Graciosa in 1876) and Avelina Dias (born in Spain around 1890). Manny later took advantage of this mixed Portuguese-Spanish background in his entertainment career. &#13;
&#13;
Manny was an entertainer from a young age, with the first mention of one of his performances in the Lowell Sun in 1919. At 10 years old, he performed in a Christmas show at the International Institute. He continued to perform at local events in the following years and relied on cultural dance standards in his acts (the Lowell Sun regularly references his Spanish, “Russian,” and “Chinese” dance styles). In 1924, at 15 years old, Manny changed his act and performed as a female impersonator for the first time at the Alumni Night at the Lincoln School. His performance, where he performed as a woman and then revealed his true gender at the end, landed him a gig performing this act at the Crown Theater. &#13;
&#13;
After graduating from the Lowell Evening High School, he spent the summer of 1928 performing around the country with his manager, Lowell Police Officer Daniel Brennan. After his return, he began to develop plans to establish his own dancing school, which he opened in 1931. At 22 years old, Manny opened his school in the Montgeau building in Lowell, called the “Dias School of Dancing.” His first few years of business were so successful that he was able to move to a larger space in Kearny Square in 1934. He also officially changed the name to “Diaz School of Dancing,” reflecting a spelling change of his last name that he used throughout his career. He may have switched to the Spanish spelling (ending in –z instead of –s) because of his Spanish-based acts. In 1936, the Diaz School of Dancing switched venues for the final time to the Rex Center. Manny kept teaching local students until 1941, when he decided to focus on performing. &#13;
&#13;
Over the many decades of his career, Manny performed at dozens of local venues. The list includes Crown Theatre, Brick Bar, 17 Room, Moulin Rouge, Bella Donna, Haufbrau, Shirley Club, Del’s, Mirror Lounge, Chuck’s, 4 Leaf Clover, White Rock Club, Happy Helen’s, Hidden Palace, Brookside Café, Idle Hour, Derby, White Eagle Café, Banjo Pub, and Jan’s By The Lake. He also performed in towns around Massachusetts and traveled to Boston to study under Stanley Brown in 1936. He was known for sharing his talents through volunteer performances at local hospitals, churches, and veterans' groups. &#13;
&#13;
In 1950, however, chaos hit Manny’s career. On February 13, he was at his regular gig as the MC at the Bella Donna club, when he was arrested alongside the bar manager and other performers by undercover police officers in the audience. They were arrested over an alleged "presentation of an immoral show”. One of the other performers arrested that night was Ann Fisher, an exotic dancer also known as “Ann Arbor.” The trial started on February 28 and was mostly focused on Fisher’s performance. Eventually, Manny was found innocent since he did not play a role in the “immoral” section of the show. All the other defendants (except the club manager) were fined. &#13;
&#13;
Unfortunately, trouble found him again in May when he was suddenly banned from performing by the Lowell License Commission. The LCC had instated a rule that they would not issue licenses to any club where a female impersonator performs. This included performers who “are, or who have ever been, female impersonators.” This effectively banned Manny from getting hired at any local club. Although he performed as a female impersonator at the start of his career, he claimed that he had not performed that act for over 14 years. Many suggested that he should solely perform in other towns, but he responded to this by saying he was "born and raised in Lowell, owns property and lives here, and declared ‘I’m not going out of town until this thing is cleared up – until I’m cleared’”. &#13;
&#13;
Although it is impossible to know all the details of his shows, the last mention of his female impersonation act in the Lowell Sun appeared in February of 1932. This supports his claim of taking the controversial act out of his show early in his career. (The item in this collection titled "Grand Opening of The New Rathskeller Cafe" suggests he may have been female impersonating as late as 1938, but this is not confirmed.) However, the LCC would still not budge. Manny took it to court, where he lost his fight to overturn the ban. Thankfully, the local community banded together in support of Manny and made many calls to the commission until, in December of 1950, the LCC changed the wording of the rule to only include current female impersonation acts. &#13;
&#13;
Manny continued to perform locally into his 60s until he retired in 1977. He lived on and off with his supportive older sister, Dolores Dias, and her husband and children. Dolores was a performer herself, winning the 1931 Miss Lowell pageant and even making it to the Hollywood auditions in a national “Make Me A Movie Star” contest put on by Paramount Pictures in 1932.  &#13;
&#13;
Manny died at Lowell General Hospital in 1981 from cancer. He left behind a legacy that included both his successful entertainment career, as well as his passion for his community. &#13;
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                  <text>&lt;br /&gt;References:&lt;br /&gt;&lt;em&gt;-Lowell Sun&lt;/em&gt;, 1919-1981.&lt;br /&gt;&lt;em&gt;-Naturalization Records&lt;/em&gt;&lt;span&gt;. National Archives at Boston, Waltham, Massachusetts.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;-State of Massachusetts. &lt;/span&gt;&lt;em&gt;Massachusetts Death Index, 1970-2003&lt;/em&gt;&lt;span&gt;. Boston, MA, USA: Commonwealth of Massachusetts Department of Health Services, 2005.&lt;br /&gt;-United States of America, Bureau of the Census. &lt;em&gt;Fifteenth Census of the United States, 1930&lt;/em&gt;. Washington, D.C.: National Archives and Records Administration, 1930. T626, 2,667 rolls.&lt;/span&gt;</text>
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                  <text>Permission to link out to YouTube page granted by Januario's son, Rob Leal.</text>
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                  <text>All items link to &lt;a href="https://www.youtube.com/@lealvideos"&gt;Leal Videos Youtube page&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://umlportuguesearchives.omeka.net/collections/show/45"&gt;Januario Leal Photography Collection [1970-2000]&lt;/a&gt;</text>
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                <text>&lt;h2&gt;&lt;strong&gt;Please click play below to view this video:&lt;/strong&gt;&lt;/h2&gt;
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                  <text>The Januario Leal Video collection covers events related to the Portuguese community from many towns within the Greater Boston area from the 1970s to 2000. The videos linked here focus on the communities north and northwest of Boston, however many more videos can be found on the LealVideos Youtube page, including videos filmed in the Azores. The videos in this collection include many events, festivals, processions, and Carnaval celebrations.&lt;br /&gt;&lt;br /&gt;This collection is still growing. Check back for updates!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Biographical Note&lt;/strong&gt;&lt;br /&gt;Januario L. Leal was born on October 15, 1946, in São Bras, Terceira to Januario and Maria (Linhares) Leal. He grew up attending school and, as an adult, operated his father’s convenience store.&lt;br /&gt;&lt;br /&gt;In 1970, Januario relocated to the United States with his wife, Fernanda (DeSousa) Leal, and they settled in Lowell, Massachusetts. He became a communicant of St. Anthony’s Church and a member of many local clubs including the Portuguese American Civic League, the Portuguese American Center, and the Holy Ghost Society. After immigrating to Lowell, he worked at Paris Shoe as a machine operator until 1978. He later began working for Bradford Industries, formerly known as Pandel, as an inspector until his retirement.&lt;br /&gt;&lt;br /&gt;Januario was also an avid videographer and maintained his own YouTube channel called "Leal Videos." In 1972 Januario's first video camera was a Super 8mm. The Super 8 used 50ft film roll cassettes which only provided 3 minutes of video recording. As video camera technology advanced he later upgraded 3 years later in 1975 to 16mm film. The Super 8 and 16mm cameras that Januario owned were hand-cranked at first but later upgraded to battery powered a couple years later. As Januario continued to follow his passion he upgraded his camera with each video camera technology advancements which included the video formats of VHS (1980-1999), MiniDV (2000-2015) and to the modern day High Definition 1080p (2015-2022). He recorded hundreds of local events related to the Portuguese community, including many processions and festivals. Thanks to his videography passion, an entire generation of Portuguese American festivities will now be preserved for posterity.&lt;br /&gt;&lt;br /&gt;Januario passed away on February 28, 2022 and is survived by his four children (Roberta Agostinho, Alizabete Brum, Davido Leal, and Roberto Leal) and their families, including many grandchildren.</text>
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                <text>&lt;h2&gt;Please press play below to view the video:&lt;/h2&gt;
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                  <text>All items link to &lt;a href="https://www.youtube.com/@lealvideos"&gt;Leal Videos Youtube page&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://umlportuguesearchives.omeka.net/collections/show/45"&gt;Januario Leal Photography Collection [1970-2000]&lt;/a&gt;</text>
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                <text>Permission to link out to YouTube page granted by Januario's son, Rob Leal.</text>
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                  <text>The Januario Leal Video collection covers events related to the Portuguese community from many towns within the Greater Boston area from the 1970s to 2000. The videos linked here focus on the communities north and northwest of Boston, however many more videos can be found on the LealVideos Youtube page, including videos filmed in the Azores. The videos in this collection include many events, festivals, processions, and Carnaval celebrations.&lt;br /&gt;&lt;br /&gt;This collection is still growing. Check back for updates!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Biographical Note&lt;/strong&gt;&lt;br /&gt;Januario L. Leal was born on October 15, 1946, in São Bras, Terceira to Januario and Maria (Linhares) Leal. He grew up attending school and, as an adult, operated his father’s convenience store.&lt;br /&gt;&lt;br /&gt;In 1970, Januario relocated to the United States with his wife, Fernanda (DeSousa) Leal, and they settled in Lowell, Massachusetts. He became a communicant of St. Anthony’s Church and a member of many local clubs including the Portuguese American Civic League, the Portuguese American Center, and the Holy Ghost Society. After immigrating to Lowell, he worked at Paris Shoe as a machine operator until 1978. He later began working for Bradford Industries, formerly known as Pandel, as an inspector until his retirement.&lt;br /&gt;&lt;br /&gt;Januario was also an avid videographer and maintained his own YouTube channel called "Leal Videos." In 1972 Januario's first video camera was a Super 8mm. The Super 8 used 50ft film roll cassettes which only provided 3 minutes of video recording. As video camera technology advanced he later upgraded 3 years later in 1975 to 16mm film. The Super 8 and 16mm cameras that Januario owned were hand-cranked at first but later upgraded to battery powered a couple years later. As Januario continued to follow his passion he upgraded his camera with each video camera technology advancements which included the video formats of VHS (1980-1999), MiniDV (2000-2015) and to the modern day High Definition 1080p (2015-2022). He recorded hundreds of local events related to the Portuguese community, including many processions and festivals. Thanks to his videography passion, an entire generation of Portuguese American festivities will now be preserved for posterity.&lt;br /&gt;&lt;br /&gt;Januario passed away on February 28, 2022 and is survived by his four children (Roberta Agostinho, Alizabete Brum, Davido Leal, and Roberto Leal) and their families, including many grandchildren.</text>
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                <text>&lt;h2&gt;Please press play below to view video:&lt;/h2&gt;
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                <text>&lt;h2&gt;Please click play below to view the video:&lt;/h2&gt;
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                <text>Permission to link out to YouTube page granted by Januario's son, Rob Leal.</text>
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                  <text>The Januario Leal Video collection covers events related to the Portuguese community from many towns within the Greater Boston area from the 1970s to 2000. The videos linked here focus on the communities north and northwest of Boston, however many more videos can be found on the LealVideos Youtube page, including videos filmed in the Azores. The videos in this collection include many events, festivals, processions, and Carnaval celebrations.&lt;br /&gt;&lt;br /&gt;This collection is still growing. Check back for updates!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Biographical Note&lt;/strong&gt;&lt;br /&gt;Januario L. Leal was born on October 15, 1946, in São Bras, Terceira to Januario and Maria (Linhares) Leal. He grew up attending school and, as an adult, operated his father’s convenience store.&lt;br /&gt;&lt;br /&gt;In 1970, Januario relocated to the United States with his wife, Fernanda (DeSousa) Leal, and they settled in Lowell, Massachusetts. He became a communicant of St. Anthony’s Church and a member of many local clubs including the Portuguese American Civic League, the Portuguese American Center, and the Holy Ghost Society. After immigrating to Lowell, he worked at Paris Shoe as a machine operator until 1978. He later began working for Bradford Industries, formerly known as Pandel, as an inspector until his retirement.&lt;br /&gt;&lt;br /&gt;Januario was also an avid videographer and maintained his own YouTube channel called "Leal Videos." In 1972 Januario's first video camera was a Super 8mm. The Super 8 used 50ft film roll cassettes which only provided 3 minutes of video recording. As video camera technology advanced he later upgraded 3 years later in 1975 to 16mm film. The Super 8 and 16mm cameras that Januario owned were hand-cranked at first but later upgraded to battery powered a couple years later. As Januario continued to follow his passion he upgraded his camera with each video camera technology advancements which included the video formats of VHS (1980-1999), MiniDV (2000-2015) and to the modern day High Definition 1080p (2015-2022). He recorded hundreds of local events related to the Portuguese community, including many processions and festivals. Thanks to his videography passion, an entire generation of Portuguese American festivities will now be preserved for posterity.&lt;br /&gt;&lt;br /&gt;Januario passed away on February 28, 2022 and is survived by his four children (Roberta Agostinho, Alizabete Brum, Davido Leal, and Roberto Leal) and their families, including many grandchildren.</text>
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                  <text>Permission to link out to YouTube page granted by Januario's son, Rob Leal.</text>
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                  <text>In Copyright - Educational Use Permitted: This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).</text>
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                  <text>All items link to &lt;a href="https://www.youtube.com/@lealvideos"&gt;Leal Videos Youtube page&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://umlportuguesearchives.omeka.net/collections/show/45"&gt;Januario Leal Photography Collection [1970-2000]&lt;/a&gt;</text>
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                <text>&lt;h2&gt;Please press play below to view the video:&lt;/h2&gt;
&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/EBjnAbJd3bg?si=hcHAVvRLz6YosaQO" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;</text>
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                <text>1988 Carnaval, Baile De Lowell, Lowell, MA (11)</text>
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                <text>Performed in St. Anthony's Church in Lowell, MA.</text>
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                <text>Permission to link out to YouTube page granted by Januario's son, Rob Leal.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>In Copyright - Educational Use Permitted: This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).</text>
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                  <text>Permission to link out to YouTube page granted by Januario's son, Rob Leal.</text>
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                  <text>All items link to &lt;a href="https://www.youtube.com/@lealvideos"&gt;Leal Videos Youtube page&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://umlportuguesearchives.omeka.net/collections/show/45"&gt;Januario Leal Photography Collection [1970-2000]&lt;/a&gt;</text>
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                <text>&lt;h2&gt;Please press the play button below to view the video:&lt;/h2&gt;
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                <text>Permission to link out to YouTube page granted by Januario's son, Rob Leal.</text>
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                  <text>The Januario Leal Video collection covers events related to the Portuguese community from many towns within the Greater Boston area from the 1970s to 2000. The videos linked here focus on the communities north and northwest of Boston, however many more videos can be found on the LealVideos Youtube page, including videos filmed in the Azores. The videos in this collection include many events, festivals, processions, and Carnaval celebrations.&lt;br /&gt;&lt;br /&gt;This collection is still growing. Check back for updates!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Biographical Note&lt;/strong&gt;&lt;br /&gt;Januario L. Leal was born on October 15, 1946, in São Bras, Terceira to Januario and Maria (Linhares) Leal. He grew up attending school and, as an adult, operated his father’s convenience store.&lt;br /&gt;&lt;br /&gt;In 1970, Januario relocated to the United States with his wife, Fernanda (DeSousa) Leal, and they settled in Lowell, Massachusetts. He became a communicant of St. Anthony’s Church and a member of many local clubs including the Portuguese American Civic League, the Portuguese American Center, and the Holy Ghost Society. After immigrating to Lowell, he worked at Paris Shoe as a machine operator until 1978. He later began working for Bradford Industries, formerly known as Pandel, as an inspector until his retirement.&lt;br /&gt;&lt;br /&gt;Januario was also an avid videographer and maintained his own YouTube channel called "Leal Videos." In 1972 Januario's first video camera was a Super 8mm. The Super 8 used 50ft film roll cassettes which only provided 3 minutes of video recording. As video camera technology advanced he later upgraded 3 years later in 1975 to 16mm film. The Super 8 and 16mm cameras that Januario owned were hand-cranked at first but later upgraded to battery powered a couple years later. As Januario continued to follow his passion he upgraded his camera with each video camera technology advancements which included the video formats of VHS (1980-1999), MiniDV (2000-2015) and to the modern day High Definition 1080p (2015-2022). He recorded hundreds of local events related to the Portuguese community, including many processions and festivals. Thanks to his videography passion, an entire generation of Portuguese American festivities will now be preserved for posterity.&lt;br /&gt;&lt;br /&gt;Januario passed away on February 28, 2022 and is survived by his four children (Roberta Agostinho, Alizabete Brum, Davido Leal, and Roberto Leal) and their families, including many grandchildren.</text>
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                  <text>Permission to link out to YouTube page granted by Januario's son, Rob Leal.</text>
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                  <text>In Copyright - Educational Use Permitted: This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).</text>
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                  <text>All items link to &lt;a href="https://www.youtube.com/@lealvideos"&gt;Leal Videos Youtube page&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://umlportuguesearchives.omeka.net/collections/show/45"&gt;Januario Leal Photography Collection [1970-2000]&lt;/a&gt;</text>
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                <text>&lt;h2&gt;Please press play below to view the video:&lt;/h2&gt;
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                <text>1983 Carnaval, Baile de Lowell, Lowell, MA (1)</text>
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                  <text>All items link to &lt;a href="https://www.youtube.com/@lealvideos"&gt;Leal Videos Youtube page&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://umlportuguesearchives.omeka.net/collections/show/45"&gt;Januario Leal Photography Collection [1970-2000]&lt;/a&gt;</text>
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                <text>&lt;h2&gt;Please press play below to view the video:&lt;/h2&gt;
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                <text>Permission to link out to YouTube page granted by Januario's son, Rob Leal.</text>
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                  <text>The Januario Leal Video collection covers events related to the Portuguese community from many towns within the Greater Boston area from the 1970s to 2000. The videos linked here focus on the communities north and northwest of Boston, however many more videos can be found on the LealVideos Youtube page, including videos filmed in the Azores. The videos in this collection include many events, festivals, processions, and Carnaval celebrations.&lt;br /&gt;&lt;br /&gt;This collection is still growing. Check back for updates!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Biographical Note&lt;/strong&gt;&lt;br /&gt;Januario L. Leal was born on October 15, 1946, in São Bras, Terceira to Januario and Maria (Linhares) Leal. He grew up attending school and, as an adult, operated his father’s convenience store.&lt;br /&gt;&lt;br /&gt;In 1970, Januario relocated to the United States with his wife, Fernanda (DeSousa) Leal, and they settled in Lowell, Massachusetts. He became a communicant of St. Anthony’s Church and a member of many local clubs including the Portuguese American Civic League, the Portuguese American Center, and the Holy Ghost Society. After immigrating to Lowell, he worked at Paris Shoe as a machine operator until 1978. He later began working for Bradford Industries, formerly known as Pandel, as an inspector until his retirement.&lt;br /&gt;&lt;br /&gt;Januario was also an avid videographer and maintained his own YouTube channel called "Leal Videos." In 1972 Januario's first video camera was a Super 8mm. The Super 8 used 50ft film roll cassettes which only provided 3 minutes of video recording. As video camera technology advanced he later upgraded 3 years later in 1975 to 16mm film. The Super 8 and 16mm cameras that Januario owned were hand-cranked at first but later upgraded to battery powered a couple years later. As Januario continued to follow his passion he upgraded his camera with each video camera technology advancements which included the video formats of VHS (1980-1999), MiniDV (2000-2015) and to the modern day High Definition 1080p (2015-2022). He recorded hundreds of local events related to the Portuguese community, including many processions and festivals. Thanks to his videography passion, an entire generation of Portuguese American festivities will now be preserved for posterity.&lt;br /&gt;&lt;br /&gt;Januario passed away on February 28, 2022 and is survived by his four children (Roberta Agostinho, Alizabete Brum, Davido Leal, and Roberto Leal) and their families, including many grandchildren.</text>
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                  <text>All items link to &lt;a href="https://www.youtube.com/@lealvideos"&gt;Leal Videos Youtube page&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://umlportuguesearchives.omeka.net/collections/show/45"&gt;Januario Leal Photography Collection [1970-2000]&lt;/a&gt;</text>
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                <text>&lt;h2&gt;Please press play below to video the video:&lt;/h2&gt;
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                <text>1986 Carnaval, Portuguese American Club, Lowell, MA (1)</text>
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                <text>&lt;h2&gt;Please press play below to view the video:&lt;/h2&gt;
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                <text>Permission to link out to YouTube page granted by Januario's son, Rob Leal.</text>
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                <text>Permission to link out to YouTube page granted by Januario's son, Rob Leal.</text>
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                  <text>The Januario Leal Video collection covers events related to the Portuguese community from many towns within the Greater Boston area from the 1970s to 2000. The videos linked here focus on the communities north and northwest of Boston, however many more videos can be found on the LealVideos Youtube page, including videos filmed in the Azores. The videos in this collection include many events, festivals, processions, and Carnaval celebrations.&lt;br /&gt;&lt;br /&gt;This collection is still growing. Check back for updates!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Biographical Note&lt;/strong&gt;&lt;br /&gt;Januario L. Leal was born on October 15, 1946, in São Bras, Terceira to Januario and Maria (Linhares) Leal. He grew up attending school and, as an adult, operated his father’s convenience store.&lt;br /&gt;&lt;br /&gt;In 1970, Januario relocated to the United States with his wife, Fernanda (DeSousa) Leal, and they settled in Lowell, Massachusetts. He became a communicant of St. Anthony’s Church and a member of many local clubs including the Portuguese American Civic League, the Portuguese American Center, and the Holy Ghost Society. After immigrating to Lowell, he worked at Paris Shoe as a machine operator until 1978. He later began working for Bradford Industries, formerly known as Pandel, as an inspector until his retirement.&lt;br /&gt;&lt;br /&gt;Januario was also an avid videographer and maintained his own YouTube channel called "Leal Videos." In 1972 Januario's first video camera was a Super 8mm. The Super 8 used 50ft film roll cassettes which only provided 3 minutes of video recording. As video camera technology advanced he later upgraded 3 years later in 1975 to 16mm film. The Super 8 and 16mm cameras that Januario owned were hand-cranked at first but later upgraded to battery powered a couple years later. As Januario continued to follow his passion he upgraded his camera with each video camera technology advancements which included the video formats of VHS (1980-1999), MiniDV (2000-2015) and to the modern day High Definition 1080p (2015-2022). He recorded hundreds of local events related to the Portuguese community, including many processions and festivals. Thanks to his videography passion, an entire generation of Portuguese American festivities will now be preserved for posterity.&lt;br /&gt;&lt;br /&gt;Januario passed away on February 28, 2022 and is survived by his four children (Roberta Agostinho, Alizabete Brum, Davido Leal, and Roberto Leal) and their families, including many grandchildren.</text>
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                  <text>All items link to &lt;a href="https://www.youtube.com/@lealvideos"&gt;Leal Videos Youtube page&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://umlportuguesearchives.omeka.net/collections/show/45"&gt;Januario Leal Photography Collection [1970-2000]&lt;/a&gt;</text>
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                <text>&lt;h2&gt;Please press play below to view the video:&lt;/h2&gt;
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            <name>Is Format Of</name>
            <description>A related resource that is substantially the same as the described resource, but in another format.</description>
            <elementTextContainer>
              <elementText elementTextId="48099">
                <text>&lt;h2&gt;Please press play below to view the video:&lt;/h2&gt;
&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/mpCZecDChJ4?si=-74HNhAUrkoCcZPv" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48100">
                <text>1987 Carnaval, Lowell, MA (4)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48101">
                <text>1987</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48102">
                <text>Danca de Warren, R.I. performed at St. Anthony's Church in Lowell, MA.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48103">
                <text>Leal, Januario</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48104">
                <text>Folk dancing, Portuguese</text>
              </elementText>
              <elementText elementTextId="48105">
                <text>Festivals</text>
              </elementText>
              <elementText elementTextId="48106">
                <text>Music--Portuguese influences</text>
              </elementText>
              <elementText elementTextId="48434">
                <text>Female impersonators</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="48107">
                <text>Lowell (Mass.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="48108">
                <text>Permission to link out to YouTube page granted by Januario's son, Rob Leal.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48109">
                <text>In Copyright - Educational Use Permitted: This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48110">
                <text>Moving Image</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="249">
        <name>Carnaval</name>
      </tag>
      <tag tagId="357">
        <name>St. Anthony's Church</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
