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                  <text>Collection scanned and digitally donated by Januario's son, Roberto Leal.</text>
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                  <text>The Januario Leal Photography collection contains pictures related to the Portuguese community within Lowell from the 1970s to 2000. The photographs in this collection include snapshots of festivals, festas and processions, Carnaval celebrations, memorable events in Back Central, and photographs of Januario Leal himself—including photographs of his personal studio.&lt;br /&gt;&lt;br /&gt;Photographs donated with this collection that were taken after 2000 or fall outside of PADA's usual collection scope have been digitally preserved by the PADA archivists and are available for research or viewing purposes upon request.&lt;br /&gt;&lt;br /&gt;This collection is still growing. Check back for updates!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;strong&gt;&lt;/strong&gt;Content warning: This collection contains photographic images of Mantança do Porco events, which is a Portuguese tradition that involves slaughtering and butchering a pig. No images include blood or excessive gore, but may still be distressing to users.&lt;br /&gt;&lt;br /&gt;Biographical Note&lt;/strong&gt;&lt;br /&gt;Januario L. Leal was born on October 15, 1946, in São Bras, Terceira to Januario and Maria (Linhares) Leal. He grew up attending school and, as an adult, operated his father’s convenience store.&lt;br /&gt;&lt;br /&gt;In 1970, Januario relocated to the United States with his wife, Fernanda (DeSousa) Leal, and they settled in Lowell, Massachusetts. He became a communicant of St. Anthony’s Church and a member of many local clubs including the Portuguese American Civic League, the Portuguese American Center, and the Holy Ghost Society. After immigrating to Lowell, he worked at Paris Shoe as a machine operator until 1978. He later began working for Bradford Industries, formerly known as Pandel, as an inspector until his retirement.&lt;br /&gt;&lt;br /&gt;In addition to being an avid videographer, Januario was also an active photographer, capturing events such as Carnaval celebrations, cantoria performances, Portuguese festas and festivals, general scenes and events around the Back Central neighborhood, and other moments related to the Portuguese community of Lowell. He captured hundreds of photographs of local community members and Portuguese culture, and thanks to his passion for both videography and photography, memories and traditions from the Portuguese American community in Lowell will now be preserved for the next generations to see.&lt;br /&gt;&lt;br /&gt;Januario passed away on February 28, 2022 and is survived by his four children—Roberta Agostinho, Alizabete Brum, Davido Leal, and Roberto Leal—and their families, including many grandchildren.</text>
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                  <text>&lt;a href="https://umlportuguesearchives.omeka.net/collections/show/38"&gt;Januario Leal Video Collection [1975-2000]&lt;/a&gt;</text>
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                  <text>&lt;a href="https://umlportuguesearchives.omeka.net/collections/show/38"&gt;Januario Leal Video Collection [1975-2000]&lt;/a&gt;</text>
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                  <text>The Januario Leal Photography collection contains pictures related to the Portuguese community within Lowell from the 1970s to 2000. The photographs in this collection include snapshots of festivals, festas and processions, Carnaval celebrations, memorable events in Back Central, and photographs of Januario Leal himself—including photographs of his personal studio.&lt;br /&gt;&lt;br /&gt;Photographs donated with this collection that were taken after 2000 or fall outside of PADA's usual collection scope have been digitally preserved by the PADA archivists and are available for research or viewing purposes upon request.&lt;br /&gt;&lt;br /&gt;This collection is still growing. Check back for updates!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;strong&gt;&lt;/strong&gt;Content warning: This collection contains photographic images of Mantança do Porco events, which is a Portuguese tradition that involves slaughtering and butchering a pig. No images include blood or excessive gore, but may still be distressing to users.&lt;br /&gt;&lt;br /&gt;Biographical Note&lt;/strong&gt;&lt;br /&gt;Januario L. Leal was born on October 15, 1946, in São Bras, Terceira to Januario and Maria (Linhares) Leal. He grew up attending school and, as an adult, operated his father’s convenience store.&lt;br /&gt;&lt;br /&gt;In 1970, Januario relocated to the United States with his wife, Fernanda (DeSousa) Leal, and they settled in Lowell, Massachusetts. He became a communicant of St. Anthony’s Church and a member of many local clubs including the Portuguese American Civic League, the Portuguese American Center, and the Holy Ghost Society. After immigrating to Lowell, he worked at Paris Shoe as a machine operator until 1978. He later began working for Bradford Industries, formerly known as Pandel, as an inspector until his retirement.&lt;br /&gt;&lt;br /&gt;In addition to being an avid videographer, Januario was also an active photographer, capturing events such as Carnaval celebrations, cantoria performances, Portuguese festas and festivals, general scenes and events around the Back Central neighborhood, and other moments related to the Portuguese community of Lowell. He captured hundreds of photographs of local community members and Portuguese culture, and thanks to his passion for both videography and photography, memories and traditions from the Portuguese American community in Lowell will now be preserved for the next generations to see.&lt;br /&gt;&lt;br /&gt;Januario passed away on February 28, 2022 and is survived by his four children—Roberta Agostinho, Alizabete Brum, Davido Leal, and Roberto Leal—and their families, including many grandchildren.</text>
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                  <text>&lt;a href="https://umlportuguesearchives.omeka.net/collections/show/38"&gt;Januario Leal Video Collection [1975-2000]&lt;/a&gt;</text>
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                  <text>The Januario Leal Photography collection contains pictures related to the Portuguese community within Lowell from the 1970s to 2000. The photographs in this collection include snapshots of festivals, festas and processions, Carnaval celebrations, memorable events in Back Central, and photographs of Januario Leal himself—including photographs of his personal studio.&lt;br /&gt;&lt;br /&gt;Photographs donated with this collection that were taken after 2000 or fall outside of PADA's usual collection scope have been digitally preserved by the PADA archivists and are available for research or viewing purposes upon request.&lt;br /&gt;&lt;br /&gt;This collection is still growing. Check back for updates!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;strong&gt;&lt;/strong&gt;Content warning: This collection contains photographic images of Mantança do Porco events, which is a Portuguese tradition that involves slaughtering and butchering a pig. No images include blood or excessive gore, but may still be distressing to users.&lt;br /&gt;&lt;br /&gt;Biographical Note&lt;/strong&gt;&lt;br /&gt;Januario L. Leal was born on October 15, 1946, in São Bras, Terceira to Januario and Maria (Linhares) Leal. He grew up attending school and, as an adult, operated his father’s convenience store.&lt;br /&gt;&lt;br /&gt;In 1970, Januario relocated to the United States with his wife, Fernanda (DeSousa) Leal, and they settled in Lowell, Massachusetts. He became a communicant of St. Anthony’s Church and a member of many local clubs including the Portuguese American Civic League, the Portuguese American Center, and the Holy Ghost Society. After immigrating to Lowell, he worked at Paris Shoe as a machine operator until 1978. He later began working for Bradford Industries, formerly known as Pandel, as an inspector until his retirement.&lt;br /&gt;&lt;br /&gt;In addition to being an avid videographer, Januario was also an active photographer, capturing events such as Carnaval celebrations, cantoria performances, Portuguese festas and festivals, general scenes and events around the Back Central neighborhood, and other moments related to the Portuguese community of Lowell. He captured hundreds of photographs of local community members and Portuguese culture, and thanks to his passion for both videography and photography, memories and traditions from the Portuguese American community in Lowell will now be preserved for the next generations to see.&lt;br /&gt;&lt;br /&gt;Januario passed away on February 28, 2022 and is survived by his four children—Roberta Agostinho, Alizabete Brum, Davido Leal, and Roberto Leal—and their families, including many grandchildren.</text>
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                  <text>&lt;a href="https://umlportuguesearchives.omeka.net/collections/show/38"&gt;Januario Leal Video Collection [1975-2000]&lt;/a&gt;</text>
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                  <text>Collection scanned and digitally donated by Januario's son, Roberto Leal.</text>
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                  <text>The Januario Leal Photography collection contains pictures related to the Portuguese community within Lowell from the 1970s to 2000. The photographs in this collection include snapshots of festivals, festas and processions, Carnaval celebrations, memorable events in Back Central, and photographs of Januario Leal himself—including photographs of his personal studio.&lt;br /&gt;&lt;br /&gt;Photographs donated with this collection that were taken after 2000 or fall outside of PADA's usual collection scope have been digitally preserved by the PADA archivists and are available for research or viewing purposes upon request.&lt;br /&gt;&lt;br /&gt;This collection is still growing. Check back for updates!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;strong&gt;&lt;/strong&gt;Content warning: This collection contains photographic images of Mantança do Porco events, which is a Portuguese tradition that involves slaughtering and butchering a pig. No images include blood or excessive gore, but may still be distressing to users.&lt;br /&gt;&lt;br /&gt;Biographical Note&lt;/strong&gt;&lt;br /&gt;Januario L. Leal was born on October 15, 1946, in São Bras, Terceira to Januario and Maria (Linhares) Leal. He grew up attending school and, as an adult, operated his father’s convenience store.&lt;br /&gt;&lt;br /&gt;In 1970, Januario relocated to the United States with his wife, Fernanda (DeSousa) Leal, and they settled in Lowell, Massachusetts. He became a communicant of St. Anthony’s Church and a member of many local clubs including the Portuguese American Civic League, the Portuguese American Center, and the Holy Ghost Society. After immigrating to Lowell, he worked at Paris Shoe as a machine operator until 1978. He later began working for Bradford Industries, formerly known as Pandel, as an inspector until his retirement.&lt;br /&gt;&lt;br /&gt;In addition to being an avid videographer, Januario was also an active photographer, capturing events such as Carnaval celebrations, cantoria performances, Portuguese festas and festivals, general scenes and events around the Back Central neighborhood, and other moments related to the Portuguese community of Lowell. He captured hundreds of photographs of local community members and Portuguese culture, and thanks to his passion for both videography and photography, memories and traditions from the Portuguese American community in Lowell will now be preserved for the next generations to see.&lt;br /&gt;&lt;br /&gt;Januario passed away on February 28, 2022 and is survived by his four children—Roberta Agostinho, Alizabete Brum, Davido Leal, and Roberto Leal—and their families, including many grandchildren.</text>
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                  <text>&lt;a href="https://umlportuguesearchives.omeka.net/collections/show/38"&gt;Januario Leal Video Collection [1975-2000]&lt;/a&gt;</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1970-2000</text>
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              <description>An entity primarily responsible for making the resource</description>
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                  <text>Leal, Januario</text>
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                  <text>Azaverdo, Flaminio</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Bullfights</text>
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                  <text>Festivals</text>
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                  <text>Portuguese American women</text>
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                  <text>Folk dancing, Portuguese</text>
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                <elementText elementTextId="59013">
                  <text>Traffic accidents</text>
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                  <text>Azorean Americans</text>
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                  <text>Musicians</text>
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                  <text>Weather</text>
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                  <text>Snow</text>
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                  <text>Clowns</text>
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                  <text>Video tapes</text>
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                  <text>Cows</text>
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                  <text>Music--Portuguese influences</text>
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                  <text>Dance ensembles</text>
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                  <text>Livestock</text>
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                  <text>Fathers and sons</text>
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                  <text>Children of immigrants</text>
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                  <text>Altars</text>
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                  <text>Marching bands</text>
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                  <text>Fraternal organizations</text>
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                  <text>Youth centers</text>
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                  <text>Mary, Blessed Virgin, Saint</text>
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                  <text>Priests</text>
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                  <text>Slaughtering and slaughter-houses</text>
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                  <text>Female impersonators</text>
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                  <text>Dinners and dining</text>
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                  <text>Lowell (Mass.)</text>
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                  <text>Cumberland (R.I. : Town)</text>
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                  <text>Attleboro (Mass.)</text>
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                  <text>Pawtucket (R.I.)</text>
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                  <text>Naugatuck (Conn.)</text>
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                  <text>Lawrence (Mass.)</text>
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                  <text>Collection scanned and digitally donated by Januario's son, Roberto Leal.</text>
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                  <text>UMass Lowell, Center for Lowell History</text>
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                  <text>Foto Silva</text>
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                  <text>In Copyright - Educational Use Permitted: This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).</text>
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                  <text>The Januario Leal Photography collection contains pictures related to the Portuguese community within Lowell from the 1970s to 2000. The photographs in this collection include snapshots of festivals, festas and processions, Carnaval celebrations, memorable events in Back Central, and photographs of Januario Leal himself—including photographs of his personal studio.&lt;br /&gt;&lt;br /&gt;Photographs donated with this collection that were taken after 2000 or fall outside of PADA's usual collection scope have been digitally preserved by the PADA archivists and are available for research or viewing purposes upon request.&lt;br /&gt;&lt;br /&gt;This collection is still growing. Check back for updates!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;strong&gt;&lt;/strong&gt;Content warning: This collection contains photographic images of Mantança do Porco events, which is a Portuguese tradition that involves slaughtering and butchering a pig. No images include blood or excessive gore, but may still be distressing to users.&lt;br /&gt;&lt;br /&gt;Biographical Note&lt;/strong&gt;&lt;br /&gt;Januario L. Leal was born on October 15, 1946, in São Bras, Terceira to Januario and Maria (Linhares) Leal. He grew up attending school and, as an adult, operated his father’s convenience store.&lt;br /&gt;&lt;br /&gt;In 1970, Januario relocated to the United States with his wife, Fernanda (DeSousa) Leal, and they settled in Lowell, Massachusetts. He became a communicant of St. Anthony’s Church and a member of many local clubs including the Portuguese American Civic League, the Portuguese American Center, and the Holy Ghost Society. After immigrating to Lowell, he worked at Paris Shoe as a machine operator until 1978. He later began working for Bradford Industries, formerly known as Pandel, as an inspector until his retirement.&lt;br /&gt;&lt;br /&gt;In addition to being an avid videographer, Januario was also an active photographer, capturing events such as Carnaval celebrations, cantoria performances, Portuguese festas and festivals, general scenes and events around the Back Central neighborhood, and other moments related to the Portuguese community of Lowell. He captured hundreds of photographs of local community members and Portuguese culture, and thanks to his passion for both videography and photography, memories and traditions from the Portuguese American community in Lowell will now be preserved for the next generations to see.&lt;br /&gt;&lt;br /&gt;Januario passed away on February 28, 2022 and is survived by his four children—Roberta Agostinho, Alizabete Brum, Davido Leal, and Roberto Leal—and their families, including many grandchildren.</text>
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                  <text>&lt;a href="https://umlportuguesearchives.omeka.net/collections/show/38"&gt;Januario Leal Video Collection [1975-2000]&lt;/a&gt;</text>
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                <text>Rancho folclórico dancers in a Bodo de Leite festival in Lowell, MA</text>
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                <text>Photograph of a group of rancho folclórico dancers performing during a Bodo de Leite festival in Lowell, MA.</text>
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                <text>Azaverdo, Flaminio</text>
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                <text>Folk dancing, Portuguese</text>
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                <text>Festivals</text>
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                <text>Parades</text>
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                <text>Dance ensembles</text>
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                <text>Lowell (Mass.)</text>
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                <text>Collection scanned and digitally donated by Januario's son, Roberto Leal.</text>
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                <text>Foto Silva</text>
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                <text>In Copyright - Educational Use Permitted: This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>JPEG</text>
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                <text>Image</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Bodo De Leite Lowell, MA_01</text>
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        <name>Bodo de Leite</name>
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                  <text>Dimas Espinola Collection [1923-2009]</text>
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                  <text>These items, collected over time by Dimas Espinola, detail the Portuguese community in Lowell from the 1920s through the 2000s. Items include Holy Ghost Society documents, newspaper articles, photographs, and event posters.&#13;
&#13;
Biographical Note&#13;
Born on the Azorean island of Terceira, in the village of Biscoitos, in 1950; Dimas Espinola immigrated with his family to the United States in the late 1960s, settling in Lowell’s “Back Central” (predominately Portuguese) neighborhood; his father, formerly a furniture maker in Biscoitos, obtained a job as a loom fixer in the Wannalancit Mills; his mother worked in a shoe factory; Mr. Espinola received his formal education in schools on Terceira and, upon arriving in Lowell, he secured a work permit and, at nearly 17 years of age, he was employed in a manufacturing job in the Paris shoe factory on Bridge Street; at the same time Mr. Espinola, a communicant at St. Anthony’s Church, began working closely with the pastor, Rev. John F. deSilva; among his activities was translating English for Portuguese members of the community, which included various issues affecting the neighborhood, including a state proposed extension of the Lowell Connector highway that threatened many homes and businesses in the “Back Central” neighborhood; in addition to his community activism and work with the church, Mr. Espinola also became involved with the Portuguese-American Center (and its soccer team), as well as the Holy Ghost Society; he remained in the shoe industry for many years, becoming a foreman and factory manager.&#13;
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              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39782">
                  <text>In Copyright - Educational Use Permitted: This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).</text>
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                  <text>No Copyright - United States: The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries.</text>
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                  <text>English</text>
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                  <text>Portuguese</text>
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              <name>Date</name>
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                  <text>1923-2009</text>
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              <description>The topic of the resource</description>
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                  <text>Catholic Church--Societies, etc.</text>
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                <elementText elementTextId="42340">
                  <text>Music--Portuguese influences</text>
                </elementText>
                <elementText elementTextId="42341">
                  <text>Wedding photography</text>
                </elementText>
                <elementText elementTextId="42342">
                  <text>Wedding attendants</text>
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                <elementText elementTextId="42343">
                  <text>Portuguese American women</text>
                </elementText>
                <elementText elementTextId="42344">
                  <text>United States. Navy.</text>
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                <elementText elementTextId="42345">
                  <text>First Confession and Communion</text>
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                <elementText elementTextId="42346">
                  <text>Immigrants--Cultural Assimilation--United States</text>
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                <elementText elementTextId="42347">
                  <text>United States. Army.</text>
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                <elementText elementTextId="42348">
                  <text>Fasts and Feasts</text>
                </elementText>
                <elementText elementTextId="42349">
                  <text>Dictators</text>
                </elementText>
                <elementText elementTextId="42350">
                  <text>Mills and mill-work</text>
                </elementText>
                <elementText elementTextId="42351">
                  <text>Processions, Religious--Catholic Church</text>
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                  <text>Veterans</text>
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                  <text>United States. Navy.</text>
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                  <text>Basketball teams</text>
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                  <text>World War, 1939-1945</text>
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                  <text>Nuns</text>
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                  <text>Altars</text>
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                  <text>Musicians</text>
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                  <text>Musical theater</text>
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                  <text>Motion pictures, Portuguese</text>
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                  <text>Easter</text>
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                  <text>Attack on Pearl Harbor, Hawaii, 1941</text>
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                  <text>World War, 1939-1945--Women</text>
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                  <text>Crocheting</text>
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                  <text>Victory in Europe Day, 1945</text>
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                <elementText elementTextId="42367">
                  <text>World War, 1939-1945--United States--Medals</text>
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                <elementText elementTextId="42368">
                  <text>World War, 1939-1945--United States--Prisoners and prisons</text>
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                <elementText elementTextId="42369">
                  <text>United States. Army. Women's Army Corps.</text>
                </elementText>
                <elementText elementTextId="42370">
                  <text>United States. Air force.</text>
                </elementText>
                <elementText elementTextId="42371">
                  <text>United States. Marine Corps.</text>
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                <elementText elementTextId="42383">
                  <text>Catholic Church--Dioceses</text>
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                <elementText elementTextId="42384">
                  <text>Mother's Day</text>
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                  <text>Ambassadors</text>
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                  <text>Consuls</text>
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                  <text>Community organization</text>
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                  <text>Real estate agents</text>
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                  <text>Financial institutions</text>
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                  <text>Seventh-Day Adventists</text>
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                  <text>These items, collected over time by Dimas Espinola, detail the Portuguese community in Lowell from the 1920s through the 2000s. Items include Holy Ghost Society documents, newspaper articles, photographs, and event posters.&#13;
&#13;
Biographical Note&#13;
Born on the Azorean island of Terceira, in the village of Biscoitos, in 1950; Dimas Espinola immigrated with his family to the United States in the late 1960s, settling in Lowell’s “Back Central” (predominately Portuguese) neighborhood; his father, formerly a furniture maker in Biscoitos, obtained a job as a loom fixer in the Wannalancit Mills; his mother worked in a shoe factory; Mr. Espinola received his formal education in schools on Terceira and, upon arriving in Lowell, he secured a work permit and, at nearly 17 years of age, he was employed in a manufacturing job in the Paris shoe factory on Bridge Street; at the same time Mr. Espinola, a communicant at St. Anthony’s Church, began working closely with the pastor, Rev. John F. deSilva; among his activities was translating English for Portuguese members of the community, which included various issues affecting the neighborhood, including a state proposed extension of the Lowell Connector highway that threatened many homes and businesses in the “Back Central” neighborhood; in addition to his community activism and work with the church, Mr. Espinola also became involved with the Portuguese-American Center (and its soccer team), as well as the Holy Ghost Society; he remained in the shoe industry for many years, becoming a foreman and factory manager.&#13;
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&#13;
Biographical Note&#13;
Born on the Azorean island of Terceira, in the village of Biscoitos, in 1950; Dimas Espinola immigrated with his family to the United States in the late 1960s, settling in Lowell’s “Back Central” (predominately Portuguese) neighborhood; his father, formerly a furniture maker in Biscoitos, obtained a job as a loom fixer in the Wannalancit Mills; his mother worked in a shoe factory; Mr. Espinola received his formal education in schools on Terceira and, upon arriving in Lowell, he secured a work permit and, at nearly 17 years of age, he was employed in a manufacturing job in the Paris shoe factory on Bridge Street; at the same time Mr. Espinola, a communicant at St. Anthony’s Church, began working closely with the pastor, Rev. John F. deSilva; among his activities was translating English for Portuguese members of the community, which included various issues affecting the neighborhood, including a state proposed extension of the Lowell Connector highway that threatened many homes and businesses in the “Back Central” neighborhood; in addition to his community activism and work with the church, Mr. Espinola also became involved with the Portuguese-American Center (and its soccer team), as well as the Holy Ghost Society; he remained in the shoe industry for many years, becoming a foreman and factory manager.&#13;
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                  <text>Music--Portuguese influences</text>
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Award being presented by Dimas Espinola.</text>
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&#13;
Biographical Note&#13;
Born on the Azorean island of Terceira, in the village of Biscoitos, in 1950; Dimas Espinola immigrated with his family to the United States in the late 1960s, settling in Lowell’s “Back Central” (predominately Portuguese) neighborhood; his father, formerly a furniture maker in Biscoitos, obtained a job as a loom fixer in the Wannalancit Mills; his mother worked in a shoe factory; Mr. Espinola received his formal education in schools on Terceira and, upon arriving in Lowell, he secured a work permit and, at nearly 17 years of age, he was employed in a manufacturing job in the Paris shoe factory on Bridge Street; at the same time Mr. Espinola, a communicant at St. Anthony’s Church, began working closely with the pastor, Rev. John F. deSilva; among his activities was translating English for Portuguese members of the community, which included various issues affecting the neighborhood, including a state proposed extension of the Lowell Connector highway that threatened many homes and businesses in the “Back Central” neighborhood; in addition to his community activism and work with the church, Mr. Espinola also became involved with the Portuguese-American Center (and its soccer team), as well as the Holy Ghost Society; he remained in the shoe industry for many years, becoming a foreman and factory manager.&#13;
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&#13;
Biographical Note&#13;
Born on the Azorean island of Terceira, in the village of Biscoitos, in 1950; Dimas Espinola immigrated with his family to the United States in the late 1960s, settling in Lowell’s “Back Central” (predominately Portuguese) neighborhood; his father, formerly a furniture maker in Biscoitos, obtained a job as a loom fixer in the Wannalancit Mills; his mother worked in a shoe factory; Mr. Espinola received his formal education in schools on Terceira and, upon arriving in Lowell, he secured a work permit and, at nearly 17 years of age, he was employed in a manufacturing job in the Paris shoe factory on Bridge Street; at the same time Mr. Espinola, a communicant at St. Anthony’s Church, began working closely with the pastor, Rev. John F. deSilva; among his activities was translating English for Portuguese members of the community, which included various issues affecting the neighborhood, including a state proposed extension of the Lowell Connector highway that threatened many homes and businesses in the “Back Central” neighborhood; in addition to his community activism and work with the church, Mr. Espinola also became involved with the Portuguese-American Center (and its soccer team), as well as the Holy Ghost Society; he remained in the shoe industry for many years, becoming a foreman and factory manager.&#13;
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                  <text>Items were donated by Dimas Espinola in 2022.</text>
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                  <text>&lt;a href="https://umlportuguesearchives.omeka.net/items/show/34"&gt;Dimas Espinola Oral History&lt;/a&gt;</text>
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                <text>Members of the Holy Ghost Society walking in procession.</text>
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                <text>Azaverdo, Flaminio</text>
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                  <text>These items, collected over time by Dimas Espinola, detail the Portuguese community in Lowell from the 1920s through the 2000s. Items include Holy Ghost Society documents, newspaper articles, photographs, and event posters.&#13;
&#13;
Biographical Note&#13;
Born on the Azorean island of Terceira, in the village of Biscoitos, in 1950; Dimas Espinola immigrated with his family to the United States in the late 1960s, settling in Lowell’s “Back Central” (predominately Portuguese) neighborhood; his father, formerly a furniture maker in Biscoitos, obtained a job as a loom fixer in the Wannalancit Mills; his mother worked in a shoe factory; Mr. Espinola received his formal education in schools on Terceira and, upon arriving in Lowell, he secured a work permit and, at nearly 17 years of age, he was employed in a manufacturing job in the Paris shoe factory on Bridge Street; at the same time Mr. Espinola, a communicant at St. Anthony’s Church, began working closely with the pastor, Rev. John F. deSilva; among his activities was translating English for Portuguese members of the community, which included various issues affecting the neighborhood, including a state proposed extension of the Lowell Connector highway that threatened many homes and businesses in the “Back Central” neighborhood; in addition to his community activism and work with the church, Mr. Espinola also became involved with the Portuguese-American Center (and its soccer team), as well as the Holy Ghost Society; he remained in the shoe industry for many years, becoming a foreman and factory manager.&#13;
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                  <text>Music--Portuguese influences</text>
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                  <text>World War, 1939-1945</text>
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                  <text>These items, collected over time by Dimas Espinola, detail the Portuguese community in Lowell from the 1920s through the 2000s. Items include Holy Ghost Society documents, newspaper articles, photographs, and event posters.&#13;
&#13;
Biographical Note&#13;
Born on the Azorean island of Terceira, in the village of Biscoitos, in 1950; Dimas Espinola immigrated with his family to the United States in the late 1960s, settling in Lowell’s “Back Central” (predominately Portuguese) neighborhood; his father, formerly a furniture maker in Biscoitos, obtained a job as a loom fixer in the Wannalancit Mills; his mother worked in a shoe factory; Mr. Espinola received his formal education in schools on Terceira and, upon arriving in Lowell, he secured a work permit and, at nearly 17 years of age, he was employed in a manufacturing job in the Paris shoe factory on Bridge Street; at the same time Mr. Espinola, a communicant at St. Anthony’s Church, began working closely with the pastor, Rev. John F. deSilva; among his activities was translating English for Portuguese members of the community, which included various issues affecting the neighborhood, including a state proposed extension of the Lowell Connector highway that threatened many homes and businesses in the “Back Central” neighborhood; in addition to his community activism and work with the church, Mr. Espinola also became involved with the Portuguese-American Center (and its soccer team), as well as the Holy Ghost Society; he remained in the shoe industry for many years, becoming a foreman and factory manager.&#13;
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                  <text>These items, collected over time by Dimas Espinola, detail the Portuguese community in Lowell from the 1920s through the 2000s. Items include Holy Ghost Society documents, newspaper articles, photographs, and event posters.&#13;
&#13;
Biographical Note&#13;
Born on the Azorean island of Terceira, in the village of Biscoitos, in 1950; Dimas Espinola immigrated with his family to the United States in the late 1960s, settling in Lowell’s “Back Central” (predominately Portuguese) neighborhood; his father, formerly a furniture maker in Biscoitos, obtained a job as a loom fixer in the Wannalancit Mills; his mother worked in a shoe factory; Mr. Espinola received his formal education in schools on Terceira and, upon arriving in Lowell, he secured a work permit and, at nearly 17 years of age, he was employed in a manufacturing job in the Paris shoe factory on Bridge Street; at the same time Mr. Espinola, a communicant at St. Anthony’s Church, began working closely with the pastor, Rev. John F. deSilva; among his activities was translating English for Portuguese members of the community, which included various issues affecting the neighborhood, including a state proposed extension of the Lowell Connector highway that threatened many homes and businesses in the “Back Central” neighborhood; in addition to his community activism and work with the church, Mr. Espinola also became involved with the Portuguese-American Center (and its soccer team), as well as the Holy Ghost Society; he remained in the shoe industry for many years, becoming a foreman and factory manager.&#13;
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                  <text>&lt;a href="https://umlportuguesearchives.omeka.net/items/show/34"&gt;Dimas Espinola Oral History&lt;/a&gt;</text>
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                  <text>These items, collected over time by Dimas Espinola, detail the Portuguese community in Lowell from the 1920s through the 2000s. Items include Holy Ghost Society documents, newspaper articles, photographs, and event posters.&#13;
&#13;
Biographical Note&#13;
Born on the Azorean island of Terceira, in the village of Biscoitos, in 1950; Dimas Espinola immigrated with his family to the United States in the late 1960s, settling in Lowell’s “Back Central” (predominately Portuguese) neighborhood; his father, formerly a furniture maker in Biscoitos, obtained a job as a loom fixer in the Wannalancit Mills; his mother worked in a shoe factory; Mr. Espinola received his formal education in schools on Terceira and, upon arriving in Lowell, he secured a work permit and, at nearly 17 years of age, he was employed in a manufacturing job in the Paris shoe factory on Bridge Street; at the same time Mr. Espinola, a communicant at St. Anthony’s Church, began working closely with the pastor, Rev. John F. deSilva; among his activities was translating English for Portuguese members of the community, which included various issues affecting the neighborhood, including a state proposed extension of the Lowell Connector highway that threatened many homes and businesses in the “Back Central” neighborhood; in addition to his community activism and work with the church, Mr. Espinola also became involved with the Portuguese-American Center (and its soccer team), as well as the Holy Ghost Society; he remained in the shoe industry for many years, becoming a foreman and factory manager.&#13;
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                  <text>&lt;a href="https://umlportuguesearchives.omeka.net/items/show/34"&gt;Dimas Espinola Oral History&lt;/a&gt;</text>
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&#13;
Biographical Note&#13;
Born on the Azorean island of Terceira, in the village of Biscoitos, in 1950; Dimas Espinola immigrated with his family to the United States in the late 1960s, settling in Lowell’s “Back Central” (predominately Portuguese) neighborhood; his father, formerly a furniture maker in Biscoitos, obtained a job as a loom fixer in the Wannalancit Mills; his mother worked in a shoe factory; Mr. Espinola received his formal education in schools on Terceira and, upon arriving in Lowell, he secured a work permit and, at nearly 17 years of age, he was employed in a manufacturing job in the Paris shoe factory on Bridge Street; at the same time Mr. Espinola, a communicant at St. Anthony’s Church, began working closely with the pastor, Rev. John F. deSilva; among his activities was translating English for Portuguese members of the community, which included various issues affecting the neighborhood, including a state proposed extension of the Lowell Connector highway that threatened many homes and businesses in the “Back Central” neighborhood; in addition to his community activism and work with the church, Mr. Espinola also became involved with the Portuguese-American Center (and its soccer team), as well as the Holy Ghost Society; he remained in the shoe industry for many years, becoming a foreman and factory manager.&#13;
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                  <text>Items were donated by Dimas Espinola in 2022.</text>
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                  <text>&lt;a href="https://umlportuguesearchives.omeka.net/items/show/34"&gt;Dimas Espinola Oral History&lt;/a&gt;</text>
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                  <text>These items, collected over time by Dimas Espinola, detail the Portuguese community in Lowell from the 1920s through the 2000s. Items include Holy Ghost Society documents, newspaper articles, photographs, and event posters.&#13;
&#13;
Biographical Note&#13;
Born on the Azorean island of Terceira, in the village of Biscoitos, in 1950; Dimas Espinola immigrated with his family to the United States in the late 1960s, settling in Lowell’s “Back Central” (predominately Portuguese) neighborhood; his father, formerly a furniture maker in Biscoitos, obtained a job as a loom fixer in the Wannalancit Mills; his mother worked in a shoe factory; Mr. Espinola received his formal education in schools on Terceira and, upon arriving in Lowell, he secured a work permit and, at nearly 17 years of age, he was employed in a manufacturing job in the Paris shoe factory on Bridge Street; at the same time Mr. Espinola, a communicant at St. Anthony’s Church, began working closely with the pastor, Rev. John F. deSilva; among his activities was translating English for Portuguese members of the community, which included various issues affecting the neighborhood, including a state proposed extension of the Lowell Connector highway that threatened many homes and businesses in the “Back Central” neighborhood; in addition to his community activism and work with the church, Mr. Espinola also became involved with the Portuguese-American Center (and its soccer team), as well as the Holy Ghost Society; he remained in the shoe industry for many years, becoming a foreman and factory manager.&#13;
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                  <text>These items, collected over time by Dimas Espinola, detail the Portuguese community in Lowell from the 1920s through the 2000s. Items include Holy Ghost Society documents, newspaper articles, photographs, and event posters.&#13;
&#13;
Biographical Note&#13;
Born on the Azorean island of Terceira, in the village of Biscoitos, in 1950; Dimas Espinola immigrated with his family to the United States in the late 1960s, settling in Lowell’s “Back Central” (predominately Portuguese) neighborhood; his father, formerly a furniture maker in Biscoitos, obtained a job as a loom fixer in the Wannalancit Mills; his mother worked in a shoe factory; Mr. Espinola received his formal education in schools on Terceira and, upon arriving in Lowell, he secured a work permit and, at nearly 17 years of age, he was employed in a manufacturing job in the Paris shoe factory on Bridge Street; at the same time Mr. Espinola, a communicant at St. Anthony’s Church, began working closely with the pastor, Rev. John F. deSilva; among his activities was translating English for Portuguese members of the community, which included various issues affecting the neighborhood, including a state proposed extension of the Lowell Connector highway that threatened many homes and businesses in the “Back Central” neighborhood; in addition to his community activism and work with the church, Mr. Espinola also became involved with the Portuguese-American Center (and its soccer team), as well as the Holy Ghost Society; he remained in the shoe industry for many years, becoming a foreman and factory manager.&#13;
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                  <text>These items, collected over time by Dimas Espinola, detail the Portuguese community in Lowell from the 1920s through the 2000s. Items include Holy Ghost Society documents, newspaper articles, photographs, and event posters.&#13;
&#13;
Biographical Note&#13;
Born on the Azorean island of Terceira, in the village of Biscoitos, in 1950; Dimas Espinola immigrated with his family to the United States in the late 1960s, settling in Lowell’s “Back Central” (predominately Portuguese) neighborhood; his father, formerly a furniture maker in Biscoitos, obtained a job as a loom fixer in the Wannalancit Mills; his mother worked in a shoe factory; Mr. Espinola received his formal education in schools on Terceira and, upon arriving in Lowell, he secured a work permit and, at nearly 17 years of age, he was employed in a manufacturing job in the Paris shoe factory on Bridge Street; at the same time Mr. Espinola, a communicant at St. Anthony’s Church, began working closely with the pastor, Rev. John F. deSilva; among his activities was translating English for Portuguese members of the community, which included various issues affecting the neighborhood, including a state proposed extension of the Lowell Connector highway that threatened many homes and businesses in the “Back Central” neighborhood; in addition to his community activism and work with the church, Mr. Espinola also became involved with the Portuguese-American Center (and its soccer team), as well as the Holy Ghost Society; he remained in the shoe industry for many years, becoming a foreman and factory manager.&#13;
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                  <text>&lt;a href="https://umlportuguesearchives.omeka.net/items/show/34"&gt;Dimas Espinola Oral History&lt;/a&gt;</text>
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                  <text>These items, collected over time by Dimas Espinola, detail the Portuguese community in Lowell from the 1920s through the 2000s. Items include Holy Ghost Society documents, newspaper articles, photographs, and event posters.&#13;
&#13;
Biographical Note&#13;
Born on the Azorean island of Terceira, in the village of Biscoitos, in 1950; Dimas Espinola immigrated with his family to the United States in the late 1960s, settling in Lowell’s “Back Central” (predominately Portuguese) neighborhood; his father, formerly a furniture maker in Biscoitos, obtained a job as a loom fixer in the Wannalancit Mills; his mother worked in a shoe factory; Mr. Espinola received his formal education in schools on Terceira and, upon arriving in Lowell, he secured a work permit and, at nearly 17 years of age, he was employed in a manufacturing job in the Paris shoe factory on Bridge Street; at the same time Mr. Espinola, a communicant at St. Anthony’s Church, began working closely with the pastor, Rev. John F. deSilva; among his activities was translating English for Portuguese members of the community, which included various issues affecting the neighborhood, including a state proposed extension of the Lowell Connector highway that threatened many homes and businesses in the “Back Central” neighborhood; in addition to his community activism and work with the church, Mr. Espinola also became involved with the Portuguese-American Center (and its soccer team), as well as the Holy Ghost Society; he remained in the shoe industry for many years, becoming a foreman and factory manager.&#13;
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                  <text>United States. Navy.</text>
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                  <text>Items were donated by Dimas Espinola in 2022.</text>
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                  <text>&lt;a href="https://umlportuguesearchives.omeka.net/items/show/34"&gt;Dimas Espinola Oral History&lt;/a&gt;</text>
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                  <text>Holy Ghost Society Archives [1967-1995]</text>
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                  <text>&lt;strong&gt;Historical Overview:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;By 1905, Lowell had nearly 1,000 Portuguese immigrants, the majority having been born in the Azores. Most lived in the vicinity of Charles Street in the “Back Central” neighborhood, which was home to St. Anthony’s Church and a number of Portuguese social and religious societies. Among the more prominent was the Holy Ghost Society, founded in 1907, by a group of Azorean immigrants. Rev. Joaquim V. da Rosa, from the island of Pico and the first pastor of St. Anthony’s, supported the Society’s establishment. The following year Fr. Rosa performed the Solemn Sunday Mass and coronation for the first Holy Ghost Festival in the city. A large procession with a band streamed down Central Street to a public hall where an overflowing crowd enjoyed sumptuous feast and beheld the finely crafted silver crown.&lt;br /&gt;&lt;br /&gt;Over the first decade membership in the Holy Ghost Society grew. Although the annual Holy Ghost Festival, held on Pentecost Sunday, was the major event sponsored by the Society, members engaged in a variety of religious and social activities, including concerts and dances. By the mid-1910s the Holy Ghost Society had amassed sufficient funds to maintain a headquarters in the Odd Fellows Hall on Middlesex Street. In 1924, seeking a larger space for its many activities, the Society, which had incorporated under the laws of Massachusetts a year earlier, purchased over four acres of land on Village Street on the outskirts of Lowell. Over the years, the Holy Ghost grounds featured a clubhouse with a large hall, an amphitheater, a playground, and a soccer field. Although Azoreans continued to be the largest group within the Society, Portuguese from Madeira, mainland Portugal, and Brazil had become members and several served in leadership roles.&lt;br /&gt;&lt;br /&gt;Beginning in 1959, Lowell’s Holy Ghost Society adopted a common practice at other Holy Ghost Festivals in the United States, the coronation of a queen, representing the Queen Saint Isabel, and the selection of two queen’s maids, all young women between the ages of 16 and 21. In addition to the coronation, the queen and her maids were a prominent part of the procession, standing on top of a colorfully decorated float, often towed, as was the popular custom, by a new convertible automobile.&lt;br /&gt;&lt;br /&gt;In its early years, the Holy Ghost Society was led exclusively by Portuguese men, some who worked in factories and others who ran small businesses. Nonetheless, female members planned many annual activities and special events as participants in a ladies’ auxiliary. Beginning in the 1940s, however, women served as officers and presidents. The first female president, Clara (Silva) Correia, had immigrated from Graciosa, settled in Lowell in 1905, and had worked many years as a weaver in a textile mill. She was succeeded as president some years later by one of the best known members of the Society, Gladys (Mendonça) Picanso, a community activist who owned a popular hairstyling business in Lowell.&lt;br /&gt;&lt;br /&gt;The Holy Ghost Society continues to sponsor the annual Holy Ghost Festival, along with other events and charitable activities. Many of these are held at Holy Ghost Park on Village Street. But these events, whether they are concerts, dances, or sporting and recreational games, some of which include non-Portuguese participants, exhibit a distinctly Portuguese flair.</text>
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                <elementText elementTextId="37606">
                  <text>Image</text>
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                <elementText elementTextId="37607">
                  <text>Text</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="26795">
                <text>1995 Feast of the Holy Ghost Procession (98)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26796">
                <text>Fasts and Feasts</text>
              </elementText>
              <elementText elementTextId="26797">
                <text>Portuguese American women</text>
              </elementText>
              <elementText elementTextId="26798">
                <text>Processions, Religious--Catholic Church</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26799">
                <text>Azaverdo, Flaminio</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="26800">
                <text>Digital scans donated by the Holy Ghost Society, Lowell, MA.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="26801">
                <text>Foto Silva</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26802">
                <text>1995</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26803">
                <text>In Copyright - Educational Use Permitted: This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s).</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26804">
                <text>JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="26805">
                <text>Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="26806">
                <text>HolyGhost_Album2_105</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="26807">
                <text>Lowell (Mass.)</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="42">
        <name>Feast of the Holy Ghost</name>
      </tag>
      <tag tagId="60">
        <name>Holy Ghost Society (Lowell, MA)</name>
      </tag>
      <tag tagId="9">
        <name>Saint Anthony's Church (Lowell, MA)</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
